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Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father.

Tirso de Molina's Jealous of Herself (c. 1622-23) is an ingenious comedy of disguise and deception, set in the streets, plazas and fashionable apartments of early 17th-century Madrid.

Tirso de Molina enjoys enduring popularity as a writer of irreverent comedies, though his critical reputation as a major dramatist rests largely on his more serious works.

Richly varied collection of 10 plays from 16th through 20th centuries. The Vigilant Sentinel by Miguel de Cervantes; Fuente Ovejuna by Lope de Vega; Life Is a Dream by Pedro Calderon de la Barca; Blood Wedding by Federico García Lorca, 6 more. Preface by John Gassner. Introduction and notes on each play.

"Many good things are provided for our instruction and delight in this handsome volume. Chief among them perhaps, and most keenly wanted in a collection of this sort . . . are sanity and wit."?The Romanic Review "A most interesting literary history of the Don Juan theme with the plays or works themselves serving as illustrations. Professor Mandel's general introduction and his shorter introductions and commentaries throughout the book are solid, wise, and engaging."?Robert E. Taylor, Renaissance News "This anthology is exhaustive and informative, expertly translated, and, by virtue of its subject, damned exciting."?Quarterly Journal of Speech "[The translations] are lively and . . . quite faithful to the originals. . . . The long introduction could well stand alone: fruitful in original observations on the nature of Don Juan, spirited, argu-mentative, and quite personal."?Armand F. Singer, Hispania The eternal Don Juan, the creation more than 350 years ago of a monk and dramatist known as Tirso de Molina, has appeared on the boards as a thinker and fool, hero and villain, but never as anything less than a great lover. Oscar Mandel's Theatre of Don Juan presents different aspects of the Don's spectacular progress through a half-dozen countries, epochs, and intellectual climates. Here are full-length plays by Molina, Moli_re, Shadwell, Da Ponte, Grabbe, Moncrieff, Zorrilla, and Rostand; excerpts from plays by Shaw, Montherlant, and Frisch; plus a dozen critical and interpretative essays. In his introduction, Mandel examines the legend of Don Juan.