While in office from 1801-1809, Thomas Jefferson created homemade scrapbooks of hundreds of poems about national pride, family, and romantic love. He gave the books as gifts to his granddaughters and for nearly 200 years it was believed the girls had compiled the collections themselves.

Of all the founding fathers, Thomas Jefferson stood out as the most controversial and confounding. Loved and hated, revered and reviled, during his lifetime he served as a lightning rod for dispute. Few major figures in American history provoked such a polarization of public opinion. One supporter described him as the possessor of "an enlightened mind and superior wisdom; the adorer of our God; the patriot of his country; and the friend and benefactor of the whole human race." Martha Washington, however, considered Jefferson "one of the most detestable of mankind"--and she was not alone. While Jefferson’s supporters organized festivals in his honor where they praised him in speeches and songs, his detractors portrayed him as a dilettante and demagogue, double-faced and dangerously radical, an atheist and "Anti-Christ" hostile to Christianity. Characterizing his beliefs as un-American, they tarred him with the extremism of the French Revolution. Yet his allies cheered his contributions to the American Revolution, unmasking him as the now formerly anonymous author of the words that had helped to define America in the Declaration of Independence. Jefferson, meanwhile, anxiously monitored the development of his image. As president he even clipped expressions of praise and scorn from newspapers, pasting them in his personal scrapbooks. In this fascinating new book, historian Robert M. S. McDonald explores how Jefferson, a man with a manner so mild some described it as meek, emerged as such a divisive figure. Bridging the gap between high politics and popular opinion, Confounding Father exposes how Jefferson’s bifurcated image took shape both as a product of his own creation and in response to factors beyond his control. McDonald tells a gripping, sometimes poignant story of disagreements over issues and ideology as well as contested conceptions of the rules of politics. In the first fifty years of independence, Americans’ views of Jefferson revealed much about their conflicting views of the purpose and promise of America. Jeffersonian America

NATIONAL BOOK AWARD WINNER Following Thomas Jefferson from the drafting of the Declaration of Independence to his retirement in Monticello, Joseph J. Ellis unravels the contradictions of the Jeffersonian character. He gives us the slaveholding libertarian who was capable of decrying mescegenation while maintaing an intimate relationship with his slave, Sally Hemmings; the enemy of government power who exercisdd it audaciously as president; the visionarty who remained curiously blind to the inconsistencies in his nature. American Sphinx is a marvel of scholarship, a delight to read, and an essential gloss on the Jeffersonian legacy.

In 1800 Thomas Jefferson won the presidential election with Electoral College votes derived from the three- fths representation of slaves -- slaves who could not vote but were still partially counted as citizens. Moving beyond the recent revisionist debate over Jefferson"s own slaves and his relationship with Sally Hemings, Garry Wills instead probes the heart of Jefferson"s presidency and political life, revealing how the might of the slave states remained a concern behind his most important policies and decisions. Jefferson"s foil was Thomas Pickering, who along with the Federalists fought the president and the institutions that supported him. In an eye-opening, ingeniously argued expose, Wills restores Pickering and his allies" dramatic struggle to our understanding of Jefferson, the creation of the new nation, and the evolution of our representative democracy.

Thomas Jefferson was an avid book-collector, a voracious reader, and a gifted writer--a man who prided himself on his knowledge of classical and modern languages and whose marginal annotations include quotations from Euripides, Herodotus, and Milton. And yet there has never been a literary life of our most literary president. In The Road to Monticello, Kevin J. Hayes fills this important gap by offering a lively account of Jefferson's spiritual and intellectual development, focusing on the books and ideas that exerted the most profound influence on him. Moving chronologically through Jefferson's life, Hayes reveals the full range and depth of Jefferson's literary passions, from the popular "small books" sold by traveling chapmen, such as The History of Tom Thumb, which enthralled him as a child; to his lifelong love of Aesop's Fables and Robinson Crusoe; his engagement with Horace, Ovid, Virgil and other writers of classical antiquity; and his deep affinity with the melancholy verse of Ossian, the legendary third-century Gaelic warrior-poet. Drawing on Jefferson's letters, journals, and commonplace books, Hayes offers a wealth of new scholarship on the print culture of colonial America, reveals an intimate portrait of Jefferson's activities beyond the political chamber, and reconstructs the president's investigations in such different fields of knowledge as law, history, philosophy and natural science. Most importantly, Hayes uncovers the ideas and exchanges which informed the thinking of America's first great intellectual and shows how his lifelong pursuit of knowledge culminated in the formation of a public offering, the "academic village" which became UVA, and his more private retreat at Monticello. Gracefully written and painstakingly researched, The Road to Monticello provides an invaluable look at Jefferson's intellectual and literary life, uncovering the roots of some of the most important--and influential--ideas that have informed American history.

A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson Occom’s medicinal recipes, the Ojibwe woman Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. Indigenous compilations proliferated in a period of colonial archive making, and Native writers used compilations to remake the very forms that defined their bodies, belongings, and words as ethnographic evidence. This study enables new understandings of canonical Native writers like William Apess, prominent settler collectors like Thomas Jefferson and Henry Rowe Schoolcraft, and Native people who contributed to compilations but remain absent from literary histories. Long before current conversations about decolonizing archives and museums, Native writers made and circulated compilations to critique colonial archives and foster relations within Indigenous communities.

Presents a guide to creating scrapbooks, discussing supplies, tools required to design samples, writing tips, layouts, projects, and ideas for throwing a scrapbooking party.

Jefferson's commitment to virtue, the authors argue, helps explain his interest in rhetoric, just as a study of his rhetorical philosophy leads to a deeper understanding of his commitment to virtue."--BOOK JACKET.

New York Times Bestseller Named one of the Best Books of the Year by the San Francisco Chronicle Finalist for the George Washington Prize Finalist for the Library of Virginia Literary Award A New York Times Book Review Editors’ Choice Selection "An important book…[R]ichly rewarding. It is full of fascinating insights about Jefferson." —Gordon S. Wood, New York Review of Books Hailed by critics and embraced by readers, "Most Blessed of the Patriarchs" is one of the richest and most insightful accounts of Thomas Jefferson in a generation. Following her Pulitzer Prize–winning The Hemingses of Monticello¸ Annette Gordon-Reed has teamed with Peter S. Onuf to present a provocative and absorbing character study, "a fresh and layered analysis" (New York Times Book Review) that reveals our third president as "a dynamic, complex and oftentimes contradictory human being" (Chicago Tribune). Gordon-Reed and Onuf fundamentally challenge much of what we thought we knew, and through their painstaking research and vivid prose create a portrait of Jefferson, as he might have painted himself, one "comprised of equal parts sun and shadow" (Jane Kamensky).

Thomas Jefferson was a figure both central and polarizing in his own time, and despite the passage of two centuries he remains so today. Author of the Declaration of Independence and the Virginia Statute for Religious Freedom, yet at the same time a slaveholder who likely fathered six children by one of his slaves, Jefferson has been seen as an embodiment of both the best and the worst in America’s conception and in its history. In Monticello in Mind, poet Lisa Russ Spaar collects fifty contemporary poems--most original to this anthology--that engage the complex legacy of Thomas Jefferson and his plantation home at Monticello. Many of these poems wrestle with the history of race and freedom at the heart of both Jefferson’s story and America’s own. Others consider Jefferson as a figure of Enlightenment rationalism, who scrupulously excised evidence of the supernatural from the gospels in order to construct his own version of Jesus’s moral teachings. Still others approach Jefferson as an early colonizer of the West, whose purchase of the Louisiana territory and launch of the Lewis and Clark expedition anticipated the era of Manifest Destiny. Featuring a roster of poets both emerging and established--including Lucille Clifton, Rita Dove, Claudia Emerson, Terrance Hayes, Robert Hass, Yusef Komunyakaa, Tracy K. Smith, Natasha Tretheway, Charles Wright, and Kevin Young--this collection offers an aesthetically and culturally diverse range of perspectives on a man whose paradoxes still abide at the heart of the American experiment.