"Hiram Smith Williams, born in New Jersey, was an unusual individual. A skilled carriagemaker and carpenter, he traveled throughout the Midwest in the 1850s as an organizer for the Know Nothing Party and the candidacy of Martin Van Buren. When Van Buren failed to win the presidency in 1856, Williams spent two years wandering around Missouri, teaching school and writing poetry. In addition to his political activities, he served as a correspondent for several midwestern newspapers." "In 1859, Williams settled in Livingston, Alabama, where he worked as a carriagemaker. He quickly identified with the people around him and when the Civil War erupted in 1861, he supported the Southern cause. In 1862, he enlisted in the 40th Alabama Infantry Regiment, and through 1863 he served on detached duty as a skilled naval carpenter in Mobile. While in Mobile, Williams was active in the cultural and social life of the city and frequently appeared in plays as a semi-professional actor." "In 1864, he was reassigned to his regiment, part of the Army of Tennessee, which was camped in Dalton, Georgia. From February 1864 until autumn of that year, he participated in the Atlanta campaign as a member of a Pioneer unit, which was composed of men with construction skills. In that capacity he helped build bridges, roads, and fortifications, came in close contact with various headquarters, and sometimes worked as a hospital orderly. In late 1864, he accompanied the remnants of the Army of Tennessee on its retreat from Atlanta into Alabama. He then rejoined the 40th on duty in defense of Mobile harbor until March 1865, when he rejoined the Army of Tennessee in its attempt to stop Sherman." "Williams was taken prisoner just a few days before the end of the war, and spent three months in a prison camp at Point Lookout, Maryland. His diary records the anxiety of the prisoners in Federal camps immediately after the assassination of Abraham Lincoln, the harsh living conditions, and the continual desire for repatriation." "This War So Horrible is a remarkable diary. It provides a rare look at the concerns, activities, and experiences of the common soldier in a major Confederate Army during a critical campaign. What makes it so unusual is that Williams was well educated and literate. He did not write terse entries in his diary, but rather expounded at length on what he saw, felt, and hoped. While not anti-Southern, Williams was intensely anti-war and anti-military. Civil War students will find this diary useful because it is the only fully descriptive record of a member of the Pioneer Corps. Little is known about how these units operated and what the internal organization was like. The editors have deliberately chosen to let Williams speak for himself ... and the readers will find him lucid, cogent, compelling, and always interesting."--Jacket.

If you ever hear old folk moaning on about the world today, just remind them how woeful things were in World War II. When Hitler's horrid army were goose-stepping round the globe, nearly everything in Europe was totally AWFUL! Read on to discover... * The dreadful truth about Dad's Army * What happened when an elephant got loose in the blackout * Who made a meal out of maggots * Which smelly soldiers were sniffed out by their enemies * Why wearing white knickers could kill you What with doodlebug bombs dropping out of the sky and sweet rationing driving kids (and teachers) mad, life in the Second World War was truly wicked. So from snow-bound cities under siege to fly-infested jungle trenches, and from rotten rationing recipes to awful invasions, discover all the dire details about the worst war EVER!

When North and South met among the desolate mountains of northwestern Georgia in 1863, they began one of the bloodiest and most decisive campaigns of the Civil War. The climactic Battle of Chickamauga lasted just two days, yet it was nearly as costly as Gettysburg, with casualties among the highest in the war. In this study of the campaign, the first to appear in over thirty years and the most comprehensive account ever written on Chickamauga, Peter Cozzens presents a vivid narrative about an engagement that was crucial to the outcome of the war in the West. Drawing upon a wealth of previously untapped sources, Cozzens offers startling new interpretations that challenge the conventional wisdom on key moments of the battle, such as Rosecrans's fateful order to General Wood and Thomas's historic defense of Horseshoe Ridge. Chickamauga was a battle of missed opportunities, stupendous tactical blunders, and savage fighting by the men in ranks. Cozzens writes movingly of both the heroism and suffering of the common soldiers and of the strengths and tragic flaws of their commanders. Enhanced by the detailed battle maps and original sketches by the noted artist Keith Rocco, this book will appeal to all Civil War enthusiasts and students of military history.

'Undoubtedly the most powerful and immediate book to emerge from the Balkan horror of ethnic civil war' Antony Beevor, Daily Telegraph In 1993, Anthony Loyd hitchhiked to the Balkans hoping to become a journalist. Leaving behind him the legends of a distinguished military family, he wanted to see 'a real war' for himself. In Bosnia he found one. The cruelty and chaos of the conflict both appalled and embraced him; the adrenalin lure of the action perhaps the loudest siren call of all. In the midst of the daily life-and-death struggle among Bosnia's Serbs, Croats and Muslims, Loyd was inspired by the extraordinary human fortitude he discovered. But returning home he found the void of peacetime too painful to bear, and so began a longstanding personal battle with drug abuse. This harrowing account shows humanity at its worst and best. It is a breathtaking feat of reportage; an uncompromising look at the terrifyingly seductive power of war. 'As good as reporting gets. I have nowhere read a more vivid account of frontline fear and survival. Forget the strategic overview. All war is local' Martin Bell, The Times

Readers can discover all the foul facts about the FRIGHTFUL FIRST WORLD WAR, including what the 'Fat King' did with food scraps and dead horses, how sniffing your own pee could save your life in a gas attack and why a pair of old socks gave away top German secrets. With a bold, accessible new look and a heap of extra-horrible bits, these bestselling titles are sure to be a huge hit with yet another generation of Terry Deary fans. Revised by the author to make HORRIBLE HISTORIES more accessible to young readers. www.horrible-histories.co.uk

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

Return to the multiverse of Magic: The Gathering as the hunt for Liliana Vess is on in the aftermath of the War of the Spark. The Planeswalkers have defeated Nicol Bolas and saved the Multiverse—though at grave cost. The living have been left to pick up the pieces and mourn the dead. But one loss is almost too great to bear: Gideon Jura, champion of justice and shield of the Gatewatch, is gone. As his former comrades Jace and Chandra struggle to rebuild from this tragedy, their future, like the future of the Gatewatch, remains uncertain. As the Gatewatch’s newest member, Kaya aims to help write that future. In joining, she pledged an oath to protect the living and the dead, but now that oath will be tested. The grieving guild masters of Ravnica have tasked her with a grave mission suited to her talents as a hunter and assassin—a mission she is ordered to keep secret from the Gatewatch. She must track down and exact retribution on the traitor Liliana Vess. But Liliana Vess has no interest in being found. Forsaken by her friends, she fled Ravnica after the defeat of Bolas. She was hostage to his wicked will, forced to assist in his terrible atrocities on pain of death—until Gideon, the last one who believed in her goodness, died in her place. Haunted by Gideon’s final gift, and hunted by former allies, Liliana now returns to a place she’d thought she’d never see again, the only place she has left: home.

"Magnificent. . . . Seldom has a study of the past combined such erudition with such exuberance." —The Guardian "No-one with an interest in the Second World War should be without this book; and indeed nor should anyone who cares about how our world has come about." —The Daily Telegraph Pre-eminent WWII historian Michael Burleigh delivers a brilliant new examination of the day-to-day moral crises underpinning the momentous conflicts of the Second World War. A magisterial counterpart to his award-winning and internationally bestselling The Third Reich, winner of the Samuel Johnson prize, Moral Combat offers a unique and riveting look at, in the words of The Times (London), "not just the war planners faced with the prospect of bombing Dresden or the atrocities of the Holocaust, but also the individuals working at the coalface of war, killing or murdering, resisting or collaborating."

Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.