These Poor Hands: The Autobiography of a Miner Working in South Wales', was first published in June 1939. It was an instant bestseller, and its fame catapulted its author into the front rank of 'proletarian writers'. B. L. Coombes, an English-born migrant, had lived in the Vale of Neath since before the First World War, but only turned to writing in the 1930s as a way of communicating the plight of the miners and their communities to the wider world. "These Poor Hands" presents, in a documentary style, the working life of the miner as well as the author's experiences in the lock-outs of 1921 and 1926. It demonstrates Coombes' desire to offer an accurate account of the lives of miners and their families, and carries a sincere moral charge in its description of the waste of human potential that is industrial capitalism in decline. Long out of print, "These Poor Hands" has been recognised for over sixty years as the classic miner's autobiography.

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Coombes' title These Poor Hands first published in 1939, was an instant best-seller, catapulting the author to the forefront of proletarian writers. Coombes was born in England, but he lived for a large part of his in the Vale of Neath, South Wales, and as the economic problems of the 30s worsened, he turned to writing as a way to spread the news of the plight of miners and their communities to the wider world. He presented the daily life of miners in documentary fashion, with special attention to the damaging lockouts of 1921 and 1926, These Poor Hands retains the power to astonish readers with its description of the ways that unfettered capitalism can lay waste to pure human potential.

Reference book comprising a bibliography aiming to bring together secondary source interdisciplinary material on labour relations in the UK between the years 1880 and 1970 - covers employees attitudes, trade unions and employees associations, employers organizations, the labour market and working conditions, etc.

Bert Coombes settled in south Wales in 1909, where he worked as a miner for more than forty years. He was motivated to write after witnessing the death of two work mates underground, and he determined to tell his truth about the lives of miners and their families. His first book These Poor Hands was acclaimed by critics such as J. B. Priestley and Cyril Connolly and is considered to be among the most authentically vivid accounts ever written about mining. It describes with moving simplicity the harsh conditions in which he and his comrades worked and lived and the bond which existed between them in the face of poverty, hunger, danger and death. These Poor Hands was followed by several other books, all consistent in their philosophy, style and integrity - there is no hint of sentimentality, just immense sympathy for the miners' lot, its hardship and its humour. As the Times Literary Supplement noted in 1974, 'he was one of the few proletarian writers of the 1930s who were impressive as writers rather than proletarians'. As a result of his success Coombes became a frequent broadcaster and his Plan for Britain was published in the Picture Post. This excellent introduction to the life and work of Bert Coombes is valuable not just for its penetrating assessment of Coombes, but for the light that it sheds on the social and industrial context in which he lived. His writing articulated the social and economic injustice of contemporary capitalism and has enduring value because of the way in which it gives imaginative expression to the belief that working people should have greater control over their well-being and destiny.

Despite increasing academic interest in both the study of masculinity and the history of consumption, there are still few published studies that bring together both concerns. By investigating the changing nature of the retailing of menswear, this book illuminates wider aspects of masculine identity as well as patterns of male consumption between the years 1880 and 1939. While previous historical studies of masculinity have focused overwhelmingly on the moral, spiritual and physical characteristics associated with notions of 'manliness', this book considers the relationship between men and activities which were widely considered to be at least potentially 'unmanly' - selling, as well as buying clothes - thus shedding new light on men's lives and identities in this period.

The British coal industry no longer exists and yet the figure of the coal miner lives on in the British cultural imagination. In feature films and documentaries, miners are typically portrayed as proletarian traditionalists working in a dying industry. Taking this perspective, the 1984/85 miners' strike seems a desperate last stand against forces much bigger than the miners themselves -- not just the Thatcher government but the tide of historical change itself. In this ground-breaking study, Jörg Arnold challenges a declinist reading of the people working in one of Britain's most important energy industries. The study makes extensive use of previously inaccessible records to offer a new account of the British miner in the age of de-industrialisation. The book situates the miners in broader structures of feeling, and reconstructs the miners' sense of the past and the future. Arnold argues that Britain's miners went through a cyclical movement -- from loser to winner and back again -- as Britain underwent a de-industrial revolution in the final decades of the twentieth century. The book reinserts the industry's 'new dawn' of the 1970s into the story of coal and shows that the miners wielded real power. The industry's reversal of fortunes, inscribed in Plan for Coal (1974), proved short-lived. It was significant all the same. Its significance, the book argues, did not lie in affecting the long-term trajectory of the coal industry. Rather, the 'new dawn' was important in raising the political and cultural stakes. The miners found themselves at the centre of sharply conflicting visions of the future at a critical juncture in Britain's history. The figure of the coal miner became invested with sharply contrasting characteristics: hero and villain, underdog and enemy, proletarian traditionalist and standard bearer of Socialist advance. The miners were no mere spectators in this process. They were agents, thought to be uniquely powerful by their numerous opponents, and half believing in this power themselves. The miners' special nature, however, jarred with the aspiration to lead an ordinary life, producing tensions that were most cruelly exposed in the year-long strike of 1984/1985.

Arthur McIvor and Ronald Johnston explore the experience of coal miners' lung diseases and the attempts at voluntary and legal control of dusty conditions in British mining from the late nineteenth century to the present. In this way, the book addresses the important issues of occupational health and safety within the mining industry; issues that have been severely neglected in studies of health and safety in general. The authors examine the prevalent diseases, notably pneumoconiosis, emphysema and bronchitis, and evaluate the roles of key players such as the doctors, management and employers, the state and the trade unions. Throughout the book, the integration of oral testimony helps to elucidate the attitudes of workers and victims of disease, their 'machismo' work culture and socialisation to very high levels of risk on the job, as well as how and why ideas and health mentalities changed over time. This research, taken together with extensive archive material, provides a unique perspective on the nature of work, industrial relations, the meaning of masculinity in the workplace and the wider social impact of industrial disease, disability and death. The effects of contracting dust disease are shown to result invariably in seriously prescribed lifestyles and encroaching isolation. The book will appeal to those working on the history of medicine, industrial relations, social history and business history as well as labour history.

This book analyses the literary response to the 1926 General Strike and sheds light on the relationship between modernist politics and literature.