This is a unique collection of prose, verse and visual art in acknowledgment of the German-Australian writer Manfred Jurgensen and his prodigious literary work over the past 55 years.

Includes an excerpt from The white princess.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. In The Third Part of King Henry VI, Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also shows the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses.

This is the only accurate translation of the main contemporary historical source for the Anabaptist kingdom of Münster (1534-35). Written by Hermann von Kerssenbrock, a young Catholic eyewitness who later became a schoolmaster, the monumental Latin original was never printed during the author’s life, and circulated only in manuscript format until the editio princeps of 1899/1900; the only previous translation was an unreliable German version written in 1771. This work contains a number of documents not otherwise available, and the author’s conceptions have had a profound influence on later interpretations of the lurid events surrounding one of the most unusual occurrences of the German Reformation. The extensive introduction and notes place the text in its historical context.