In Frank Jackson's famous thought experiment, Mary is confined to a black-and-white room and educated through black-and-white books and lectures on a black-and-white television. In this way, she learns everything there is to know about the physical world. If physicalism—the doctrine that everything is physical—is true, then Mary seems to know all there is to know. What happens, then, when she emerges from her black-and-white room and sees the color red for the first time? Jackson's knowledge argument says that Mary comes to know a new fact about color, and that, therefore, physicalism is false. The knowledge argument remains one of the most controversial and important arguments in contemporary philosophy.There's Something About Mary—the first book devoted solely to the argument—collects the main essays in which Jackson presents (and later rejects) his argument along with key responses by other philosophers. These responses are organized around a series of questions: Does Mary learn anything new? Does she gain only know-how (the ability hypothesis), or merely get acquainted with something she knew previously (the acquaintance hypothesis)? Does she learn a genuinely new fact or an old fact in disguise? And finally, does she really know all the physical facts before her release, or is this a "misdescription"? The arguments presented in this comprehensive collection have important implications for the philosophy of mind and the study of consciousness.

Key papers on one of the most important and provocative thought experiments in philosophy of mind.

"Codi Hall brings all the feels."—Monica Murphy, New York Times bestselling author Curl up this Christmas with a fun, festive romcom full of Christmas tree farm shenanigans and a romance between an outdoorsy single dad and the kind, ambitious, Christmas-loving neighbor he can't stop thinking about. A guarded single dad. A woman scared to love. Clark Griffin and Merry Winters are determined to be friends and nothing more. But they've been anonymously flirting with each other online, and with a little Christmas magic and the help of a precocious kid, these two might just get their one wish this year. "A fun, engaging, and romantic read that is perfect for Christmastime!" —The Nerd Daily for Nick and Noel's Christmas Playlist

A NPR CONCIERGE BEST BOOK OF THE YEAR "Jane fans rejoice! . . . Exceptional storytelling and a true delight." —Helen Simonson, author of the New York Times bestselling novels Major Pettigrew's Last Stand and The Summer Before the War Mary, the bookish ugly duckling of Pride and Prejudice’s five Bennet sisters, emerges from the shadows and transforms into a desired woman with choices of her own. What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of Janice Hadlow's The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Jane Austen fans. Ultimately, Mary’s journey is like that taken by every Austen heroine. She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love. Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

A cutting-edge and groundbreaking set of new essays by top philosophers on key topics related to the ever-influential knowledge argument.

Imelda's mam has just dropped a vase at the sight of Mary Leary. It must be because Mary's given herself a new haircut, and now she looks like a supermodel. Which does not explain why Mary's mam is looking so angry.

This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--

A Confederacy of Dunces meets The Player in an offbeat, sidesplittingly hilarious novel about making it against all odds in 1990s' Hollywood, by the co-writer/director of Dumb and Dumber. When Henry Halloran's girlfriend dumped him, his Boston-based life suddenly seemed pointless. He was thirty-two with a dead-end job, and nothing on the horizon. There was obviously only one place to go: Hollywood. The Comedy Writer is the story of how Henry—armed with nothing more than a few ideas, a nothing-to-lose attitude, and the desire to be a screenwriter—joins myriad hopefuls in the City of Angels and achieves an L.A. kind of fame. From the surreal squalor of his one-room pad at the Blue Terrace apartments, he encounters nympho starlets, death-obsessed Rollerbladers, philosophical midgets, scruple-free producers, and an unforgettably psychotic roommate named Colleen. Combining the mordant wit and insight of Nathanael West with the lyricism and irony of a postmodern Candide, The Comedy Writer is a bawdy romp around and through the dream factory, in which Henry learns that while talent and integrity may be relative terms, life does, after all, have meaning. Sure to appeal to anyone who has ever dreamed of Hollywood success, who has found him- or herself a full-fledged adult without a clue for the future, or whoever thought Los Angeles might represent the end of modern civilization, The Comedy Writer is an incomparable comic tour de force marked by the kind of telling detail only a true insider can provide.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

Vibrant, splendidly hued, and charming beyond compare, the work of Disney designer and illustrator Mary Blair is more than just acclaimed—it is adored. She has charmed generations with her whimsical creations, from stunning art direction for Cinderella and Peter Pan to the wowing and wonderful “It’s a Small World” ride at Disneyland. Magic Color Flair celebrates this Disney icon, tracing the evolution of her mesmerizing style and showcasing her work in gorgeous, full-color imagery. Curated by award winning animation director and designer, John Canemaker, the Magic Color Flair is an authoritative celebration of Blair’s life work. From her precocious paintings she made while studying at the renowned Chouinard Art Institute, to her concept drawings for Disney films, to her treasured Golden Books, delightful advertisements and large-scale installations. With annotations about her artistic process, Magic Color Flair gives readers an inside look to her bold and lively artistic process that yielded such loveable, and memorable work. While at art school, Blair developed a dynamic style that emphasized drama and emotion. Her gift for visual storytelling caught the eye of Walt Disney himself, who loved her bold graphics, sophisticated whimsicality, and eye-catching use of color and who became a lifelong friend and champion of her work. This book accompanies the Walt Disney Family Museum’s 2014 Mary Blair exhibit of the same title.