When Andi attends a music festival with one goal in mind - capture an interview with a famous band so she can pay for college - she gets more than she bargained for in This is for Tonight by Jessica Patrick Andi Kennedy needs to make money for college, and fast. But her little YouTube crafting channel, while fun, isn't exactly a money maker. So she's heading to the world-famous Cabazon Valley Music and Arts Festival with a goal - film a video that will launch her channel into popularity and turn it into a legit money making venture, even if it means selling out her creative vision. Instead, she finds obnoxious Jay Bankar, the annoyingly hot host of a popular prank channel who is the actual worst. Andi hates everything Jay stands for, which makes the undeniable connection she feels with him really freaking inconvenient. Soon she finds herself competing with Jay for an interview with the festival's headlining band, which could be the key to turning her little channel directly into college tuition. But she's starting to discover that there is more to Jay than his jerky on-screen persona, and she has to decide what's more important - winning, or giving a second chance to a guy who couldn't be more wrong for her.

Four years ago, an accident forced Chen Xi to leave home. Four years later, he was actually captured by the man when he returned with the treasure. "Wild man, let go of me." Chen Xi looked at Jiang Mo Chuan, who was pulling her pants up with a hint of anger in her eyes. "Wild woman, the child hasn't been fed yet." Jiang Mo Chuan looked at Chen Xi speechlessly. Love ... 

Third, that the condition of total war in which Britain found itself a short time after the commencement of hostilities would mean that films, and indeed, all mass/popular culture, would respond to the urgency of the situation by taking a special interest in representations of British society. And fourth, following on from this, that British films of the Second World War would, one way or another, be agents of propaganda. From these propositions, the book examines just what these films had to say about social class in the images of Britain they were promulgating, with the corollaries of just how were they saying it, and why were they saying it. Alongside this is a concern with what propaganda purposes were being met by these films."--Jacket.

Vielfältig sind die Situationen, die internationale Manager im Ausland sprachlich souverän bewältigen müssen. In diesem Buch finden sie sprachliche Unterstützung für alle Lebenslagen: kurz, prägnant und ohne überflüssigen Ballast Übersetzungshilfen werden in ausreichendem Maß angeboten, somit kann das Buch auch von Anfängern - sowohl in sprachlicher als auch in wirtschaftlicher Hinsicht - sinnvoll genutzt werden. Das ideale Training für die englische Geschäftskommunikation!

The twentieth semi-annual Munk Debate pits Niall Ferguson against Fareed Zakaria to debate the end of the liberal international order. Since the end of World War II, global affairs have been shaped by the increasing free movement of people and goods, international rules setting, and a broad appreciation of the mutual benefits of a more interdependent world. Together these factors defined the liberal international order and sustained an era of rising global prosperity and declining international conflict. But now, for the first time in a generation, the pillars of liberal internationalism are being shaken to their core by the reassertion of national borders, national interests, and nationalist politics across the globe. Can liberal internationalism survive these challenges and remain the defining rules-based system of the future? Or, are we witnessing the beginning of the end of the liberal international order? The twentieth semi-annual Munk Debate, held on April 28th, 2017, pits prominent historian Niall Ferguson against CNN’s Fareed Zakaria to debate the future of liberal internationalism.