This powerful sequel to Bernice L. McFadden’s bestselling debut Sugar follows a young African-American woman back to her Arkansas hometown, where she must confront difficult truths about her parentage and a curse in her family’s past. When Sugar Lacey returns to Short Junction to find the aunts who raised her, she hopes they will be able to tell her the truth about her parents. What she discovers is not just a terrible story of unrequited love, but also a tale of black magic that has cursed generations of Lacey women. Armed with newfound knowledge and strength in the face of adversity, Sugar must push through the pain to find her absent father and discover the truth about the curse that has befallen her family line in hopes of breaking it before she passes it on to her own child. A powerfully realized novel that brings back the unforgettable characters from Sugar, This Bitter Earth is a testament to the ultimate triumph of the human spirit.

Sugar, a young prostitute arrives in Bigelow, Arkansas, to start her life over, far from her haunting past. She moves in next door to Pearl, who is still grieving for her daughter, murdered 15 years before. Over sweet-potato pie, an unlikely friendship begins.

Intimate, romantic, and devastating, this gripping play about a young Black writer and his white lover, a Black Lives Matter activist, asks, "What is the real cost of standing on the sidelines?"

SOMETIMES YOU CHOOSE YOUR BATTLES. AND SOMETIMES, THEY CHOOSE YOU... Once, Max dreamed of a career, a home, a loving family. Now all she wants is freedom...and revenge. A witch named Giselle transformed Max into a warrior with extraordinary strength, speed, and endurance. Bound by spellcraft, Max has no choice but to fight as Giselle's personal magic weapon -- a Shadowblade -- and she's lethally good at it. But her skills are about to be put to the test as they never have before.... The ancient Guardians of the earth are preparing to unleash widespread destruction on the mortal world, and they want the witches to help them. If the witches refuse, their covens will be destroyed, including Horngate, the place Max has grudgingly come to think of as home. Max thinks she can find a way to help Horngate stand against the Guardians, but doing so will mean forging dangerous alliances -- including one with a rival witch's Shadowblade, who is as drawn to Max as she is to him -- and standing with the witch she despises. Max will have to choose between the old life she still dreams of and the warrior she has become, and take her place on the side of right -- if she survives long enough to figure out which side that is....

“Nowhere Is a Place is a powerful portrait of family secrets, damage, and healing, probing deep below the surface of an African American family’s history to mend present day relationships . . . Ms. McFadden has a beautiful writing style that is simultaneously lyrical and transparent. In parts of the narrative, time seems to stand still as she describes an event in riveting minute to minute detail. Other times she employs a kind of poetic shorthand that condenses long periods of time, years even, into a few sentences.” --New York Journal of Books "An engrossing multigenerational saga . . . With her deep engagement in the material and her brisk but lyrical prose, McFadden creates a poignant epic of resiliency, bringing Sherry to a well-earned awareness of her place atop the shoulders of her ancestors, those who survived so that she might one day, too." --Publishers Weekly "Telling her story from two perspectives and on two levels--the mother-daughter relationship and Sherry's fictional account--McFadden brings added texture to this story of reconciliation." --Booklist “A poignant tale of self-discovery in the face of a complicated family history.” --Brooklyn Daily Eagle "Bernice L. McFadden’s Nowhere Is a Place is a hauntingly-disturbing and redemptive frame story of many generations of a Yamasee Native-American and African-American family from pre-slavery times until July 1995." --Bowling Green Daily News "With a good dose of poignancy about life and finding the wisdom of the world for ourselves, Nowhere is a Place is a fine addition to modern literary fiction collections." --The Midwest Book Review "Compelling, beautifully written, and profoundly human, McFadden has conjured a tale of a fractured family who journey across the country and back through history to unearth painful truths that unexpectedly reshape their relationships with each other." --Lynn Nottage, playwright, author of Intimate Apparel Nothing can mend a broken heart quite like family. Sherry has struggled all her life to understand who she is, where she comes from, and, most important, why her mother slapped her cheek one summer afternoon. The incident has haunted Sherry, and it causes her to dig into her family's past. Like many family histories, it is fractured and stubbornly reluctant to reveal its secrets; but Sherry is determined to know the full story. In just a few days' time, her extended family will gather for a reunion, and Sherry sets off across the country with her mother, Dumpling, to join them. What Sherry and Dumpling find on their trip is far more important than scenic sites here and there--it is the assorted pieces of their family's past. Pulled together, they reveal a history of amazing survival and abundant joy. Bernice L. McFadden is the author of eight critically acclaimed novels including the classic Sugar, Gathering of Waters (a New York Times Editors' Choice), and Glorious, which was featured in O, The Oprah Magazine and was a finalist for the NAACP Image Award. She is a two-time Hurston/Wright Legacy Award finalist, as well as the recipient of two fiction honor awards from the BCALA. Her sophomore novel, The Warmest December, was praised by Nobel Prize-winning author Toni Morrison as "searing and expertly imagined." McFadden lives in Brooklyn, New York.

Ketchvar III's mission is simple: travel to Planet Earth, inhabit the body of an average teenager, and determine if the human race should be annihilated. And so Ketchvar—who, to human eyes, looks just like a common snail—crawls into the brain of one Tom Filber and attempts to do his analysis. At first glance, Tom appears to be the perfect specimen—fourteen years old, good health, above average intelligence. But it soon becomes apparent that Tom Filber may be a little too average—gawky, awkward, and utterly abhorred by his peers. An alien within an alien's skin, Ketchvar quickly finds himself wrapped up in the daily drama of teenage life—infuriating family members, raging bullies, and undeniably beautiful next-door neighbors. And the more entangled Ketchvar becomes, the harder it is to answer the question he was sent to Earth to resolve: Should the Sandovinians release the Gagnerian Death Ray and erase the human species for good? Or is it possible that Homo sapiens really are worth saving? Wickedly wry and hysterically skewed, David Klass's take on teen life on our fabulously flawed Planet Earth is an engrossing look at true friends, truer enemies, and awkward alien first kisses. Stuck on Earth is a 2011 Bank Street - Best Children's Book of the Year.

A sensational YA science fiction debut from an exciting new British author! Just because she's confined to the planet, doesn't mean she can't reach for the stars. 2788. Only the handicapped live on Earth. Eighteen-year-old Jarra is among the one in a thousand people born with an immune system that cannot survive on other planets. Sent to Earth at birth to save her life, she has been abandoned by her parents. She can't travel to other worlds, but she can watch their vids, and she knows all the jokes they make. She's an "ape," a "throwback," but this is one ape girl who won't give in. Jarra makes up a fake military background for herself and joins a class of norms who are on Earth for a year of practical history studies excavating the dangerous ruins of the old cities. She wants to see their faces when they find out they've been fooled into thinking an ape girl was a norm. She isn't expecting to make friends with the enemy, to risk her life to save norms, or to fall in love. From the Hardcover edition.

“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.”—The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.”—Los Angeles Magazine “A blistering look at La La Land.”—USA Today “One of the nastiest, tastiest tell-alls in showbiz history.”—People

From 1936 to 1939, the New Deal's Federal Writers' Project collected life stories from more than 2,300 former African American slaves. These narratives are now widely used as a source to understand the lived experience of those who made the transition from slavery to freedom. But in this examination of the project and its legacy, Catherine A. Stewart shows it was the product of competing visions of the past, as ex-slaves' memories of bondage, emancipation, and life as freedpeople were used to craft arguments for and against full inclusion of African Americans in society. Stewart demonstrates how project administrators, such as the folklorist John Lomax; white and black interviewers, including Zora Neale Hurston; and the ex-slaves themselves fought to shape understandings of black identity. She reveals that some influential project employees were also members of the United Daughters of the Confederacy, intent on memorializing the Old South. Stewart places ex-slaves at the center of debates over black citizenship to illuminate African Americans' struggle to redefine their past as well as their future in the face of formidable opposition. By shedding new light on a critically important episode in the history of race, remembrance, and the legacy of slavery in the United States, Stewart compels readers to rethink a prominent archive used to construct that history.

The men of turn-of-the-century Welsh slate quarries live dangerous, unhealthy lives. As a boy, Toby Davies joins them, and is taught some harsh lessons about life. He also learns the love of two women, Bron and Nanwen O'Hara.