This is a book is a visual feast, an offering both for those who love fine art and those who recognize the thought behind its creation. It is in addition, a book for photographers seeking to learn how to make your own photographs more artistic. The goal of this book is to offer readers, a guide for those seeking to take fine, interpretive photographs and a joyful thought-provoking journey that the photographs in this book will inspire.

The dangerous legal loopholes facing an innocent person after a self-defense shooting are described, with solutions proposed. Calling 911 after surviving a criminal assault negates your right to remain silent, your right to have an attorney present during questioning, and compromises your 5th Amendment guarantee against self incrimination, all into a police voice recorder while you¿re still traumatized and shaking from adrenaline. Proposed solutions include changes to law and criminal procedure, suggested behavior on the phone at the scene, and the model used by police after an officer-involved shooting, along with the controversial ¿Adnarim¿ statement.

A Photographer’s Pocket Notebook Simple and straight forward. Page to enter your camera and film settings on one side, a grid-marked blank page on the other for notes, sketches, and whatever other details you need to document. Camera and film settings page has enough entries for most film sizes on one sheet. Also included is a handy simple Exposure Guide Chart for those times when you leave the light meter in the car of just want a second opinion on just what the correct settings should be. Shooting digital? This neat little notebook is perfect for jotting down details not necessarily noted in your camera's Exif file

This book was originally born out of a frustration with my travel photography. I would take trips to amazing places and even with all the inspiration, the work I brought back was more of a snapshot quality than good photography.The best way for me to learn is to teach others. I sat down an analyzed what was going wrong and I wrote the original book. Now, several years later, I have learned more and expanded my vision.The principles I teach here are those I practice. And with time, they become almost automatic when I am shooting. My photography has changed for the better and I hope the book with give you new approaches to how you think about yours.

The Lomo camera, an icon of mid-20th century design, is perceived as unable to take a bad picture, due to the unique, glass lens and capability for handling low-light levels. This antidote to all things digital and slick has found a vast international following of people who use it to document every aspect of their lives. This has spawned fan clubs and competitions the world over, culminating in the 2001 final in Cuba. This work features many images by keen lomographers, alongside facts, figures, anecdotes and ravings. It charts the visual language, history and lifestyle of this unique cult, an extraordinary camera and its global audience.

Think/Point/Shoot gives students a thorough overview of the role of ethics in modern media creation. Case studies emphasize the critical issues in global media ethics today in all stages of media creation from preproduction research and development, to production and post production. This volume features practicing filmmakers, journalists, and media creators who provide insight into dealing with real-world ethical dilemmas. For this era, digital imagery, sounds, and web communication have opened doors to sharing thoughts and ideas instantaneously to potentially vast audiences. This presents exciting opportunities, but also serious ethical, legal, and social challenges. The cases and exercises found in this book are applicable to the current media field while still remaining grounded in strong ethical theory. Think/Point/Shoot explains the challenge of communicating a story to a worldwide audience while maintaining ethical standards. A companion website provides additional resources for students and instructors: media ethics game chapter summaries and case studies important forms Instructors will also find: classroom exercises PowerPoints video from the "Global Media Ethics" Conference from March 2013

A guide to successfully taking photographs of people provides tips and techniques for both indoor and outdoor locations, setting up shots, and engaging subjects.

After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.

Kiss Me Quick Before I Shoot shares the wild behind-the-scenes tales of a filmmaking career. With 100 production credits from docs to TV shows to feature films, Guy Magar's Hollywood stories include his first producer turning out to be a Mafia assassin, shooting in Egypt for the original BATTLESTAR GALACTICA, directing a grunting Mr. T on THE A-TEAM, almost decapitating a young Drew Barrymore, and coming close to derailing James Cameron's career (or slowing it down as he proved too talented for anyone to change his destiny). This is about living the great Hollywood dream and falling in love.

From New York Times bestseller Kody Keplinger comes an astonishing and thought-provoking exploration of the aftermath of tragedy, the power of narrative, and how we remember what we've lost. It's been three years since the Virgil County High School Massacre. Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .