Tells how radio and television became an integral part of American life, of how a toy became an industry and a force in politics, business, education, religion, and international affairs.

The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in U.S. film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that would redefine dominant forms and experiences of popular audio entertainment. Focusing on broadcasting's initial expansion during the 1920s, Making Radio explores the forms of creative labor pursued for the medium in the period prior to the better-known network era, assessing their role in shaping radio's identity and identifying affinities with parallel practices pursued for conversion-era film and phonography. Tracing programming forms adopted by early radio writers and programmers, production techniques developed by studio engineers, and performance styles cultivated by on-air talent, it shows how radio workers negotiated a series of broader industrial and cultural pressures to establish best practices for their medium that reshaped popular forms of music, drama, and public oratory and laid the foundation for a new era of electric sound entertainment.

During the Jazz Age and Great Depression, radio broadcasters did not conjure their listening public with a throw of a switch; the public had a hand in its own making. The Listener's Voice describes how a diverse array of Americans—boxing fans, radio amateurs, down-and-out laborers, small-town housewives, black government clerks, and Mexican farmers—participated in the formation of American radio, its genres, and its operations. Before the advent of sophisticated marketing research, radio producers largely relied on listeners' phone calls, telegrams, and letters to understand their audiences. Mining this rich archive, historian Elena Razlogova meticulously recreates the world of fans who undermined centralized broadcasting at each creative turn in radio history. Radio outlaws, from the earliest squatter stations and radio tube bootleggers to postwar "payola-hungry" rhythm and blues DJs, provided a crucial source of innovation for the medium. Engineers bent patent regulations. Network writers negotiated with devotees. Program managers invited high school students to spin records. Taken together, these and other practices embodied a participatory ethic that listeners articulated when they confronted national corporate networks and the formulaic ratings system that developed. Using radio as a lens to examine a moral economy that Americans have imagined for their nation, The Listener's Voice demonstrates that tenets of cooperation and reciprocity embedded in today's free software, open access, and filesharing activities apply to earlier instances of cultural production in American history, especially at times when new media have emerged.

Gathered in this large volume paperback are some of Hollywood's best loved and most famous movies. In addition to the many film classics, however, the author has included a number of equally entertaining films that deserve to be better known. Many of these movies are now available on DVD. Full credits and detailed reviews are provided for over a hundred of these classic films. Over two hundred more movies are represented by short reviews. Many of the reviews contain DVD details. Of course, not all classic movies have surfaced on DVD to date, but they are being issued at the rate of around forty a month! If you love classic movies, this book will provide an invaluable guide to some of the enjoyable films that are now available (and also, of course, some of the disappointing films that you might wisely avoid).

Embark on an extraordinary journey through the life of Walter Thornton, a luminary of the New York City beauty, modeling and advertising scene during the roaring 1920s and beyond. "The Merchant of Venus: The Life of Walter Thornton" explores deep into the captivating narrative of a man whose legacy transcends time. In a tale as captivating as any Hollywood script, Walter Thornton's extraordinary journey comes to life. From a homeless orphan, he soared to prominence as a male model during the Jazz Age, posing for icons like Norman Rockwell and JC Leyendecker. Dubbed "The Merchant of Venus" by the legendary gossip columnist Walter Winchell, Thornton embarked on a pioneering venture in 1930, establishing the first agency for photographic advertising models. His agency became a powerhouse, discovering and representing models who would later become iconic figures of the Golden Age of Cinema, including Lauren Bacall, Susan Hayward, Joseph Cotten, Grace Kelly, and others whose stardom illuminated the era. Among Thornton's other notable achievements is the invention of the "Pin-Up Girl of WWII," a testament to his creativity and patriotism. These pin-up girls not only embodied the spirit of an era but also served as beacons of hope for soldiers overseas, prompting heartfelt letters that underscored their profound impact. However, the glittering trajectory of Thornton's life took a downturn amidst the harsh realities of the McCarthy Era. In 1954, he found himself the target of a corrupt district attorney's accusations, facing false charges of fraud and deception. Today, his daughters unravel the mysteries surrounding their father's enigmatic existence. Their exploration began with a chance encounter—an image in the 2003 film "Seabiscuit," serving as the avatar for the Stock Market Crash of 1929, sparking a quest that spanned over two decades. Through painstaking research, including exploring Thornton's personal archives and interviews, they uncovered a previously overlooked chapter of history, painting a vivid portrait of a man ahead of his time. "The Merchant of Venus" not only celebrates Thornton's triumphs but also his resilience in the face of adversity. His blueprints persist in shaping the modeling and advertising industry, and the 1940 patriotic Pinup girl endures as a cherished American tradition. His 1929 photo graces textbooks and products, yet beneath its surface lies untold depth. Prepare to be enthralled, inspired, and moved by "The Merchant of Venus: The Life of Walter Thornton." Don't miss out on this unforgettable journey through one man's triumphs, courage, and resilience.

"The first book to trace the recording careers of the great entertainers: singers, comics, actors and actresses, vocal groups, show-business personalities."--Book jacket.

Among Golden Age Hollywood film stars of European heritage known for playing characters from the East--Chinese, Southeast Asians, Indians and Middle Easterners--Anglo-Indian actor Boris Karloff had deep roots there. Based on extensive new research, this biography and career study of Karloff's "eastern" films provides a critical examination of 41 features, including many overlooked early roles, and offers fresh perspective on a cinematic luminary so often labeled a "horror icon." Films include The Lightning Raider (1919), 14 silent films from the 1920s, The Unholy Night (1929), The Mask of Fu Manchu (1932), The Mummy (1932), John Ford's The Lost Patrol (1934), the Mr. Wong series (1938-1940), Targets (1968), and Isle of the Snake People (1971), one of six titles released posthumously.

This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.