A witch hunter refuses to embrace his magick, threatening to consume him from the inside out... Bastian shuns his witchblood – he’s a witch hunter, after all, and to prove it he hunts down the treacherous witch who betrayed her own kind. But denying his powers is a grave mistake, one which awakens a monster inside him. And when he finally loses control, he commits an act that he dreads Tessa will never forgive him for. Tessa battles with the memories and emotions her ex-lover Thane funneled into her, to the point where she’s unsure if all of her thoughts are truly her own. Her sudden rise to High Priestess, a new witch on the Council, and two conspiratorial Council members only add to her burden. She fears her mind will snap. And when events force her hand, unhinging her sanity even more, she risks losing herself completely. But a new menace on the horizon promises to strain both Bastian’s and Tessa’s fights with their internal and external demons – a prophecy from a tattooed apparition threatens to destroy all of Leera...

A woman who's fading away. Years ago, a portal in the world of Fate sucked Caradeci up and deposited her on Earth. She struggled to fit in and adjust to the differences. And then she met Alex. She fell in love, confessing her true origins, and he believed her. Now her body flickers in and out of existence, threatening to pull her away from the life she's made. She fears Fate beckons to her, that she must return home to save herself, leaving her love behind. Alex, refusing to lose her, drags her to a fortune teller. Their only hope is that this strange woman can tell them what to do before Caradeci vanishes from existence.

A maddening itch on the back of Grinka’s neck drives her to seek answers. Unfortunately, the information about her skin condition can only be found at the Immortal Library. Getting to the library proves difficult, especially when riding the Immortal Express bus line. Between a lackadaisical centaur and the drunken fairy siblings, it's a wonder Grinka hasn't exploded them all. Oh wait, she has.

Essays in which happiness becomes a magic carpet, lifting readers above momentary fret and making the ordinary appears wondrous.

Sarah J. Maas hit the New York Times SERIES list at #1 with A Court of Wings and Ruin!

For every athlete or sports fanatic who knows she's just as good as the guys. This is for fans of The Running Dream by Wendelin Van Draanen, Grace, Gold, and Glory by Gabrielle Douglass and Breakaway: Beyond the Goal by Alex Morgan. The summer before Caleb and Tessa enter high school, friendship has blossomed into a relationship . . . and their playful sports days are coming to an end. Caleb is getting ready to try out for the football team, and Tessa is training for cross-country. But all their structured plans derail in the final flag game when they lose. Tessa doesn’t want to end her career as a loser. She really enjoys playing, and if she’s being honest, she likes it even more than running cross-country. So what if she decided to play football instead? What would happen between her and Caleb? Or between her two best friends, who are counting on her to try out for cross-country with them? And will her parents be upset that she’s decided to take her hobby to the next level? This summer Caleb and Tessa figure out just what it means to be a boyfriend, girlfriend, teammate, best friend, and someone worth cheering for. “A great next choice for readers who have enjoyed Catherine Gilbert Murdock’s Dairy Queen and Miranda Kenneally’s Catching Jordan.”—SLJ “Fast-paced football action, realistic family drama, and sweet romance…[will have] readers looking for girl-powered sports stories…find[ing] plenty to like.”—Booklist “Tessa's ferocious competitiveness is appealing.”—Kirkus Reviews “[The Football Girl] serve[s] to illuminate the appropriately complicated emotions both of a young romance and of pursuing a dream. Heldring writes with insight and restraint.”—The Horn Book

Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.

One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).