An examination of the famine in Ireland, the response by the Anglo-Irish and British governments, and the impact of the death and immigration of over two million people from Ireland during those seven years.

The Great Famine of 1845-52 was the most decisive event in the history of modern Ireland. In a country of eight million people, the Famine caused the death of approximately one million, while a similar number were forced to emigrate. The Irish population fell to just over four million by the beginning of the twentieth century. Christine Kinealy's survey is long established as the most complete, scholarly survey of the Great Famine yet produced. First published in 1994, This Great Calamity remains an exhaustive and indefatigable look into the event that defined Ireland as we know it today.

This is the first book-length treatment of the political causes and consequences of the Great Leap Famine (1959-61), one of the worst tragedies in human history.

The mesmerizing bestseller that combines the storytelling gifts of Donna Tartt and the suspense of Alfred Hitchcock—A New York Times Ten Best Book of the Year Special Topics in Calamity Physics is a darkly hilarious coming-of-age tale and a richly plotted suspense story, told with dazzling intelligence and wit. At the center of the novel is clever, deadpan Blue van Meer, who has a head full of literary, philosophical, scientific, and cinematic knowledge. But she could use some friends. Upon entering the elite St. Gallway School, she finds some—a clique of eccentrics known as the Bluebloods. One drowning and one hanging later, Blue finds herself puzzling out a byzantine murder mystery. Nabokov meets Donna Tartt (then invites the rest of the Western Canon to the party) in this novel—with visual aids drawn by the author—that has won over readers of all ages.

“Who in the world would think that Calamity Jane would get to be such a famous person?” one of the pallbearers at her funeral asked an interviewer many years later. It seemed like a reasonable question. Who else has accomplished so little by conventional standards and yet achieved such enduring fame? But conventional standards do not apply. Calamity was poor, uneducated, and an alcoholic. For decades, she wandered through the small towns and empty spaces of the Dakotas, Wyoming, and Montana. But she also had a natural talent for self-invention. She created a story about herself and promoted it tirelessly for much of her life. The story emphasized her love of adventure and the heroic role she played in key events in the early history of the American west. She became that story to people around the country who read about her. And she became that story to herself. The details about her exploits were rarely accurate, but a larger truth lay beneath them. In an era when there were few options for women, Calamity had the audacity to be herself. She lived as she pleased, which is to say that she allowed herself the same freedoms her male contemporaries assumed as their birthright. She spoke her mind. She flouted the rules. She dressed as a man when it was illegal for women to wear pants; hung out in saloons although that was unheard of for any woman who was not a prostitute; did men’s work; cursed, hollered, and smoked cigars. Although Calamity’s name is imprinted in history, most people know little about her. This highly readable biography brings Calamity to life against the backdrop of the American west and of women’s determination to break free from their historical constraints.

The papers collected here are a product of the second conference on Ireland's Great Hunger held at Quinnipiac University in 2005. This volume, focused on the theses of relief, representation, and remembrance, contains essays from a broad range of disciplines including works of history, literary criticism, anthropology, and art history.

A meticulously researched account about how an alcoholic prostitute was transformed into a Wild West heroine is presented in this biography of Martha Canary, the woman known as Calamity Jane.

When in the dark ... you falter. Tyce seems like a normal teenager living in a military-occupied city. Living with his adopted mother, during the day he attends high school with his best friends, Dylan and Samantha. But things aren't always as they seem. Once the sun sets, Tyce turns vigilante fighting the secretive, authoritarian government that rules over the city. The government might be Tyce's enemy #1, but he soon finds out that the government isn't the only evil lurking in the shadows. Tyce must do everything he can to stop a new evil mastermind, even if that means he has to break his only rule: no killing. He soon finds he must fight an evil way beyond him.

I've made a mess of things again. Not that anybody is surprised. After I'm politely asked to withdraw from college for my antics, I return home to my family's cattle ranch. The sweeping views, the towering pine trees, and the whisper of the wind remind me I belong on this land. My heart is in the alpine air, my soul mixed into the soil. All I've ever wanted is to run the ranch alongside my oldest brother, but my family refuses to see me as anything but a walking disaster. If I'm going to show them what I'm capable of, I have to prove myself. Lucky for me, I'm a Hayden through and through. I'll dirty my hands in more ways than one. That includes the man who showed up in town again after all these years. Sawyer Bennett. I've heard the stories about his family, and they don't scare me. Our attraction is undeniable, and the best part? Sawyer looks at me with fresh eyes. When I'm with him, I get to be the woman I'm fighting to become. And I'm learning just how much I want to be that woman. But then I make the ultimate mistake: I utter the word perfect. I should've known better. There's nowhere to go but down after that. And down we go, until we hit rock bottom. Sawyer unearths a long-buried secret, and challenges everything my brothers and I grew up believing. Nobody is surprised I've brought disaster to our doorstep again, but it's not over. Because when it rains out on the ranch? It pours.