**���[Paul Cornell] writes kick-ass comic books.��_���George R. R. Martin** It���s the last leg of Motherfather���s world tour, and all hell is about to break loose . . . literally! Someone���s been in league with Lucifer all along���but who? Find out in the best seats in the house, courtesy of Paul Cornell (_Wolverine_, _Action Comics_) and Tony Parker (_Mass Effect: Foundation_)! * From Eagle Award winning, _New York Times_ best-selling author Paul Cornell!

Motherfather are 1974's biggest rock act. They strike a pose of "worshipping the devil" only to find that they're actually... worshipping the devil. It's one heavy trip. Man. As told to a documentary camera crew, this is the story of their world tour... with the band's souls at stake. From Paul Cornell (Wolverine, Action Comics) and Tony Parker (Mass Effect: Foundation) comes a darkly hilarious adventure of classic black magic and classic rock!

Written by longtime fan and author of the popular Damned website, Barry Hutchinson, celebrates the band's first 20 years - often referred to as the chaos years.

The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.

The Damned are a great British rock n' roll institution. They have helped to plot the course of guitar music over the last 45 years, putting UK punk on record for the first time in 1976, and going on to lay the groundwork for the hardcore, Goth, post-punk, indie-pop and horror-punk movements that have thrived in their wake. Ever underestimated by critics, their string of classic albums has nevertheless been hugely influential, from the trailblazing punk of Damned Damned Damned, to the epic, eclectic sprawl of The Black Album, through the glossy dark-pop of Phantasmagoria, to the genre-spanning triumph of the recent Evil Spirits and beyond. In this book, Morgan Brown takes a fascinating deep dive into each of the band's groundbreaking records, unearthing the stories and inspirations behind them, picking apart their musical building blocks, and examining both the creative process and the creators themselves - visionary early leader Brian James, iconic frontman Dave Vanian, madcap genius Captain Sensible, volatile percussive dervish Rat Scabies and many more. Curious new listeners and long-time aficionados alike will find this book the perfect companion on a voyage of discovery into the strange, chaotic, wonderful world of the Damned.

From rank outsiders to pop stardom a decade later, The Damned blazed an anarchic trail through punk rock to achieve massive chart success. A beacon for the Sex Pistols and The Clash to follow, they flung down the musical gauntlet in 1976 with Britain’s first punk single ‘New Rose’. Smashing It Up: A Decade of Chaos with The Damned is their definitive biography, drawing on new, in-depth research and interviews with associates and band members – including founders Brian James, Chris Millar (Rat Scabies), Raymond Burns (Captain Sensible) and David Lett (David Vanian). Conflict was rife: managers and labels came and went; bridges were burnt; opportunities squandered; and Kieron Tyler reveals how – and why – the wayward, wild and wilful Damned are the punk band that survived, and why they truly led the British Punk movement and outshone their contemporaries.

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

'To see The Clash on the White Riot tour was like discovering how to be a rock star: you just did it yourself. You didn't wait for someone to come and discover you. That was the most important thing that came out of punk... We came home and we cut our hair and bought skinny trousers. It was year zero. That was the moment for me' Billy Bragg Punk Rock is a book like no other. It is an oral history of a radical movement which exploded in Seventies Britain. With its own clothes, hair, artwork, fanzines and radical politics, Punk boasted a DIY ethos that meant anyone could take part. The scene was uniquely vibrant and energetic, leaving an extraordinary legacy of notorious events, charismatic characters and inspirational music. John Robb has spent over a year interviewing more than 100 contributors including Glen Matlock, Mick Jones, Don Letts, Slash, Billy Bragg, Hugh Cornwell and Captain Sensible. Now, for the first time, they give the inside view on events such as The Sex Pistols' swearing live on the Bill Grundy TV show and staging their anti-Jubilee riverboat party on the Thames, famous gigs at The Roxy and 100 Club, and the groundbreaking records by The Pistols, The Clash, The Damned and others. From the widely debated roots of punk in the late-Sixties through to the fallout of the post-punk period in 1984, and the ongoing influence on today's bands, Punk Rock is the definitive oral history of an inimitable and exciting movement.