Territorial disputes are one of the main sources of tension in Northeast Asia. Escalation in such conflicts often stems from a widely shared public perception that the territory in question is of the utmost importance to the nation. While that's frequently not true in economic, military, or political terms, citizens' groups and other domestic actors throughout the region have mounted sustained campaigns to protect or recover disputed islands. Quite often, these campaigns have wide-ranging domestic and international consequences. Why and how do territorial disputes that at one point mattered little, become salient? Focusing on non-state actors rather than political elites, Alexander Bukh explains how and why apparently inconsequential territories become central to national discourse in Japan, South Korea, and Taiwan. These Islands Are Ours challenges the conventional wisdom that disputes-related campaigns originate in the desire to protect national territory and traces their roots to times of crisis in the respective societies. This book gives us a new way to understand the nature of territorial disputes and how they inform national identities by exploring the processes of their social construction, and amplification.

Haida Gwaii, also known as the Queen Charlotte Islands, is the Galapagos of the north. Famous for their wild beauty, the islands are also the ancient homeland of the Haida Nation. Integral to Haida culture is the relationship to the land, and the Haidas have spent many years trying to protect and recover control of it. Under the leadership of Giindajin Haawasti Guujaaw, the visionary artist, drummer, and orator, the Haida blockaded loggers, joined forces with environmentalists, lobbied political leaders, and in 2004 filed suit against the Canadian government, laying claim to their entire traditional territory. Ian Gill captures the excitement of the Haida struggle and their passion for their culture. He also reveals the making of an artist and political activist: Guujaaw’s audacity, eloquence, tactical skills, and deep knowledge of his homeland place him at the heart of this riveting story, and this book reveals his extraordinary role in it.

Elizabeth Ferry explores how members of the Santa Fe Cooperative, a silver mine in Mexico, give meaning to their labor in an era of rampant globalization. She analyzes the cooperative's practices and the importance of patrimonio (patrimony) in their understanding of work, tradition, and community. More specifically, she argues that patrimonio, a belief that certain resources are inalienable possessions of a local collective passed down to subsequent generations, has shaped and sustained the cooperative's sense of identity.

An intimate memoir about the 1964 Rivonia Trial in South Africa during Apartheid.

Reproduction of the original.

A Stanford University Press classic.

Steampunk takes on Southeast Asia in this anthology The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia's diverse peoples, legends, and geography.

An exciting anthology which brings together 23 Latin American writers who were born between 1970 and 1980. Introducing a range of writers who were born in the time of military dictatorships, witnessed the fall of the Berlin Wall, the end of the Cold War, the murders of Ciudad Jurarez, the birth of the internet and the terrorist attacks in New York.