"When did the age of distraction begin? It might seem like a new problem, a symptom of our digital addictions, but distraction was already a source of deep concern in American culture two hundred years ago. As the industrial market economy emerged, nineteenth-century observers saw the signs: Workers were wasting time, daydreaming on the job, and the public's attention was overstimulated by new media and consumer trends. In response, social reformers designed innovative systems of moral training for the masses. Religious leaders organized far-reaching Christian revivals. And spiritual seekers like Henry David Thoreau experimented on themselves, practicing regimens of simplified living and transcendental mysticism. From the solitary confinement cells of the earliest penitentiaries to the shores of Walden Pond, disciplines of attention became the spiritual exercises of a distracted age. Through twenty-eight short passages on reform, religion, and literature from the strange and beautiful archives of this nineteenth-century attention revival, Caleb Smith reads with an eye for both language and power. Disciplines of attention, he argues, often reinforce a morally conservative social order. At the same time, exercising more careful control over our own attention promises to give us some distance from the consumer marketplace-and, today, from the algorithmic manipulations of the online attention economy. Smith writes with vigilance about the history of coercion, but also with guarded hope about practices of attention, including reading itself. From the benefits of attentive reading to the darker side of enforced attention in prisons and reformatories, this book examines distraction as a moral, political, and economic problem with a long and illuminating history"--

In this authoritative text with generous annotations, a distinguished literary scholar has corrected errors and omissions from previous editions, with notes taken from Thoreau's draft manuscripts and quotes from sources Thoreau read.

The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press

Henry David Thoreau, one of America’s most prominent environmental writers, supported himself as a land surveyor for much of his life, parceling land that would be sold off to loggers. In the only study of its kind, Patrick Chura analyzes this seeming contradiction to show how the best surveyor in Concord combined civil engineering with civil disobedience. Placing Thoreau's surveying in historical context, Thoreau the Land Surveyor explains the cultural and ideological implications of surveying work in the mid-nineteenth century. Chura explains the ways that Thoreau's environmentalist disposition and philosophical convictions asserted themselves even as he reduced the land to measurable terms and acted as an agent for bringing it under proprietary control. He also describes in detail Thoreau's 1846 survey of Walden Pond. By identifying the origins of Walden in--of all places--surveying data, Chura re-creates a previously lost supporting manuscript of this American classic.

"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.

Motivated by an interest in the long-standing divisions between analytic and Continental philosophy author Roger V. Bell engages in an extensive reading of Cavell's work from the position of his differences with Derrida. As Derrida himself has not responded (at least in writing) to Cavell's comments and criticism, the opportunity is rife for examining this latent debate to gain greater insight into the relationship between their work Bell investigates Cavell and Derrida's development within the American philosophical scene. The critique of Cavell's sense of American inheritance serves as a way to momentarily direct the reader away from the abyss and toward the westward view intrinsic to the 19th century bearings Cavell takes with Emerson and Thoreau. This refiguring of Cavell's notion of inheritance is then brought alongside important features of Derrida's deconstruction and the question of its reception in America. By extending Cavell's thought in this manner - through its meeting with Derrida - broader concerns are opened up with regard to both philosopher's work. In Derrida's case, deconstruction - especially its American reception - gets situated in the emerging post-poststructuralist rubrics of film theory, cultural criticism, postcolonialism, and multiculturalism. Taking in an incredible range of sources and cultural and intellectual contexts Roger Bell has produced an important and original work.

A collection of essential writings features Thoreau's poetry and essays on nature, materialism, conformity, and politics; including such works as "Slavery in Massachusetts," "Civil Disobedience," "A Winter Walk," and "Life Without Principle."

For thirty years, Roy Underhill's PBS program, The Woodwright's Shop, has brought classic hand-tool craftsmanship to viewers across America. Now, in his seventh book, Roy shows how to engage the mysteries of the splitting wedge and the cutting edge to shape wood from forest to furniture. Beginning with the standing tree, each chapter of The Woodwright's Guide explores one of nine trades of woodcraft: faller, countryman and cleaver, hewer, log-builder, sawyer, carpenter, joiner, turner, and cabinetmaker. Each trade brings new tools and techniques; each trade uses a different character of material; but all are united by the grain in the wood and the enduring mastery of muscle and steel. Hundreds of detailed drawings by Eleanor Underhill (Roy's daughter) illustrate the hand tools and processes for shaping and joining wood. A special concluding section contains detailed plans for making your own foot-powered lathes, workbenches, shaving horses, and taps and dies for wooden screws. The Woodwright's Guide is informed by a lifetime of experience and study. A former master craftsman at Colonial Williamsburg, Roy has inspired millions to "just say no to power tools" through his continuing work as a historian, craftsman, activist, and teacher. In The Woodwright's Guide, he takes readers on a personal journey through a legacy of off-the-grid, self-reliant craftsmanship. It's a toolbox filled with insight and technique as well as wisdom and confidence for the artisan in all of us.