Poetry collection by Quenton Baker. Baker is a poet and educator from Seattle. His current focus is the fact of blackness in American society. His work has appeared in Vinyl, Apogee, Poetry Northwest, The James Franco Review, Cura and in the anthologies Measure for Measure: An Anthology of Poetic Meters and It Was Written: Poetry Inspired by Hip-Hop. Baker has an MFA in Poetry from the University of Southern Maine and is a two-time Pushcart Prize nominee. He is a 2015-2016 Made at Hugo House fellow and the recipient of the 2016 James W. Ray Venture Project Award. He is also the author of the chapbook Diglossic in the Second America from Punch Press. This Glittering Republic is his first full-length collection.

It is 1937, and Charles Ashworth, a Canon to the Archbishop of Canterbury, is sent to untangle a web of self-delusion and corruption at the episcopal palace of the charismatic Bishop of Starbridge.

A history of our time.

Paperback reprint. Originally published: 2019.

This book provides a fresh reassessment of English politics and political culture during the Commonwealth—the brief period of parliamentary republican rule (with no monarch, royal court, or House of Lords) between the execution of Charles I in 1649, and Cromwell’s seizure of power in 1653. It focuses particularly on the problem of how to legitimate governmental authority in the absence of a monarchy and in the absence of all the symbolic and ceremonial forms through which authority had traditionally been expressed and exercised. Finally, the author argues that the Commonwealth regime was not in fact the corrupt administrative failure that it was alleged to have been by its enemies and later by many historians; instead the republican experiment was brought down by a faction no less intent on enjoying the spoils of the Stuart regime, anxious about the Commonwealth’s successes rather than alarmed by its failures. The English revolution demolished almost all political landmarks, and this book describes in vivid detail how the new republican state successfully restored the dignity of civilian government by expressing its authority through a calculated range of imagery and symbolism. Individual chapters focus on the occupation and revival of the abandoned royal palace of Whitehall by members of the new regime; the public spectacle mounted to celebrate its military victories; the ritual and ceremony with which it dignified everyday politics; and the invention of a new state iconography to replace familiar forms such as the crown and the royal seal. These efforts of the Republic to graft its own symbols and rhetoric onto the familiar political culture of the monarchical Stuart state secured an increasingly broad degree of support and, indeed, enthusiasm from its citizens. However, the steady growth of the regime’s stability and prestige was seen by the army as a threat to its power, and in 1653 they acted, lest the Republic continue to harden into an unassailable form.

Based on thousands of interviews over 35 years with the leaders and members of the Republican movement and the IRA itself, as well as the Irish, British and Americans involved in the Troubles, the focus of this study is on the workings of an organization involved in armed struggle.