This book contains a selection of the finest work from three of Scotland's best-known and best-loved poets. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humor and compassion of their vision.

The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.

For several years now, Kathleen Jamie's work has addressed two principal concerns: how we negotiate with the natural world, and how we should define our conduct within family and society. In The Tree House Jamie argues - as Burns did before her - for an engagement of the whole being through a kind of practical earthly spirituality. These often startling encounters with animals, birds, and other humans propose a way of living which recognises the earth as home to many different consciousnesses -- and a means of authentic engagement with ‘this, the only world’. Together they form one of the most powerful poetic statements of recent years.

It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

DigiCat Publishing presents to you this special edition of "Tam O'Shanter" by Robert Burns. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.