This Is Not a House takes a close look at spaces that reformulate the idea of what “home” means, in innovative houses in cities around the globe. This Is Not a House showcases recent projects that represent the vanguard of architects creating innovative spaces for living in the twenty-first century. Dan Rubinstein and the editors of the Amsterdam-based magazine have selected projects on five continents that will shape how we think of domestic life for a long time to come. Where the great experimenters of the last century were stripping away ornamentation and creating free-flowing spaces for the first time, today’s pioneers are researching the potential of new materials and techniques to push the boundaries of environmental sustainability, as well as creating new forms and bold, sophisticated explorations in the adaptive reuse of spaces originally designed for any number of other purposes. This Is Not a House presents the latest built residential projects by such design luminaries as Sou Fujimoto, Plasma Studio, and Michael Maltzan, as well as emerging ones such as Johan Selbing, among others, in an array of locations across the globe, including New York, London, Los Angeles, and Tokyo.

A House Is Not Just a House argues precisely that. The book traces Tatiana Bilbao's diverse work on housing ranging from large-scale social projects to single-family luxury homes. These projects offer a way of thinking about the limits of housing: where it begins and where it ends. Regardless of type, her work advances an argument on housing that is simultaneously expansive and minimal, inseparable from the broader environment outside of it and predicated on the fundamental requirements of living. Working within the turbulent history of social housing in Mexico, Bilbao argues for participating even when circumstances are less than ideal--and from this participation she is able to propose specific strategies learned in Mexico for producing housing elsewhere. A House Is Not Just a House includes a recent lecture by Bilbao at Columbia University's Graduate School of Architecture, Planning, and Preservation, as well as reflections from fellow practitioners and scholars, including Amale Andraos, Gabriela Etchegaray, Hilary Sample, and Ivonne Santoyo-Orozco.

Rhyming text follows a young explorer as he discovers bugs and then increasingly larger creatures, brings them home to learn about them, and is warned by his mother that each is unwelcome.

The US mortgage crisis exposed weaknesses in the regulation of the financial industry and the global financial system. At the end of 2008, as the fall-out from the crisis became increasingly widely felt, Edgar Martins was commissioned by New York Times Magazine to photograph its impact across the US in eight separate states and across 16 different locations. These carefully researched sites exposed the extent and impact of the credit crunch on the construction industry.

Provides a review of social trends and their effect on architecture and design.

Everything Newton draws with his magic red crayon becomes real, and heeding his mother's admonition he flies the airplane he draws right out the window.

This is an insight into the idiosyncratic flourishes which make a house into a home. Photographer Bruce Weber takes the reader around the world, looking at how creative individuals' homes reflect their own particular personalities. Here are interiors and exteriors, panoramas and details: Siegfried and Roy's tiger-striped (and tiger-filled) Las Vegas suite; Georgia O'Keefe's ghost ranch in New Mexico; Chris Isaak's childhood home in suburban California; the Duchess of Devonshire's stately home in England; Andrew Wyeth's Maine lighthouse retreat; and Weber's own Montana ranch, among others.

Badger offers to help the other animals build a house to keep them warm and cosy for the coming winter, but his attitude of perfection drives them away, causing him to change his ways.

"Raised by an abusive, narcissistic mother (who once tried to trick her into having an abortion), Julie Coons was also raped in college by a stranger and later married an abusive man who threatened to kill her if she ever tried to leave. Suffering from physical and mental torment resulting in very low self-esteem, Julie often felt so completely alone during the many struggles of her life that she tried to take her own life. This book is her true story -- telling all the secrets she was never allowed to tell to encourage and motivate others to heal their own lives and break the cycle of abuse"--Back cover.