Set across the arc of an active protest and the lives behind it – a group of silent Mothers, and one of their children now working for the city – This Brutal House explores a group’s resilience, trauma, and determination to hold truth to power. On the steps of New York's City Hall, five aging Mothers sit in silent protest. They are the guardians of the Ballroom community - queer men who opened their hearts and homes to countless lost children, providing safe spaces for them to explore their true selves. Through epochs of city nightlife, from draconian to liberal, the Children have been going missing; their absences ignored by the authorities and uninvestigated by the police. In a final act of dissent the Mothers have come to pray: to expose their personal struggle beneath our age of protest, and commemorate their loss until justice is served. Watching from City Hall's windows is city clerk, Teddy. Raised by the Mothers, he is now charged with brokering an uneasy truce. With echoes of James Baldwin, Marilynne Robinson and Rachel Kushner, Niven Govinden asks what happens when a generation remembered for a single, lavish decade has been forced to grow up, and what it means to be a parent in a confused and complex society.

A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.

In this highly-lauded novel, a filmmaker meets a woman named Cosima at an Italian espresso bar, spinning a gorgeous tale of love and the creative process. An auteur, together with his lead actors, is at a prestigious European festival to premiere his latest film. Alone one morning at a backstreet café, he strikes up a conversation with a local woman who takes him on a walk to uncover the city's secrets, historic and personal. As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film. This is a novel about cinema, flâneurs, and queer love — it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers. But it is also a novel about stories, and the persistent question of who has the right to tell them.

The fifth novel in the Chief Inspector Gamache series, from worldwide phenomenon and number one New York Times bestseller Louise Penny When Chief Inspector Gamache arrives in picturesque Three Pines, he steps into a village in chaos. A man has been found bludgeoned to death, and there is no sign of a weapon, a motive or even the dead man's name. As Gamache and his colleagues start to dig under the skin of this peaceful haven for clues, they uncover a trail of stolen treasure, mysterious codes and a shameful history that begins to shed light on the victim's identity - and points to a terrifying killer... 'The best Gamache so far' Globe and Mail 'Ingenious and unexpected'Guardian 'A cracking storyteller, who can create fascinating characters, a twisty plot and wonderful surprise endings' Ann Cleeves

INSTANT NEW YORK TIMES BESTSELLER “It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell––his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle’s most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.

With her martyr-doctor mother gone to save lives in some South American country, Poe Holly suddenly finds herself on the suburban doorstep of the father she never knew, who also happens to be a counselor at her new high school. She misses Los Angeles. She misses the guys in her punk band. Weirdly, she even misses the shouting matches she used to have with her mom. But Poe manages to find a few friends: Theo, the cute guy in the anarchy Tshirt, and Velveeta, her oddly likeable neighbor—and a born victim who’s the butt of every prank at Benders High. But when the pranks turn deadly at the hands of invincible football star Colby Morris, Poe knows she’s got to fix the system and take down the hero. With insightfulness, spot-on dialogue, and a swiftly paced plot, Michael Harmon tells the story of a displaced girl grappling with a truly dangerous bully.

When teenagers scuffle during a basketball game, they are typically benched. But when Will got into it on the court, he and his rival were sprayed in the face at close range by a chemical similar to Mace, denied a shower for twenty-four hours, and then locked in solitary confinement for a month. One in three American children will be arrested by the time they are twenty-three, and many will spend time locked inside horrific detention centers that defy everything we know about how to rehabilitate young offenders. In a clear-eyed indictment of the juvenile justice system run amok, award-winning journalist Nell Bernstein shows that there is no right way to lock up a child. The very act of isolation denies delinquent children the thing that is most essential to their growth and rehabilitation: positive relationships with caring adults. Bernstein introduces us to youth across the nation who have suffered violence and psychological torture at the hands of the state. She presents these youths all as fully realized people, not victims. As they describe in their own voices their fight to maintain their humanity and protect their individuality in environments that would deny both, these young people offer a hopeful alternative to the doomed effort to reform a system that should only be dismantled. Burning Down the House is a clarion call to shut down our nation’s brutal and counterproductive juvenile prisons and bring our children home.

On 8 November 2004, the largest battle of the War on Terror began, with the US Army's assault on Fallujah and its network of tens of thousands of insurgents hiding in fortified bunkers, on rooftops, and inside booby-trapped houses. For Sgt. David Bellavia of 3rd Platoon, Alpha Company, it quickly turned into a battle on foot, from street to street and house to house. On the second day, he and his men laid siege to a mosque, only to be driven to a rooftop and surrounded, before heavy artillery could smash through to rescue them. By the third day, Bellavia charges an insurgent-filled house and finds himself trapped with six enemy fighters. One by one, he shoots, wrestles, stabs, and kills five of them, until his men arrive to take care of the final target. It is one of the most hair-raising battle stories of any age -- yet it does not spell the end of Bellavia's service. It would take serveral more weeks before the Battle of Fallujah finally came to a close, with Bellavia, miraculously, alive. In the words of the author: "HOUSE TO HOUSE holds nothing back. It is a raw, gritty look at killing and combat and how men react to it. It is gut-wrenching, shocking and brutal. It is honest. It is not a glorification of war. Yet it will not shy from acknowledging this: sometimes it takes something as terrible as war for the full beauty of the human spirit to emerge."

A Times Book of the Year, 2019 THE SECOND WORLD WAR IS OVER. BUT THE WORLD IS FAR FROM SAFE. As victorious Russian troops sweep across East Prussia, a group of desperate children face a new battle. Confronted by critical food shortages and the onset of a bitterly cold winter, these 'wolf children' secretly cross the border into Lithuania in search of work or food to take back to their starving families. In a world still reeling from the devastation of war, the children must risk everything to survive. In the Shadow of Wolves is a story of resilience, devastation and, ultimately, hope. Based on meticulous research, Alvydas Šlepikas's stunningly powerful debut novel has won over readers and critics across the world.

This explosive, award-winning novella of growing up in colonial Rhodesia (now Zimbabwe), told in exquisite, imaginative prose, touches the readers nerve through the authors harrowing portrait of lives disrupted by white settlers, a young disillusioned black man, and individual suffering in the 1960s and 1970s. Marecheras raw, piercing writings secured his place in African literature as a stylistic innovator and rebel commentator of the ghetto condition. While The House of Hunger is the centerpiece of this collection, readers are also treated to a series of short sketches in which Marechera, with angry humor, further navigates themes of madness, violence, despair, and survival.