This book is an invitation to read poetry. Simon Critchley argues that poetry enlarges life with a range of observation, power of expression and attention to language that eclipses any other medium. In a rich engagement with the poetry of Wallace Stevens, Critchley reveals that poetry also contains deep and important philosophical insight. Above all, he agues for a 'poetic epistemology' that enables us to think afresh the philosophical problem of the relation between mind and world, and ultimately to cast the problem away. Drawing astutely on Kant, the German and English Romantics and Heidegger, Critchley argues that through its descriptions of particular things and their stubborn plainness - whether water, guitars, trees, or cats - poetry evokes the 'mereness' of things. It is this experience, he shows, that provokes the mood of calm and releases the imaginative insight we need to press back against the pressure of reality. Critchley also argues that this calm defines the cinematic eye of Terrence Malick, whose work is discussed at the end of the book.

One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the "right" religious sect—a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home—though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.

Blessed with a lovely bouncy, rubbery SpongeBob SquarePants-y style, cartoonist and animator Walt Holcombe tells wildly imaginative stories of love gained and (often) lost. Things Just Get Away From You collects all of Holcombe's late-1990s comics work, with a bonus new story, "Hails at Sea," thrown in for good measure. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}

Things just happen. We never know what is coming and what goes wrong. But eventually, once it is over, it becomes a funny story from the past. With Iva every day, thigs just happen. Witnessing an almost murder scene to overcoming an emergency pet sitting disaster. Despite the things that happen around you, what you choose to do and how you respond is what matters. I have not given an appearance description for Iva and some of the other characters. I want you to imagine their looks according to your preferences. I feel you will be able to connect better with the characters that way. Imagination is a great gift our mind lets us have, I use it plenty, I hope you will use it well too.

The book has a very large scope, all creatures for all time; snowball earth, evolution of life forms, extinction events; and through tribal man, civilized man, and modern man. The book is not about solutions, but about choices. More than history, it covers why things happened, what it meant at the time and what it might mean in the future. It is a fun book looking at some events in a new way. i.e.. “The success of capitalism and free markets has resulted, as it must, in inequalities...which go against the man’s millions of years of Trible living and preference for equal outcomes.

Things Just Happen 24/7 is a story about feeling joy, saying good-bye, having disappointments or just getting back a ripped book are all trial-and-error learning experiences and situations as you will see in this book. There is always an answer to a problem and just finding a simple solution is all that you need and knowing that’s okay. There is a repetitious style on each page, so your child will see the same patterned text that they are reading. You will notice your child will become actively engaged. This will produce reading gains. This book promotes, Literacy Comprehension skills as well as Early word recognition skills. I have developed a fun way by putting the word in a sentence, they learn the association through this way. It is an easy identification because it is underlined. Your child will love this story because it talks about true life experiences that they can identify with. Many of these stories in this book, really did happen to me! Age 3 yrs. – 11 yrs.

Every Thing Must Go argues that the only kind of metaphysics that can contribute to objective knowledge is one based specifically on contemporary science as it really is, and not on philosophers' a priori intuitions, common sense, or simplifications of science. In addition to showing how recent metaphysics has drifted away from connection with all other serious scholarly inquiry as a result of not heeding this restriction, they demonstrate how to build a metaphysics compatible with current fundamental physics ('ontic structural realism'), which, when combined with their metaphysics of the special sciences ('rainforest realism'), can be used to unify physics with the other sciences without reducing these sciences to physics itself. Taking science metaphysically seriously, Ladyman and Ross argue, means that metaphysicians must abandon the picture of the world as composed of self-subsistent individual objects, and the paradigm of causation as the collision of such objects. Every Thing Must Go also assesses the role of information theory and complex systems theory in attempts to explain the relationship between the special sciences and physics, treading a middle road between the grand synthesis of thermodynamics and information, and eliminativism about information. The consequences of the author's metaphysical theory for central issues in the philosophy of science are explored, including the implications for the realism vs. empiricism debate, the role of causation in scientific explanations, the nature of causation and laws, the status of abstract and virtual objects, and the objective reality of natural kinds.

Bertolt Brecht once worried that how we feel about the victims of a social problem can get in the way of the beauty and attraction of the problem itself. In this book, Walter Benn Michaels explores the same dilemma through a study of several contemporary artist-photographers whose work speaks to questions of political economy. Michaels focuses on the work of several artists, mostly born in the 1970s and thus raised in a world where artistic ambition has been identified with a critique of autonomous form and of meaning as a function of intention. Michaels shows that these artists engage but also push beyond this critique of autonomy and intentionality, producing works that embody a new commitment to form and meaning. The explanation for this commitment, he argues, is these artists consciousness of making art in an economy riven by structural conflict, especially an unprecedented rise in inequality. For them, he argues, the relationship of the art work to the worldto its subject and to its beholderfunctions as an emblem of the relation between classes (rather than identities or subject positions). This book will join the short shelf of essential writings about the medium of photography."

From Out of the Shadows is about a 1940's government experiment gone wrong. A DNA contractor hired by the government to create a live weapon of destruction, a sinister animal that kills to survive and survives by killing. The project was dropped when the large animals could not be controlled, now years later the animals are on the loose in the mountains of Arizona.

For centuries, philosophers, theologians, moralists, and ordinary people have asked: How should we live? What makes for a good life? In The Best Things in Life, distinguished philosopher Thomas Hurka takes a fresh look at these perennial questions as they arise for us now in the 21st century. Should we value family over career? How do we balance self-interest and serving others? What activities bring us the most joy? While religion, literature, popular psychology, and everyday wisdom all grapple with these questions, philosophy more than anything else uses the tools of reason to make important distinctions, cut away irrelevancies, and distill these issues down to their essentials. Hurka argues that if we are to live a good life, one thing we need to know is which activities and experiences will most likely lead us to happiness and which will keep us from it, while also reminding us that happiness isn't the only thing that makes life good. Hurka explores many topics: four types of good feeling (and the limits of good feeling); how we can improve our baseline level of happiness (making more money, it turns out, isn't the answer); which kinds of knowledge are most worth having; the importance of achieving worthwhile goals; the value of love and friendship; and much more. Unlike many philosophers, he stresses that there isn't just one good in life but many: pleasure, as Epicurus argued, is indeed one, but knowledge, as Socrates contended, is another, as is achievement. And while the great philosophers can help us understand what matters most in life, Hurka shows that we must ultimately decide for ourselves. This delightfully accessible book offers timely guidance on answering the most important question any of us will ever ask: How do we live a good life?