Joy Manesiotis is a poet whose eye is generous as well as sensitive to the perfect detail - the "small glass beads," the "lit windows." Her vision relies on sound: the ear first catches "voices loosed across dusty paths" and the head then turns to them. It is this weaving of the senses, this consciousness, that makes Manesiotis' poems so easy to inhabit. The poet finds home in moments rather than places and lives in a kind of timelessness, as if everything she has ever touched still wraps itself around her.

Winner of the 1998 Malice Domestic Grant • “Marcia Talley’s terrific debut novel has wit, warmth, and a spunky new heroine who must not be missed.”—Sujata Massey, Agatha-winning author of The Salaryman’s Wife She lost her job. She almost lost her life. Now Hannah Ives is taking her first brave steps back into the world, wearing a wig and her heart on her sleeve after a frightening bout with breast cancer. But in the small Chesapeake Bay town where she came for a vacation, she does not find the relaxation she deserves. Instead Hannah finds a body -- of a girl who disappeared eight years before. Suddenly Hannah is asking hard questions of the good and solid citizens of Pearson’s Corner, peering behind the facade of the perfect small town and piecing together the last days of a girl who died on her high school homecoming night—a girl about the same age as Hannah’s own daughter. Uncovering some dangerous secrets, Hannah can feel her own spirit and body surging back to life. After all, she beat death once. Now, with a killer on the loose, she has to face an even deadlier foe. . . . “A shining new talent . . . Hannah Ives tackles life’s up and downs with humor, intelligence, and courage.”—Deborah Crombie, Macavity Award-winning author of Dreaming of the Bones

Your 21/2-year-old is full of bouncing, dancing energy. Tips for reading and sharing: Recite portions of the text as you dance with your child Point to and identify the body parts mentioned in the story Make up playful extensions to the text, such as "I've got teeth in my mouth; I've got hair on my head."

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

The bold illustrations and humorous text of this board book, printed at the perfect size for the little hands of children aged 2-4, help children to learn all about the bones in their own bodies through guessing games and by comparing their bones to those in animals Set up as a guessing game with visual and narrative clues, Whose Bones? invites the youngest readers to examine six animal skeletons and guess to whom they belong. The answers are provided in vibrant, foldout reveals, each accompanied by read-aloud text that explains why each animal's bones and bodies are so special. This playful, informative introduction to bones for the youngest readers has been created by the author and illustrator team behind the global bestseller Book of Bones.