'A wild, sleazy, drug-filled odyssey ... Doyle's maverick novel deserves the accolades coming its way' Independent 'The best work to date from a writer who gets better and better with each release' Irish Indepdendent 'A masterclass in what not to do' New Statesman 'His best book so far: riddling, irreverent, fearless' TLS Rob has spent most of his confusing adult life wandering, writing, and imbibing literature and narcotics in equally vast doses. Now, stranded between reckless youth and middle age, between exaltation and despair, his travels have acquired a de facto purpose: the immemorial quest for transcendent meaning. On a lurid pilgrimage for cheap thrills and universal truth, Doyle's narrator takes us from the menacing peripheries of Paris to the drug-fuelled clubland of Berlin, from art festivals to sun-kissed islands, through metaphysical awakenings in Asia and the brink of destruction in Europe, into the shattering revelations brought on by the psychedelic DMT. A dazzling, intimate, and profound celebration of art and ageing, sex and desire, the limits of thought and the extremes of sensation, Threshold confirms Doyle as one of the most original writers in contemporary literature.

All-around gold-metal-winning Olympic athlete, world-class pilot, race driver, and hugely successful financial genius, Peter Cory had every reason to be content with life and satisfied with himself. He didn't know, however, that he was the product of a 9000-year-long alien breeding program, that the challenge for which they had bred him was now impending, and that all the special qualities they had instilled into his DNA were about to face their ultimate test. A malevolent cosmic force threatened the Galaxy, but before Peter could attempt to save the trillions of sapient beings with which it was populated, he would have to learn to use his gifts. And even before he could begin his training, he would have to survive the wilds of the most utterly inimical planet in the known universe, armed with only his determination and a gradually dawning awareness of his incredible potential. . . .

"Jusionyte explores the sister towns bisected by the border from many angles in this illuminating and poignant exploration of a place and situation that are little discussed yet have significant implications for larger political discourse."—Publishers Weekly, STARRED Review Emergency responders on the US-Mexico border operate at the edges of two states. They rush patients to hospitals across country lines, tend to the broken bones of migrants who jump over the wall, and put out fires that know no national boundaries. Paramedics and firefighters on both sides of the border are tasked with saving lives and preventing disasters in the harsh terrain at the center of divisive national debates. Ieva Jusionyte’s firsthand experience as an emergency responder provides the background for her gripping examination of the politics of injury and rescue in the militarized region surrounding the US-Mexico border. Operating in this area, firefighters and paramedics are torn between their mandate as frontline state actors and their responsibility as professional rescuers, between the limits of law and pull of ethics. From this vantage they witness what unfolds when territorial sovereignty, tactical infrastructure, and the natural environment collide. Jusionyte reveals the binational brotherhood that forms in this crucible to stand in the way of catastrophe. Through beautiful ethnography and a uniquely personal perspective, Threshold provides a new way to understand politicized issues ranging from border security and undocumented migration to public access to healthcare today.

This collection of essays considers the development and meaning of the iconostasis, the screen used in churches to separate the sanctuary from the nave. The contributors approach the history of the icon screen from a variety of disciplines, including art history, theology, and architecture.

Have you ever considered the incredible odds against Christianity? Over two thousand years ago, the self-proclaimed Son of God and His band of disciples first preached the Gospel in a small Roman province. From there, the Good News spread north, south, east, and west. It crossed oceans, climbed mountains, and traveled on horseback and footpath over every imaginable terrain. Within just a few generations Christianity grew from an obscure, regional uprising into a worldwide movement through the multiplication of local churches. Church Planting Thresholds explores both the why's and the how's of church planting, providing "Thresholds" that serve as progress mileposts along the church planting journey. This simple guide will encourage ordinary Christians as they seek to fulfill the Great Commission through planting churches.

Museum Thresholds is a progressive, interdisciplinary volume and the first to explore the importance and potential of entrance spaces for visitor experience. Bringing together an international collection of writers from different disciplines, the chapters in this volume offer different theoretical perspectives on the nature of engagement, interaction and immersion in threshold spaces, and the factors which enable and inhibit those immersive possibilities. Organised into themed sections, the book explores museum thresholds from three different perspectives. Considering them first as a problem space, the contributors then go on to explore thresholds through different media and, finally, draw upon other subjects and professions, including performance, gaming, retail and discourse studies, in order to examine them from an entirely new perspective. Drawing upon examples that span Asia, North America and Europe, the authors set the entrance space in its historical, social and architectural contexts. Together, the essays show how the challenges posed by the threshold can be rethought and reimagined from a variety of perspectives, each of which have much to bring to future thinking and design. Combining both theory and practice, Museum Thresholds should be essential reading for academics, researchers and postgraduate students working in museum studies, digital heritage, architecture, design studies, retail studies and media studies. It will also be of great interest to museum practitioners working in a wide variety of institutions around the globe.

In Thresholds, Marcel Cobussen rethinks the relationship between music and spirituality. The book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts. By carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism.

'Twas the weekend before Christmas, when all through the North End Not a Walsh had his life together, not even his friends; The parties were planned by the foodies with care, In hopes that Wes and Erin would soon find their way there; The men were stressing over last minute shopping lists and plans, While the ladies were busy with work and nesting and finding the right paella pans; When out in the dining room there arose such a clatter, The Halsted dogs sprang from their beds to see what was the matter; They whistled and shouted and called each other names, While the secrets and announcements and surprises quickly came; So onto another adventure they flew With the sleigh full of Walshes, and the Commodore too-- As they continued arguing and clamoring around, Down the road an unexpected visitor came with a bound; But it wasn't long until couples were all nestled snug in their beds, With new memories of steamy holiday nights dancing in their heads.

As the Threshold, the massive pyramid constructed by the Magic of Ashdod to propel themselves into infinity, nears completion, a glassworker slave becomes the key in preventing an evil force from spreading its malevolence over Ashdod.