Third Cinema World Cinema And Marxism
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Author |
: Ewa Mazierska |
Publisher |
: Bloomsbury Publishing USA |
Total Pages |
: 303 |
Release |
: 2020-09-17 |
ISBN-10 |
: 9781501348280 |
ISBN-13 |
: 1501348280 |
Rating |
: 4/5 (80 Downloads) |
Synopsis Third Cinema, World Cinema and Marxism by : Ewa Mazierska
Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.
Author |
: Mike Wayne |
Publisher |
: Pluto Press |
Total Pages |
: 178 |
Release |
: 2001-06-20 |
ISBN-10 |
: 0745316697 |
ISBN-13 |
: 9780745316697 |
Rating |
: 4/5 (97 Downloads) |
Synopsis Political Film by : Mike Wayne
Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR
Author |
: Teshome Habte Gabriel |
Publisher |
: |
Total Pages |
: 168 |
Release |
: 1982 |
ISBN-10 |
: UOM:39015005474062 |
ISBN-13 |
: |
Rating |
: 4/5 (62 Downloads) |
Synopsis Third Cinema in the Third World by : Teshome Habte Gabriel
Author |
: Mike Wayne |
Publisher |
: Routledge |
Total Pages |
: 208 |
Release |
: 2019-11-28 |
ISBN-10 |
: 9781317194798 |
ISBN-13 |
: 1317194799 |
Rating |
: 4/5 (98 Downloads) |
Synopsis Marxism Goes to the Movies by : Mike Wayne
Introducing the key concepts and thinkers within the Marxist tradition, Marxism Goes to the Movies demonstrates their relevance to film theory and practice past and present. Author Mike Wayne argues that Marxist filmmaking has engaged with and transformed this popular medium, developing its potential for stimulating revolutionary consciousness. As the crisis of capitalism deepens, this history and these resources are vital for a better future. Marxism is one of the few approaches that can bring together political, economic, formal and cultural analysis into a unified approach of studying film, and how films in turn can help us understand and even critically interrogate these forces. The book examines how filmmakers, who have been influenced by Marxism, have made some of the most significant contributions to film culture globally, and provides historical perspective on the development of Marxism and film. Each chapter covers a broad theme that is broken down into sections that are cross-referenced throughout, providing helpful navigation of the material. Clear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting readers to deepen their knowledge and understanding of the subject.
Author |
: Jyotsna Kapur |
Publisher |
: Routledge |
Total Pages |
: 362 |
Release |
: 2011-05-09 |
ISBN-10 |
: 9781136701481 |
ISBN-13 |
: 1136701486 |
Rating |
: 4/5 (81 Downloads) |
Synopsis Neoliberalism and Global Cinema by : Jyotsna Kapur
In this edited volume, an international ensemble of scholars looks at how the world’s various cinemas, including Asia, Africa, Latin America, Europe, and the U.S., have variously performed, contested, and reinforced the worldwide transition to neoliberalism. Grounded in Marxist theory, the volume considers how the contradictions of capital, both as culture and commerce, have played out globally in contemporary media culture.
Author |
: Mike Wayne |
Publisher |
: Pluto Press (UK) |
Total Pages |
: 270 |
Release |
: 2005-05-20 |
ISBN-10 |
: UOM:39015062864726 |
ISBN-13 |
: |
Rating |
: 4/5 (26 Downloads) |
Synopsis Understanding Film by : Mike Wayne
Ideal for students looking for a radical approach to film studies.
Author |
: Teshome Habte Gabriel |
Publisher |
: |
Total Pages |
: 522 |
Release |
: 1979 |
ISBN-10 |
: UOM:39015008020524 |
ISBN-13 |
: |
Rating |
: 4/5 (24 Downloads) |
Synopsis Third Cinema in Third World by : Teshome Habte Gabriel
Author |
: Anna Kornbluh |
Publisher |
: Bloomsbury Publishing USA |
Total Pages |
: 157 |
Release |
: 2019-05-02 |
ISBN-10 |
: 9781501347313 |
ISBN-13 |
: 1501347314 |
Rating |
: 4/5 (13 Downloads) |
Synopsis Marxist Film Theory and Fight Club by : Anna Kornbluh
Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.
Author |
: Keith B. Wagner |
Publisher |
: Rutgers University Press |
Total Pages |
: 187 |
Release |
: 2022-01-14 |
ISBN-10 |
: 9781978808881 |
ISBN-13 |
: 1978808887 |
Rating |
: 4/5 (81 Downloads) |
Synopsis Fredric Jameson and Film Theory by : Keith B. Wagner
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
Author |
: Lars Kristensen |
Publisher |
: Springer |
Total Pages |
: 286 |
Release |
: 2014-09-09 |
ISBN-10 |
: 9781137378613 |
ISBN-13 |
: 1137378611 |
Rating |
: 4/5 (13 Downloads) |
Synopsis Marx at the Movies by : Lars Kristensen
Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.