In 1909, a bathtub drowning became one of the most famous and bizarre criminal cases in American history. On November 29, 1909, police were called to a ramshackle home in East Orange, New Jersey, where they found the emaciated body of twenty-four-year-old Oceana “Ocey” Snead facedown in the bathtub—dead of an apparent suicide by drowning. There was even a note left behind. But it would not take authorities long to discover that Ocey’s death was no suicide. And Ocey’s own mother and two aunts were far from the sorrowful caretakers they appeared to be. In fact, behind the veils of their strange black mourning clothes, they were monsters, having tormented Ocey almost since birth in a sick pattern of both physical and mental abuse, after a lifetime of which the women planned to cash in on poor Ocey’s sad and inevitable death. An Edgar Award finalist, Three Sisters in Black is the true story of a gothic, gaslight nightmare that fascinated, shocked, and baffled the nation—and the disturbed women who almost got away with murder.

Includes a partial Heming's family tree.

The sisters of the Order of Saint Rita captain their living ship into the reaches of space in Lina Rather's debut novella, Sisters of the Vast Black. A Golden Crown Literary Society Award Finalist Years ago, Old Earth sent forth sisters and brothers into the vast dark of the prodigal colonies armed only with crucifixes and iron faith. Now, the sisters of the Order of Saint Rita are on an interstellar mission of mercy aboard Our Lady of Impossible Constellations, a living, breathing ship which seems determined to develop a will of its own. When the order receives a distress call from a newly-formed colony, the sisters discover that the bodies and souls in their care—and that of the galactic diaspora—are in danger. And not from void beyond, but from the nascent Central Governance and the Church itself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this heartwarming and celebrated Blackberry Island novel, New York Times bestselling author Susan Mallery introduces us to three women whose friendship is about to change their lives forever. After Andi Gordon is jilted at the altar, she makes an impetuous decision—buying one of the famed Three Sisters on Blackberry Island. Now the proudish owner of the ugly duckling of the trio of Queen Anne houses, her life is just as badly in need of a major renovation as her new home. When Deanna Phillips confronts her husband about a suspected affair, she opens up a Pandora's Box of unhappiness. In her quest to be the perfect woman, she's lost herself…and could lose her entire family if things don't change. Next door, artist Boston King thought she and her college sweetheart would be married forever. But after tragedy strikes, she's not so sure. Now it's time for them to move forward, with or without one another. Thrown together by fate and geography, and bound by the strongest of friendships, these three women will discover what they're truly made of: laughter, tears and love. Don't miss The Boardwalk Bookshop by Susan Mallery! A heartfelt tale of friendship between three women brought together by chance who open a bookshop together on the boardwalk of the California beaches.

"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling author A NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPage In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling. Praise for The Once and Future Witches: "A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author "This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's Drum For more from Alix E. Harrow, check out The Ten Thousand Doors of January.

"Sisters of the Spirit . . . should interest a wider audience. . . . These fascinating accounts can stand on their own. . . . Mr. Andrews has made them even more accessible by providing a comprehensive introduction and helpful footnotes . . . but he does not intrude on the text itself." —New York Times Book Review " . . . informative and inspiring reading." —The Journal of American History Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.

Always in mourning clothes, secretive, devious, and deadly, the three Mortlow sisters might appear to be long lost members of the Addams Family or characters drawn by Edward Gorey. But their depiction is inspired by the Wardlaw sisters, actual criminals from history. The story of their lives and crimes is the very definition of Southern Gothic.

In a small village in China, the Wang family has produced seven sisters in its quest to have a boy; three of the sisters emerge as the lead characters in this remarkable novel. From the small-town treachery of the village to the slogans of the Cultural Revolution to the harried pace of city life, Bi Feiyu follows the women as they strive to change the course of their destinies and battle against an “infinite ocean of people” in a China that does not truly belong to them. Yumi will use her dignity, Yuxiu her powers of seduction, and Yuyang her ambition—all in an effort to take control of their world, their bodies, and their lives. Like Dai Sijie’s Balzac and the Little Chinese Seamstress, Arthur Golden’s Memoirs of a Geisha, and J.G. Ballard’s Empire of the Sun, Three Sisters transports us to and immerses us in a culture we think we know but will understand much more fully by the time we reach the end. Bi’s Moon Opera was praised by the Los Angeles Times, the Minneapolis Star Tribune, and other publications. In one review Lisa See said: “I hope this is the first of many of Bi’s works to come to us.” Three Sisters fulfills that wish, with its irreplaceable portrait of contemporary Chinese life and indelible story of three tragic and sometimes triumphant heroines.

The true story of one of the most notorious, mysterious and bizarre cases in the history of American crime.

Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.