Part of the bestselling saga about childhood friends following different paths by “one of the great novelists of our time” (The New York Times). In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal). “One of modern fiction’s richest portraits of a friendship.” —NPR

It’s 1699, and the salons of Paris are bursting with the creative energy of fierce, independent-minded women. But outside those doors, the patriarchal forces of Louis XIV and the Catholic Church are moving to curb their freedoms. In this battle for equality, Baroness Marie Catherine D’Aulnoy invents a powerful weapon: ‘fairy tales’. When Marie Catherine’s daughter, Angelina, arrives in Paris for the first time, she is swept up in the glamour and sensuality of the city, where a woman may live outside the confines of the church or marriage. But this is a fragile freedom, as she discovers when Marie Catherine’s close friend Nicola Tiquet is arrested, accused of conspiring to murder her abusive husband. In the race to rescue Nicola, illusions will be shattered and dark secrets revealed as all three women learn how far they will go to preserve their liberty in a society determined to control them. This keenly-awaited second book from Melissa Ashley, author of The Birdman’s Wife, restores another remarkable, little-known woman to her rightful place in history, revealing the dissent hidden beneath the whimsical surfaces of Marie Catherine’s fairy tales. The Bee and the Orange Tree is a beautifully lyrical and deeply absorbing portrait of a time, a place, and the subversive power of the imagination.

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival

The international bestseller, now in B-format paperback with a brand new cover.

The international bestseller, now in B-format paperback with a brand new cover.

You Need To Read This Book if you want to dive deeper into the world of Elena Ferrante. From the author of My Brilliant Friend and The Story of a New Name, comes the third novel in the series, Those Who Leave and Those Who Stay. We meet Elena as she embarks on an exciting and unexpected new career in writing. Elena does her best to help out her struggling friend while she builds her own marriage and family. Then she tries to distance herself more and more from Lila's negativity, only to desire to be closer to her once again. Her desire for Nino is rekindled early on in the novel and she begins an affair with him that ends with her leaving her children and her husband. Inside you'll find: Chapter summaries Character Analysis Themes Imagery Important Quotes Disclaimer: This text serves as a companion and guide to the bestseller Those Who Leave and Those Who Stay: Neapolitan Novels, Book Three by Elena Ferrante. It will help to broaden the reader's understanding of the book, and highlight insights that might otherwise be overlooked. As this is a companion volume, you'll want to have a copy of the actual book on hand before reading this.

Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors--Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few--and critics--James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond.

Set in the late 1960s and the 1970s, Those Who Leave and Those Who Stay continues the story of the feisty and rebellious Lina and her lifelong friend, the brilliant and bookish Elena. Lina, after separating from her husband, is living with her young son in a new neighbourhood of Naples and working at a local factory. Elena has left Naples, earned a degree from an elite college, and published a novel, all of which has opened the doors to a world of learned and fascinating interlocutors. The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigour. This third Neapolitan Novel is not only a moving story of friendship but also a searing portrait of a rapidly changing world. Since the publication of My Brilliant Friend, the first of the Neapolitan Novels, Elena Ferrante's fame as one of today's most compelling, insightful, and stylish authors has grown. She has gained admirers among authors, artists, and critics. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship.

Drawing on data from five rounds of the Myanmar Household Welfare Survey (MHWS) collected between December 2021 and June 2023 with more than 12,000 respondents per round, this report analyzes individual migration, migration in which one or a few household members leave the household. To complement this analysis, we utilize data from the Myanmar Migration Assessment, carried out in June and July 2023 in a sub-sample of MHWS households with household members who have migrated since 2013. Over the year and a half period, from December 2021 to June 2023 an estimated 6,451,394 household members 15 and older, 11.8 percent of the population and 19.9 percent of the adult population, left their households. Kayah had the highest percentage of migrants, followed by Kachin, Kayin, and Mon, with migration rates over 25 percent of the adult population. Significantly more men migrated than women. Over the period, more individuals left for work within Myanmar than for overseas work or for other reasons including marriage, education, or to join family. Using the Myanmar Migration Assessment sub-sample of 5,455 of individuals who have migrated since 2013, we analyze the migration process and destination characteristics. Most migrants in our sample only migrated once, 91 percent. Between 2021 and 2022, there was a huge jump in migration from 10 percent of the sample to 24 percent. Further, migration was already 23 percent of our sample in June 2023. Therefore, individual migration is likely to be much higher in 2023 than 2022. Between 2021 and 2023, most of the individual migration was internal, 79 percent versus 21 percent overseas. Internal migration and migration abroad are increasing at the same rate. Most internal migration was to Yangon, followed by Mandalay, and Shan. Around 27 percent of all individuals migrated to Yangon over the whole period. Migration to Mandalay decreased from 2010 to 2023, while migration to Shan increased. Migration abroad is mainly to Thailand and Malaysia. Most individuals migrated to find better employment. Employment was the most important driver of migration across all years, all destinations, all age groups, and for men and women. In 2021-2023, 34 percent of individuals left their homes to find more work opportunities, 18 percent left their home to find a higher paid job, and 7 percent left to find better working conditions. At the same time, an increasing number of individuals migrated for education, as well. In 2021-2023, 12 percent of migrants were household heads, most other migrants were either sons or daughters of the head. While between 2013 and 2016 only 44 percent of migrants had children when they migrated, in 2021-2023, 91 percent of migrants had children before they migrated. Overall, most migrants, regardless of their primary reason for migrating, had friends or relatives who had migrated to their destination before them, this includes 55 percent of internal migrants, and 58 percent of migrants abroad. Most migrants participated in most or all of the decisions to migrate. This was true for 85 percent of migrants that went abroad and 79 percent of migrants that remained within Myanmar. In Mandalay and Shan, fewer migrants fully participated in the decision to migrate.

A woman goes home to Naples after her mother’s mysterious death in a “tour de force” by the New York Times–bestselling author of My Brilliant Friend (Seattle Times). Following her mother’s untimely and unexplained drowning, which was preceded by a series of strange phone calls, forty-five-year-old Delia leaves Rome and embarks on a voyage of discovery through the beguiling yet often hostile streets of her native Naples. She is searching for the truth about her family and the men in her mother’s life, past and present, including an abusive husband. What she discovers will be more unsettling than she imagines, but will also reveal truths about herself, in this psychological mystery marked by “tactile, beautifully restrained prose” (Publishers Weekly) about mothers and daughters and the complicated knot of lies and emotions that binds them. “Ferrante’s polished language belies the rawness of her imagery.” —The New Yorker “With the quick-paced mystery guiding the story, Delia explores her relationship with her mother, unraveling memories and secrets repressed since childhood and coming to terms with an upbringing filled with jealousy and violence . . . Troubling Love is vivid and powerful.” —Library Journal