Xat'sull Chief Bev Sellars spent her childhood in a church-run residential school whose aim it was to "civilize" Native children through Christian teachings, forced separation from family and culture, and discipline. In addition, beginning at the age of five, Sellars was isolated for two years at Coqualeetza Indian Turberculosis Hospital in Sardis, British Columbia, nearly six hours' drive from home. The trauma of these experiences has reverberated throughout her life. The first full-length memoir to be published out of St. Joseph's Mission at Williams Lake, BC, Sellars tells of three generations of women who attended the school, interweaving the personal histories of her grandmother and her mother with her own. She tells of hunger, forced labour, and physical beatings, often with a leather strap, and also of the demand for conformity in a culturally alien institution where children were confined and denigrated for failure to be White and Roman Catholic. Like Native children forced by law to attend schools across Canada and the United States, Sellars and other students of St. Joseph's Mission were allowed home only for two months in the summer and for two weeks at Christmas. The rest of the year they lived, worked, and studied at the school. St. Joseph's Mission is the site of the controversial and well-publicized sex-related offences of Bishop Hubert O'Connor, which took place during Sellars's student days, between 1962 and 1967, when O'Connor was the school principal. After the school's closure, those who had been forced to attend came from surrounding reserves and smashed windows, tore doors and cabinets from the wall, and broke anything that could be broken. Overnight their anger turned a site of shameful memory into a pile of rubble. In this frank and poignant memoir, Sellars breaks her silence about the institution's lasting effects, and eloquently articulates her own path to healing.

Price Paid untangles truth from some of the myths about First Nations and addresses misconceptions still widely believed today. The second book by award-winning author Bev Sellars, Price Paid is based on a popular presentation Sellars often told to treaty-makers, politicians, policymakers, and educators. The book begins with glimpses of foods, medicines, and cultural practices North America's indigenous peoples have contributed to the rest of the world. It documents the dark period of regulation by racist laws during the twentieth century, and then discusses new emergence in the twenty-first century into a re-establishment of Indigenous land and resource rights. The result is a candidly told personal take on the history of Aboriginal rights in Canada and Canadian history told from a First Nations point of view.

Discover the true genius behind history's greatest "madmen". From Dr. Frankenstein to Dr. Jekyll, the image of the mad scientist surrounded by glass vials, copper coils, and electrical apparatus remains a popular fixture. In films and fiction, he's comically misguided, tragically misunderstood, or pathologically evil. But the origins of this stereotype can be found in the sometimes-eccentric real life men and women who challenged our view of the world and broke new scientific frontiers. They Called Me Mad recounts the amazing true stories of such historical luminaries as Archimedes, the calculator of pi and creator of the world's first death ray; Isaac Newton, the world's first great scientist and the last great alchemist; Nikola Tesla, who built the precursors of robots, fluorescent lighting, and particle beam weapons before the turn of the twentieth century-and more.

The incredible memoir from the man voted one of the “Best Umpires of All Time” by the Society of American Baseball Research—filled with more than three decades of fascinating baseball stories. Doug Harvey was a California farm boy, a high school athlete who nevertheless knew that what he really wanted was to become an unsung hero—a major league umpire. Working his way through the minor leagues, earning three hundred dollars a month, he survived just about everything, even riots in stadiums in Puerto Rico. And while players and other umps hit the bars at night, Harvey memorized the rule book. In 1962, he broke into the big leagues and was soon listening to rookie Pete Rose worrying that he would be cut by the Reds and laying down the law with managers such as Tommy Lasorda and Joe Torre. This colorful memoir takes you behind the plate for some of baseball’s most memorable moments, including Roberto Clemente’s three thousandth and final hit; the heroic three-and-two pinch-hit home run by Kirk Gibson in the ’88 World Series; and the nail-biting excitement of the ’68 World Series. But beyond the drama, Harvey turned umpiring into an art. He was a man so respected, whose calls were so feared and infallible, that the players called him “God.” And through it all, he lived by three rules: never take anything from a player, never back down from a call, and never carry a grudge. A book for anyone who loves baseball, They Called Me God is a funny and fascinating tale of on- and off-the-field action, peopled by unforgettable characters from Bob Gibson to Nolan Ryan, and a treatise on good umpiring techniques. In a memoir that transcends the sport, Doug Harvey tells a gripping story of responsibility, fairness, and honesty.

They Called Me Boston took me fifty-three years of living an adventurous, courageous, dangerous, reckless, and faith-filled life. From sin to forgiveness, self-will run riot to Thine will be done, this story does not just involve a solo mission of living a full life; it is a testimony that God unconditionally loves his children. As a child of God, I had to learn the hard way that God knows the best way to live and love life. Through God's unconditional love, extreme guidance, and permitting me to suffer for the sake of his son's name, Jesus the Christ, I give testimony that heaven is accessible here on earth. Only through forgiveness is freedom granted. By surrendering my will and offering my limited self to God, an unlimited and abundant amount of blessings are granted one day at a time. The resilient nature of our physical bodies allows for an earthly resurrection of our divine spirit. Nerves may be severed, but God can restore balance. Medical interventions and the love from nurses may enhance daily life, but true love from Jesus will grant eternal life; therefore, I trust my allotted days in Jesus's hands. A bucket list is limited to human self-desires, when you allow God's desires to plan your earthly pilgrimage, his kingdom benefits; your family, friends, and neighbors will be more grateful for the life that you lived. May They Called Me Boston inspire you to live a life full of God's blessings, and may those blessings be eternal. Gratefully alive, Patrick John Shanahan.

A Palestinian activist jailed at sixteen after a confrontation with Israeli soldiers illuminates the daily struggles of life under occupation in this moving, deeply personal memoir. “I cannot even begin to convey the clarity, the intensity, the power, the photographic storytelling of They Called Me a Lioness.”—Ibram X. Kendi, internationally bestselling author of How to Be an Antiracist ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews “What would you do if you grew up seeing your home repeatedly raided? Your parents arrested? Your mother shot? Your uncle killed? Try, for just a moment, to imagine that this was your life. How would you want the world to react?” Ahed Tamimi is a world-renowned Palestinian activist, born and raised in the small West Bank village of Nabi Saleh, which became a center of the resistance to Israeli occupation when an illegal, Jewish-only settlement blocked off its community spring. Tamimi came of age participating in nonviolent demonstrations against this action and the occupation at large. Her global renown reached an apex in December 2017, when, at sixteen years old, she was filmed slapping an Israeli soldier who refused to leave her front yard. The video went viral, and Tamimi was arrested. But this is not just a story of activism or imprisonment. It is the human-scale story of an occupation that has riveted the world and shaped global politics, from a girl who grew up in the middle of it . Tamimi’s father was born in 1967, the year that Israel began its occupation of the West Bank and he grew up immersed in the resistance movement. One of Tamimi’s earliest memories is visiting him in prison, poking her toddler fingers through the fence to touch his hand. She herself would spend her seventeenth birthday behind bars. Living through this greatest test and heightened attacks on her village, Tamimi felt her resolve only deepen, in tension with her attempts to live the normal life of a daughter, sibling, friend, and student. An essential addition to an important conversation, They Called Me a Lioness shows us what is at stake in this struggle and offers a fresh vision for resistance. With their unflinching, riveting storytelling, Ahed Tamimi and Dena Takruri shine a light on the humanity not just in occupied Palestine but also in the unsung lives of people struggling for freedom around the world.

Walter Littlemoon's memoir, They Called Me Uncivilized, is a call to awareness from within the heart of Wounded Knee. In telling his story, Littlemoon describes the impact federal Indian policies have had on his life and on the history of his family. He gives a rare view into the cruelty inflicted on generations of Native American children through the implementation of U.S. government boarding schools, which resulted in a muted truth, called Soul Wound by some. In addition, and for the first time, his narrative provides a resident's view of the 1973 militant Occupation of Wounded Knee and the lasting impact that takeover has had on his community. His path toward a sense of peace and contentment is one he hopes others will follow. Remembering and telling the truth about traumatic events are prerequisites for healing. Many books have been written by scholars describing one aspect or another of Native American life, their history, their spirituality, the 1973 occupation, and a few have tried to describe the boarding schools. None have connected the dots. Until the language of the everyday man is used, scholarly words will shut out the people they describe and the pathology created by federal Indian policy will continue.

They didn't have the perfect life, but it was their life; Devon's and his dad's. Then Lily came along, enchanting his father with her shy glances, spicy cooking, and exotic teas. Devon has a bad feeling about this new woman who seems endearing one minute, ice cold the next. It isn't until Devon finds himself in an unfamiliar room in an unfamiliar country that he starts to realize just what type of person Lily is and what she is capable of. Clinging to thoughts of his father and of home, he fights to find hope while living a nightmare.

From REBELLER comes a new thriller by author Natasha Tynes. Jordanian student Siwar Salaiha is murdered on her birthday in Maryland,and her consciousness survives, finding refuge in the body of a Seattle baby. Stuck in this speech delayed three-year old body, Siwar tries but fails to communicate with Wyatt's parents, instead focusing on solving the mystery behind her murder. #### "Natasha Tynes had only recently sold her novel They Called Me Wyatt when she ran afoul of cancel culture for snitching on a rail worker who was breaking the rules by eating on a train. Look it up on Goodreads and--as of this writing--you'll discover nearly 2,000 one-star ratings and over a thousand reviews--many, if not most of them, from people who give the book one star despite admitting they never read it, parroting the lie that "Natasha Tynes hates black women." As a publisher myself, it's distressing that a book's reputation can be tanked by a horde of people who've never even seen the novel in question when so many authors struggle to generate any reviews from people who've actually taken the time to sit down and read the book they're reviewing. Tynes' work suffered for her bad behavior--unjustly, unfairly, and unread. Almost two thousand negative reactions--when only a few hundred copies were even ordered, and when Tynes' previous publisher stopped shipment on books after her tweet went viral. Tynes--again, a woman of color, mother of three, and immigrant to the United States --had her career ended before it began because the demons of outrage so decreed it. The problem is that They Called me Wyatt is a good book--a compelling, original thriller that, under other circumstances, would instead be praised for its unique and original voice, weaving together the stories and lives of people from a multitude of cultures and backgrounds for a one-of-a-kind espionage thriller. Tynes' literary voice captures a woman caught between multiple worlds: first, as a teenage immigrant to the US, and then as an adult woman trapped in the body of a young boy after her murder results in reincarnation. Growing up with an identity not her own--and struggling with what her identity even is--Tynes' protagonist goes on a journey fantastically reminiscent of so many immigrants to the United States who attempt to forge a new identity while remaining faithful to their own culture. All of this was lost, though, amidst the outrage. Readers were never given the opportunity to discover Tynes' work on its own terms, to be judged on its own merits. Until now. I've decided to publish They Called Me Wyatt because I believe in second chances. Natasha Tynes has since apologized for her tweet and acknowledged her bad behavior. I respect that. I believe in forgiveness and growth. I believe that people can learn from their past mistakes and move beyond them. I do not believe in the one-and-done brutality of Twitter's outrage police. I do not believe that one ignorant tweet should brand an individual forever and ruin their career. I do not believe an artist's work should be judged on the basis of one act of stupidity on the part of its creator. That's why, just like its protagonist, I've decided to reincarnate They Called me Wyatt as the first entry in the REBELLER literary imprint. REBELLER is about bucking the system--about seeing a good idea, being told it can't be done, and doing it anyway. It's about judging art on its merits and turning our backs on a Hollywood system and elitist mindset that would determine the worth--or worthlessness--of something based on arbitrary rules. It's about remaining calm in the face of certain fury that will be leveled on us by those most insecure and apoplectic from our confidence in our convictions. It's about something being dangerous and doing it anyway."- Dallas Sonnier