"An invitation to a "treasure hunt" open to thriller writers and lesser mortals confronts Scotland Yard's Chief Inspector Macdonald with two baffling deaths."— Kirkus Reviews It's all fun and games (and fake names) until someone ends up dead... Amidst the confusion of too many fake names, clues, ciphers, and convoluted alibis, Chief Inspector Macdonald and his allies in the CID must unravel a truly tangled case in this metafictional masterpiece, which returns to print for the first time since its publication in 1937. This edition includes an introduction by CWA Diamond Dagger Award-winning author Martin Edwards. "Should detectives go to parties? Was it consistent with the dignity of the Yard? The inspector tossed for it—and went." Chief Inspector Macdonald has been invited to a treasure hunt party at the house of Graham Coombe, the celebrated publisher of Murder by Mesmerism. Despite a handful of misgivings, the inspector joins a guest list of novelists and thriller writers disguised on the night under literary pseudonyms. The fun comes to an abrupt end, however, when "Samuel Pepys" is found dead in the telephone room in bizarre circumstances.

From the Newbery Award-winning author of THE WESTING GAME, more clever riddles and wordplay, clues to be found, and mysteries to be solved! Wanted: Assistant to a painter (and a secret sleuth) Dickory Dock has come to 12 Cobble Lane to take the job as painter's assistant to the artist Garson. The townhouse looks charming and quaint, but inside its redbrick walls lurk suspicious characters, multiple mysteries, and one very eccentric portrait artist. Clues abound; and suddenly Dickory finds herself assisting Garson not in art but in crime solving. Can Dickory untangle the web of mysteries within mysteries and discover the true secret hiding on Cobble Lane?

Mystery crime fiction written in the Golden Age of Murder It is a dark and misty night—isn't it always?—and bachelors Nicholas and Ian are driving to the ball at Fordings, a beautiful concert hall in the countryside. There waits the charming Dilys Maine, and a party buzzing with rumours of one Rosemary Reeve who disappeared on the eve of this event the previous year, not found to this day. With thoughts of mysterious case ringing in their ears, Dilys and Nicholas strike a stranger on the drive back home, launching a new investigation and unwittingly reviving the search for what really became of Rosemary Reeve. Written in the last years of the author's life, this previously unpublished novel is a tribute to Lorac's enduring skill for constructing an ingenious puzzle, replete with memorable characters and gripping detective work. Crime fiction lovers can't miss the classic golden age mysteries published in the acclaimed British Crime Classics series! "[An] excellent fair-play mystery...this British Library Crime Classic more than deserves that status."—Publishers Weekly, STARRED Review, for Checkmate to Murder, another excellent entry in the acclaimed British Crime Classics mystery series

Once readers develop a taste for our thrilling little mystery stories, they just want more and more! Based on the grand success of our Five-Minute Mysteries series, this collection features fifteen light and lively tales, each of which can be solved in ten minutes or less. Set in the fictional Tudor Hall in 1926 and starring familiar characters from the classic 1949 board game, these stories give readers an opportunity to sleuth out the culprit among Colonel Mustard, Professor Plum, Mrs. Patricia Peacock, and the others in all manner of fun-to-solve intrigues.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

This imaginative companion to the New York Times bestselling Secret Series teases, prompts, and leads readers through the steps of writing a story. Bosch's signature rip-roaring voice delivers an engaging narrative (for the reader to help complete!) and interactive puzzles and games. Readers get the chance to create their own story while enjoying a satisfying mystery as well. Here's a note from our fearless "author":I feared this might happen. I knew reading was a dangerous business, but now it's not safe for writers either! You see, the author of this book is missing. Well, maybe not "missing." A certain author whom I won't name (okay, me) has abandoned his book and has left his readers hanging out to dry. This is a crime, I admit, but there it is. Most of this book, well, I just haven't written it. And I'm not going to, either. Why? Oh, I have my reasons. Big. Grown up. Author. Reasons. Unfortunately, I can't reveal them yet. Let's just say a life is at stake (mine) and leave it at that. So will you do it? Pretty please? You'll do it? Thank you! But please hurry! Time is of the essence and you can't wait any longer. You must WRITE THIS BOOK!

From Sherlock Holmes onwards, fictional detectives use lenses: Ocular Proof and the Spectacled Detective in British Crime Fiction argues that these visual aids are metaphors for ways of seeing, and that they help us to understand not only individual detectives’ methods but also the kinds of cultural work detective fiction may do. It is sometimes regarded as a socially conservative form, and certainly the enduring popularity of ‘Golden Age’ writers such as Christie, Sayers, Allingham and Marsh implies a strong element of nostalgia in the appeal of the genre. The emphasis on visual aids, however, suggests that solving crime is not a simple matter of uncovering truth but a complex, sophisticated and inherently subjective process, and thus challenges any sense of comforting certainties. Moreover, the value of eye-witness testimony is often troubled in detective fiction by use of the phrase ‘the ocular proof’, whose origin in Shakespeare’s Othello reminds us that Othello is manipulated by Iago into misinterpreting what he sees. The act of seeing thus comes to seem ideological and provisional, and Lisa Hopkins argues that the kind of visual aid selected by each detective is an index of his particular propensities and biases.

"[An] excellent fair-play mystery...this British Library Crime Classic more than deserves that status."—Publishers Weekly, STARRED Review On a dismally foggy night in Hampstead, London, a curious party has gathered in an artist's studio to weather the wartime blackout. As World War II takes its toll around them, a civil servant and a government scientist are matching wits in a game of chess, while an artist paints the portrait of his characterful sitter, bedecked in Cardinal's robes at the other end of the room. In the kitchen, the artist's sister is hosting the charlady of the miser next door. When the brutal murder of said miser is discovered by his nephew, it's not long before Inspector Macdonald of Scotland Yard is at the scene, faced with perplexing alibis and with the fate of the young man in his hands. In the search for the culprit, Macdonald and his team of detectives must figure out if one of the members of the studio party is somehow involved in the death, or if some other scurrilous neighbour could be responsible. The British Library of Crime Classics is pleased to revive this clever, classic mystery for amateur sleuths and fans of British historical fiction.