The billionaire Russian “oiligarch” whose replica of Czar Alexander II’s yacht plies a vast man-made Crimean lake, brimming not with water but billions of gallons of petroleum from his own pipeline… The packaged-suttee mogul Sir Sith Ram Pramba, who sliced the top off Mount Everest and installed it on his terrace atop a Park Avenue apartment building… The heir to a California railroad spike fortune who uses a private cross-country tunnel, assembled from giant redwoods laid end to end, for 120-mph runs in cars from his exotic équipe between San Francisco and New York… The vast Montana lodge where Gulfstreams land in the living room and an ex-CIA drone ferries fresh casks of Côtes du Rhône along the three-mile route between the wine cellar and the dining hall… The unsinkable forty-room polystyrene iceberg cum floating vacation retreat where Claude Ste. Nervous, the Quebec Styrofoam king, cruises the Arctic Ocean in high summer and, riding on his tamed polar bear, hunts for baby seals… These and dozens more of that new breed of swashbuckling post-millennial Midases dedicated to self-indulgent fun—whatever the cost in money, ecological mayhem, environmental devastation, and other such nuisances—are celebrated in This Land Was Made for You and Me (but Mostly Me), this lavishly illustrated chronicle that nobody expected or even wanted, but that Bruce McCall and David Letterman went ahead and created anyway.

A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.

Philip Greene, winner of the 13th Annual Spirited Award for Best New Book on Drinks Culture, History or Spirits, pairs each day of the year with a cocktail recipe that represents it, along with a toast in celebration! For every day of the year, Cheers! offers delicious cocktail recipes along with a backstory connecting the recipe to a particular day and a toast to raise in celebration. Greene draws on a range of interesting and (usually) fun events, some significant and some trivial, from the pages of history, literature, sports, entertainment, and more. Many of the toasts are classics culled from cocktail and bartending books dating to the nineteenth century, the works of Shakespeare, and other timeless sources. While the book undoubtedly acknowledges the usual noteworthy dates from around the world (New Year’s Eve, Valentine’s Day, St. Patrick’s Day, Cinco de Mayo, etc.), it also features a new twist on standard observances, offering a fresh story, angle, and drink.

Never before has a monologue book been written completely by people who are actually funny for a living! This incredibly hysterical, cutting-edge collection of monologues will give an actor the extra bang he needs to land the perfect comedic role. Men's Comedic Monologues That Are Actually Funny features monologues by writers and comics who have written for and/or performed on Saturday Night Live, The Tonight Show, Last Comic Standing, E! Entertainment, Comedy Central Stage, and many, many more. This book is the answer to the comedic monologue needs of male actors everywhere!

When it comes to the lifestyles of American Express Black Card holders, you'd never know we're in a recession. This Land Was Made For You and Me (But Mostly Me) is a hilarious catalog of the absurdly extravagant lifestyles, impossibly glamorous escapes, and pet projects of North America's one percenters. From fiberglass Baobab tree houses in the foothills of the Rockies with machine-gun ports at every level, to a four-star open-air restaurant precariously balanced atop the leafy rainforests of the Amazon basin, longtime friends and mutual fans McCall and Letterman have created an Architectural Digest-style satire of the (obscenely) rich and famous. Featuring beautiful hand-painted illustrations in McCall's inimitable style and the brilliantly caustic wit of both authors, This Land takes you on a dizzying tour of vacation homes and resorts at once utterly ridiculous and eerily plausible.

The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. While remaining faithful to the original language of the New Testament, the FNV is a dynamic equivalence translation that captures the simplicity, clarity, and beauty of Native storytellers in English.

Marveltown's adults are outstanding inventors, but when their best engineers create giant but stupid robots that threaten the town, it is the children's outrageous creations that save the day.

An illustrated version of the classic Woody Guthrie folk song, perfect for a family singalongs! Since its debut in the 1940s, Woody Guthrie's "This Land Is Your Land" has become one of the best-loved and most timely folk songs in America, inspiring activism and patriotism for all. This classic ballad is now brought to life in a richly illustrated edition for the whole family to share. Kathy Jakobsen's detailed paintings, which invite readers on a journey across the country, create an unforgettable portrait of our diverse land and the people who live it.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.