This bumper title features 16 cool design projects for kids, enabling them to express their individuality and learn a variety of techniques, from stencilling to sewing. Clear text and eye-catching illustrations give children helpful guidance and inspirational examples, while allowing them to develop their own sense of style. This Belongs to Me features awesome ideas to personalize kids' stuff - tag a pair of jeans with graffiti art, stencil a school bag with a unique design, or create your own fake tattoo. From bedroom walls to sneakers, nothing will be left plain or boring-looking! Each project starts by introducing kids to a design style or technique, then encourages them to practise and customize it to create their own visual identity, and finishes with easy-to-follow step-by-step instructions for applying their unique design. (Carries EU Toy Safety Directive 'CE' logo).

From the illustrator of the #1 smash hit The Day the Crayons Quit comes the age-old tale of a boy and his moose . . . Wilfred is a boy with rules. He lives a very orderly life. It's fortunate, then, that he has a pet who abides by rules, such as not making noise while Wilfred educates him on his record collection. There is, however, one rule that Wilfred's pet has difficulty following: Going whichever way Wilfred wants to go. Perhaps this is because Wilfred's pet doesn't quite realize that he belongs to anyone. A moose can be obstinate in such ways. Fortunately, the two manage to work out a compromise. Let's just say it involves apples. Oliver Jeffers, the bestselling creator of Stuck and The Incredible Book Eating Boy, delivers another deceptively simple book sure to make kids giggle.

Without being taught about body boundaries, a child may be too young to understand when abuse is happening—or that it’s wrong. This straightforward, gentle book offers a tool parents, teachers, and counselors can use to help children feel, be, and stay safe. The rhyming story and simple, friendly illustrations provide a way to sensitively share and discuss the topic, guiding young children to understand that their private parts belong to them alone. The overriding message of My Body Belongs to Me is that if someone touches your private parts, tell your mom, your dad, your teacher, or another safe adult.

"Alta, Zaya, Nara, Oyuna and Dolgorna - a mother, three sisters, and the teenage daughter of one of the sisters - each tell their pieces of the family story, an epic fraught with secrets and betrayals, in All This Belongs to Me, the debut novel of Petra Hulova." "All This Belongs to Me transports the reader from Mongolia's harsh, dusty steppe to the clamor and grime of the capital, Ulaanbantar; from nomanic herding and felt tents to brothels and prefab apartment blocks. With a filmic eye and a dead-on ear, Hulova vividly conveys the landscapes and lives of three generations of women. Two of the sisters, born illegitimately of their mother's clandestine affairs with foreigners - one Chinese, one Russian - struggle with the stigma of being half-breeds, while the strict division of male and female labor and social roles plays out in the city and country alike, with devastating consequences." --Book Jacket.

An often hilarious, always moving novel that explores love and fate and the ways we lie to ourselves to get by in a sometimes overwhelming world. When a mishap in the mail brings Geena into Ellis’s life, neither realizes how much they need each other. With her marriage in tatters, Geena is still recovering from the sudden loss of her son. Ellis has been alone in the world since the death of his mother, and as he approaches his twilight years, the routine of everyday life has replaced the relationships he might once have known. When that routine is thrown into disarray by changes at the Thomas Edison estate, where Ellis works as a tour guide, he is lost until Geena brings courage and independence back into his life. For Geena, caring for Ellis is the salve on her own wounds. In a fascinating tale of fate and second chances, Ad Hudler weaves an intricate web showing the importance of friendship, family, and the need to accept one another, flaws and all. From the Trade Paperback edition.

An informational picture book that provides children with confidence about accepting and rejecting physical contact from others is an invaluable resource that can help give children a voice in uncomfortable situations.

It is 1938 and the prospect of war hangs over every London inhabitant. But the city doesn't stop. Everywhere people continue to work, drink, fall in love, fight and struggle to get on in life. At the lodging-house at No.10 Dulcimer Street, Kennington, the buttoned-up clerk Mr Josser returns home with the clock he has received as a retirement gift. The other residents include faded actress Connie; tinned food-loving Mr Puddy; widowed landlady Mrs Vizzard (whose head is turned by her new lodger, a self-styled 'Professor of Spiritualism'); and flashy young mechanic Percy Boon, whose foray into stolen cars descends into something much, much worse ... Includes an introduction by Ed Glinert, as well as explanatory footnotes.

In this vibrant debut, Ellie Sawatzky rustles the underbrush of identity, seeking clarity on the nature of ownership and belonging. Haunted and inspired by old boyfriends, girls named Emily, ancestral ghosts, polar bears and mythic horses, None of This Belongs to Me plots a young woman’s coming of age in a time of environmental and socio-economic peril. From rural Ontario to Kitsilano to Burning Man, Sawatzky inquires into childhood learning, girlhood learning, what is inherited, what is acquired, what begins to take form in the iridescent space between innocence and experience (“The body’s crystal arithmetic”). Superimposing dreamscapes on realities, history on pop culture and everyday sorrows, this collection is a hymn for the broken-hearted, a plea for connection in the information age, and a call to question the ways in which we both nurture and harm one another and our environment. None of This Belongs to Me is pertinent now more than ever, as Sawatzky’s generation comes of age in a tumultuous time, forced to consider all of that which does not—and may never—belong to them. These poems invite readers to explore our inner and outer worlds, to question the ways we inhabit them, to infuse our modern lives with our potent histories.

Colourful and cleverly written, this is a story that children will love to memorise and recite. Sure to delight both parents and children. From the beetle to the general and the animals and people in between, every creature stakes a claim on the land ... from the cities to the islands, to every rock, nook and cranny ... But where can this lead? What will be left? Beautifully illustrated. A delight to read aloud!

"At three o'clock sharp, the enemy must be crushed by your mighty charge, torn to pieces by your grenades and bayonets. The honor of Belgrade must be spotless. Soldiers, heroes, the Supreme Command has erased our names from its roll. Our regiment is sacrificed for our King and Fatherland. You don't have to worry anymore about your lives that no longer exist. So forward, to glory! Long live the King! Long live Belgrade!" -Major Dragutin Gavrilović, September 24, 1915 Born and raised in Belgrade, Serbia, Boogie began photographing rebellion and unrest during the civil war that ravaged his country during the 1990s. Growing up in a war-torn country defined Boogie's style and attraction to the darker side of human existence. His archives reveal undeniable evidence of the evils that erode the urban space and unite humanity in the despair of impoverished lives. Belgrade Belongs to Me, his third powerHouse Book, shows the city from the inside as the former Yugoslavia began its rapid disintegration into war and the slow resurrection of a people who have fought for centuries for their survival. Boogie does not spare the spectator any social taboos as he documents the daily struggles of the marginalized people whose lives he infiltrates completely, taking us deep into worlds traditionally closed to outsiders. Whether documenting neo-Nazis or gypsies, police or protesters, or the working class people of Belgrade, Boogie's work reflects his respect for his subjects, defying the glamorized stereotypes of urban life and revealing the phantoms that haunt the modern metropolis. "Living under Milošević was like living in a mental institution. It was apocalyptic. Pensions and salaries were three to five United States dollars. People, especially the old and retired, were literally starving. The streets were empty. There was a shortage of gasoline, so there were very few cars on the street. And then, in the middle of the night, you would see a police truck cruising slowly. There were protests against Milosevic every day. In the beginning they were peaceful, so I didn't go. I don't believe in peaceful, passive resistance. It's either grab the gun and go to the woods or sit at home. But then they turned violent. The police were very brutal, beating protesters mercilessly. And that's when I started to go out and shoot photographs. Milosevic wasn't sure cops from Belgrade would be tough enough-they might not want to beat on their neighbors. So cops were brought from other parts of Serbia, huge cops with mustaches, in riot gear. I ran from them a few times. Scary." -Boogie