A poetic companion through the journey of serious illness.

Showcasing Dan Flavin’s “corner,” “barrier,” and “corridor” works, this catalogue explores the artist’s core sculptural vocabulary and how his use of fluorescent light forged a new relationship between the art object and its surrounding architecture. This publication examines how Flavin’s light works, which he described as “situations,” function in space, occupying key positions that highlight how the rooms themselves are constructed. The exhibition is not only historically significant, as it mines early explorations in Flavin’s practice, but many of the works are reproduced for the first time in plates that accurately capture their colors. Published on the occasion of the 2015 eponymous exhibition at David Zwirner, New York, Corners, Barriers and Corridors takes as its point of departure the artist’s influential show, corners, barriers and corridors in fluorescent light from Dan Flavin, presented at the Saint Louis Art Museum in 1973. Above all, the photography reveals the unexpected and powerful interplay between the light of neighboring pieces and the space—the way the walls, floor, and various hues mingle to form unpredicted palettes that reveal what Michael Auping, following Donald Judd, calls the “exoskeleton.” These works, with their immediate relationship to architecture, not only function as color experiments but as structural explorations in light, and in his essay, Auping explores how Flavin’s investigations of corners, barriers, and corridors became an essential part of the way the artist understood space. This publication also features rarely seen photographs of Flavin installing his historic 1973 exhibition, as well as detailed notes by Alexandra Whitney about the works included in the St. Louis presentation. Designed by McCall Associates, in close collaboration with the Estate of Dan Flavin, this catalogue presents an especially significant body of work in a completely new way and offers a vital historical perspective on Flavin’s practice.

Finalist, 2020 Miller Williams Poetry Prize Like nesting dolls, the poems in I Was Waiting to See What You Would Do First contain scenes within scenes, inviting the reader over and over again to sharpen focus on minute details that, though small, reveal much about human perception and imagination. Angie Mazakis handles these layers of revelation with great tenderness. Her poems wander in the way that a curious mind wanders, so that even though they often end very far from where they started, they are anchored in the familiar, referring to experiences we all share: a moment of distraction in a coffee shop imagining a conversation with someone across the room, or a narrative built around the expressions of the cartoon people on the airplane seatback safety guide. I Was Waiting to See What You Would Do First is a testament to the notion that whether through a cosmic or microscopic lens, “You just see one moment; you just see now.”

Composed as a long text message, this poem asks what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history.

Panoramic, authentic, explosively dramatic—this is the breathtaking new series The First Americans, which began with Book I, Beyond The Sea Of Ice. Now the heroic great hunter Torka, his woman Lonit, and his adopted son Karana emerge from a land forbidden to all men, a land where mountains walk and spirits speak. Across the fierce glacial tundra Torka leads his people—survivors of a horrifying natural disaster—to a winter camp where many bands gather to hunt the great mammoth. There he and his followers encounter an evil more dangerous than the wild lands—the magic man called Navahlk, who vows cruel destruction of the bold hunter Torka. To survive they must draw upon the courage of one brave boy who will grow to manhood and see with his mind’s eye where the sun’s light has led them—to the dawn of man on the American continent.

"In a single book-length poem, Boyle questions what it might mean to live and write in the immediate knowledge of death, what response we can find when out of the blue we, or the one we love, are told we have a very limited time to live. At once a work of the most profound depth, and a masterpiece of clarity and tenderness." --Back cover

The corridors and committee rooms of Whitehall are the setting for the ninth in the Strangers and Brothers series. They are also home to the manipulation of political power. Roger Quaife wages his ban-the-bomb campaign from his seat in the Cabinet and his office at the Ministry.

DAMN: Emotional and Physical Journey Through the Corridors of the Justice System uncovers the hidden and taboo stories of gay relationships within the prison system. Venturing into a world often associated with violence and isolation, this book offers an intimate glimpse into the lives of individuals seeking love, intimacy, and self-authentication under the harshest of conditions. Drawing on firsthand accounts, research, and personal experiences, the author delves into the labyrinth of emotions, charting both the struggles and the triumphs that defy the barriers of incarceration. This compelling narrative serves not just as a testament to human resilience and the transformative power of love, but also as a call to action. Addressing the systemic issues that exacerbate the hardships faced by LGBTQ+ individuals behind bars, it challenges us to confront our biases and advocate for a more inclusive and empathetic prison system. A catalyst for meaningful conversations and reforms, this book reminds us of the inherent worth of every human being, urging us toward a more equitable and compassionate society.