Everyone in Gardiners Bay has a secret. When Jenna Dallas and Adam Cole find Colleen O’Dell’s body floating off the shore of their coastal town, the community of Gardiners Bay is shaken. But even more shocking is the fact that her drowning was no accident. Once Jenna’s best friend becomes a key suspect, Jenna starts to look for answers on her own. As she uncovers scandals inside Preston Prep School leading back to Rookwood reform school, she knows she needs Adam on her side. As a student at Rookwood, Adam is used to getting judgmental looks, but now his friends are being investigated by the police. Adam will do whatever he can to keep them safe, even if that means trusting Jenna. As lies unravel, the truth starts to blur. Only one thing is certain: somebody must take the fall.

Readers of Richard Dawkins and Steven Pinker will find much to intrigue them in this fascinating book, which declares that our extraordinary ability to deceive others - and even our selves - 'lies' at the heart of our humanity.

In Seven Ways We Lie, a chance encounter tangles the lives of seven high school students, each resisting the allure of one of the seven deadly sins, and each telling their story from their seven distinct points of view. The juniors at Paloma High School all have their secrets, whether it’s the thespian who hides her trust issues onstage, the closeted pansexual who only cares about his drug-dealing profits, or the neurotic genius who’s planted the seed of a school scandal. But it’s Juniper Kipling who has the furthest to fall. No one would argue that Juniper—obedient daughter, salutatorian, natural beauty, and loyal friend—is anything but perfect. Everyone knows she’s a saint, not a sinner; but when love is involved, who is Juniper to resist temptation? When she begins to crave more and more of the one person she can’t have, her charmed life starts to unravel. Then rumors of a student–teacher affair hit the fan. After Juniper accidentally exposes her secret at a party, her fate falls into the hands of the other six sinners, bringing them into one another’s orbits. All seven are guilty of something. Together, they could save one another from their temptations—or be ruined by them. Riley Redgate’s twisty YA debut effortlessly weaves humor, heartbreak, and redemption into a drama that fans of Jenny Han and Stephanie Perkins will adore.

Why do we lie? Because we are frightened of being humiliated, being treated like an object, being rejected, losing control of things, and, most of all, we are frightened of uncertainty. Often we get our lies in before any of these things can happen. We lie to maintain our vanity. We lie when we call our fantasies the truth. Lying is much easier than searching for the truth and accepting it, no matter how inconvenient it is. We lie to others, and, even worse, we lie to ourselves. In both private and public life, we damage ourselves with our lies, and we damage other people. Lies destroy mutual trust, and fragment our sense of who we are. Lies have played a major part in climate change and the global economic crisis. Fearing to change how they live, many people prefer to continue lying rather than acknowledge that we are facing a very uncertain but undoubtedly unpleasant future unless we learn how to prefer the truths of the real world in which we live rather than the comforting lies that ultimately betray us. We are capable of changing, but will we choose to do this?

They Lie, We Lie is an attempt by an experienced fieldworker to engage recent critiques in ethnography, that is the writing of culture, made both from within anthropology and from such disciplines as cultural studies and post-colonial theory. This is necessary because there has been a polarization within anthropology between those who react dismissively to what Marshall Sahlins calls 'afterology' and those who find the critiques so crippling as to make it hard to get on with anthropology at all. Metcalf bridges this divide by analyzing the contradictions of fieldwork in connection with a particular 'informant', a formidable old lady who tried for twenty years to control what he would and would not learn. At each stage, the author draws out the general implications of his predicament by making comparisions to the most famous of all fieldwork relationships, that between Victor Turner and Muchona. The result is an account that is accessible to those unfamiliar with the current critiques of ethnography, and helpful to those who are only too familiar to them. His discussion shows, not how to evade the critiques, but how in fact anthropologists have coped with the existential dilemmas of fieldwork.

Foreign aid is about charity. International development is about technical fixes. At least that is what we, as donor publics, are constantly told. The result is a highly dysfunctional aid system which mistakes short-term results for long-term transformation and gets attacked across the political spectrum, with the right claiming we spend too much, and the left that we don't spend enough. The reality, as Yanguas argues in this highly provocative book, is that aid isn't – or at least shouldn't be – about levels of spending, nor interventions shackled to vague notions of ‘accountability’ and ‘ownership’. Instead, a different approach is possible, one that acknowledges aid as being about struggle, about taking sides, about politics. It is an approach that has been quietly applied by innovative development practitioners around the world, providing political coverage for local reformers to open up spaces for change. Drawing on a variety of convention-defying stories from a variety of countries – from Britain to the US, Sierra Leone to Honduras – Yanguas provides an eye-opening account of what we really mean when we talk about aid.

In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.

'A real page-turner, with plenty of twists and turns' Closer The stunning new thriller from the bestselling author of R&J pick Close My Eyes. Jed is the man I will marry. Unless his past catches up with us … On holiday with family and her adoring fiancé, Jed, Emily couldn't be happier. But overnight, the idyllic trip turns into a waking nightmare when one of the group is found dead in what appears to be a terrible accident. The devastated party returns to London to cope with their loss while trying to resume their normal lives. But new revelations shed a shocking light on the holiday tragedy and set Emily on a perilous journey to discover the truth about what happened. Soon a terrifying series of threats and lies bring her face to face with the dark truths at the heart of her family - and into life-threatening danger ... 'Here we Lieis so compelling, even when my eyelids were drooping, when everyone else's lights were out, I had to keep turning the pages' Penny Hancock Other praise for Sophie McKenzie: 'This fast-moving thriller saves the most shocking twist until the very end' Sunday Mirror 'McKenzie succeeds in walking the fine line between storytelling and necessary sensationalism' Richard Madeley 'An intense, taut tale that preys on one of our deepest fears: that we might not be able to trust those closest to us' Glamour 'You won't believe this novel's creepy twists and turns!' Closer

The Truth Behind The Lie is Sara Lövestam’s award-winning and gripping novel about blurred lines, second chances, and the lengths one will go to for the truth. When a six-year-old girl disappears and calling the police isn’t an option, her desperate mother Pernilla turns to an unlikely source for help. She finds a cryptic ad online for a private investigator: “Need help, but can’t contact the police?” That’s where Kouplan comes in. He’s an Iranian refugee living in hiding. He was forced to leave Iran after news of his and his brother's involvement with a radical newspaper hated by the regime was discovered. Kouplan’s brother disappeared, and he hasn’t seen him in four years. He makes a living as a P.I. working under the radar, waiting for the day he can legally apply for asylum. Pernilla’s daughter has vanished without a trace, and Kouplan is an expert at living and working off the grid. He’s the perfect PI to help... but something in Pernilla’s story doesn’t add up. She might need help that he can’t offer...and a little girl’s life hangs in the balance.

“A nuanced and complex look at the long-standing consequences of privilege and toxic masculinity . . . . Compulsively readable!” —Kate Moretti, New York Times–bestselling author of The Vanishing Year Megan Mazeros and Lauren Mabrey are complete opposites on paper. Megan is a girl from a modest Midwest background, and Lauren is the daughter of a senator from an esteemed New England family. When they become roommates at a private women’s college, they forge a strong, albeit unlikely, friendship, sharing clothes, advice and their most intimate secrets. The summer before senior year, Megan joins Lauren and her family on their private island off the coast of Maine. It should be a summer of relaxation, a last hurrah before graduation and the pressures of post-college life. Then one night, something unspeakable happens, searing through the framework of their friendship and tearing them apart. Many years later, Megan publicly comes forward about what happened that fateful night, revealing a horrible truth and threatening to expose long-buried secrets. “DeBoard does a wonderful job creating her realistic and flawed characters . . . . This story particularly resonates now, in the throes of the #MeToo movement.” —Booklist “A wrenching tale of broken friendship and shattered dreams.” —Kirkus Reviews “Suspenseful and evocative . . . . An engrossing read.” —Kimberly Belle, national bestselling author of The Marriage Lie “An absorbing exploration of how we attain personal power and the consequences of wielding it.” —Kathryn Craft, author of The Far End of Happy “Observant, devastating, and thoroughly satisfying.” —Emily Carpenter, author of The Weight of Lies “Powerful.” —Publishers Weekly