The electrifying conclusion to the #1 New York Times bestselling Children of Eden series that follows Rowan as she leaves behind the paradise she’s always dreamed of to save Eden—and the world—from a terrible fate. Rowan is finally in Harmonia, an Earth-friendly, sustainable commune in the wilderness she always believed was dead. Even in this idyllic world, she finds no peace. Harmonia has strict rules—and dire consequences. Thinking about Eden is forbidden, but she’s determined to rescue the loved ones she left behind. Though they are in terrible danger, her pleas for help are ignored. After months of living as one with nature, a shocking reminder of her past pushes Rowan to act. With the help of new friends, she infiltrates Eden. What she discovers is even worse than the situation she left behind. In the chaos of civil war, Rowan and her friends join forces with the second children and other rebels trapped inside. They fight for their lives, and for the future of humanity in this broken Earth.

JACOBS: For the last three years, I've lived and breathed hockey with one goal: team captain. There's only one thing standing in my way.TJ Beckett. Beck is irresponsible and immature, and I've hated him since the moment we met freshman year. Yet, the coaches see something in him I obviously can't, and they refuse to choose between us. The captain spot is going to a team vote. And the team thinks that what we need are a bunch of challenges to prove our worth. Challenges that have nothing to do with hockey. Challenges that are throwing me and Beck together. And he's still as infuriating as ever. BECK: I have no idea why Christopher Jacobs hates me, and I can't say I care. I like pushing his buttons, but the guy needs to loosen up. I'm going to win these stupid challenges easily and spend my senior year as hockey king on this campus. Tormenting Jacobs at the same time will just be a bonus. Even if I'm getting confusing feelings toward him, I won't let it hold me back. When it comes to competing, I'm all in, and nothing will get between me and the W.

From a Science Fiction Hall of Fame inductee, “intelligent reptiles battle stone age humans for control of an alternate Earth” (Kirkus Reviews). Sixty-five million years ago, a disastrous cataclysm eliminated three quarters of all life on Earth. Overnight, the age of dinosaurs ended. The age of mammals had begun. But what if history had happened differently? What if the reptiles had survived to evolve intelligent life? In West of Eden, bestselling author Harry Harrison has created a rich, dramatic saga of a world where the descendants of the dinosaurs struggled with a clan of humans in a battle for survival. Here is the story of Kerrick, a young hunter who grows to manhood among the dinosaurs, escaping at last to rejoin his own kind. His knowledge of their strange customs makes him the humans’ leader . . . and the dinosaurs’ greatest enemy. West of Eden is a monumental epic of love and savagery, bravery and hope. “A perfectly grand storyteller.” —David Brin, Hugo and Nebula Award–winning author of Star Tide Rising “Few commercial writers are more deserving of their popularity than Harrison, a fine writer who occasionally reaches brilliant heights.” —Publishers Weekly

THE TRILOGY CONCLUDES... In West of Eden and Winter in Eden, Harry Harrison, an acknowledged master of imaginative fiction, broke new ground with his most ambitious project to date. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants, the Yilanè, challenged humans for mastery of the Earth, and where the human Kerrick, a young hunter of the Tanu tribe, grew among the dinosaurs and rose to become their most feared enemy. Now, in Return to Eden, Harrison brings the epic trilogy to a stunning conclusion. After Kerrick rescues his people from the warlike Yilanè, they must regroup and consider their future. They find a safe haven on an island and there begin to rebuild their shattered lives. But with fierce predators stalking the forests, how long can these unarmed human outcasts hope to survive? They need weapons, but they only effective weapons lie in the hands of the technologically superior Yilanè. The small band of humans has no choice but to confront their face head-on. And, of course, Kerrick cannot forget Vaintè, his implacable Yilantè enemy. She's been cast out from her kind, under sentence of death, but how long will her banishment last? For her strange attraction to Kerrick has turned into a hatred even more powerful than her inbred instincts - an obsession that compels her to hunt down Kerrick and kill him. In a world completely unlike her own, two great cultures struggling for mastery of the Earth face the same problem that faces us today: how to coexist on the same planet completely unlike ourselves - or mutually perish.

"He has spent nearly three decades studying, learning from, crusading for, and thinking about hunter-gatherers, who survive at the margins of the vast, fertile lands occupied by farming peoples and their descendants, now the great majority of the world's population. In material terms, the hunters have been all but vanquished, yet in this profound and passionate book, Brody utterly dispels the notion that theirs is a lesser way of life."--Jacket.

Milton's Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton's most complex characters. Mandy Green demonstrates how Milton appropriates narrative structures, verbal echoes, and literary strategies from the Metamorphoses to create a subtle and evolving portrait of Eve. Each chapter examines a different aspect of Eve's mythological figurations. Green traces Eve's development through multiple critical lenses, influenced by theological, ecocritical, and feminist readings. Her analysis is gracefully situated between existing Milton scholarship and close textual readings, and is supported by learned references to seventeenth-century writing about women, the allegorical tradition of Ovidian commentary, hexameral literature, theological contexts and biblical iconography. This detailed scholarly treatment of Eve simultaneously illuminates our understanding of the character, establishes Milton's reading of Ovid as central to his poetic success, and provides a candid synthesis and reconciliation of earlier interpretations.

(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 46 provides an illustrated listing of American and foreign films released in the United States in 1994, all documented in more than 1,000 photographs. It features such notable films as: Forrest Gump * The Shawshank Redemption * Blue Sky * Clear and Present Danger * The Mask * The Madness of King George * Star Trek Generations * The Santa Clause * Ed Wood * Pulp Fiction * and many more. As always, Screen World's outstanding features include photographic stills and complete credits from the films, biographical notes on selected individuals, full-page shots of Academy Award-winning actors, and a look at the year's most promising new screen personalities. Hardcover.

Covers American and foreign films released in the United States each year, with listings of credits and profiles of screen personalities and award winners

In 1954 Drs. Thigpen adn Cleckley wrote a technical article, "A Case of Multiple Personality", for the Journal of Abnormal and Social Psychology. This appeared before they had completed the work on the case. The Three Faces of Eve is an extension of that collaboration - a complete account of this extraordinary case which is likely to engage the lay reader's interest as vividly as that of physicians and professional workers in psychology and sociology. Eve White was a shy, saintly housewife and mother. Eve Black was a coarse, seductive beauty with a passion for drinking, dancing and the company of strangers. Jane was the third Eve. She was a mature, poised woman - but her tormented soul held the key to Eve's deepest mystery. They were all one woman - and they were all unlike the Eve that finally emerged. --Google Books