Set in London, Wiltshire and Orkney There Came A Big Spider sees the young Marcus Moon attempting to climb the ladder of success at his new company. Bitterly resented by a ruthlessly ambitious rival, they are thrown together to design a big government project near the small market town of Kingscastle. This town was site of the Saxon camp of Alfred the Great, and his treasure was lost when the Danes invaded WIltshire. Marucs is asked to minimize the ecological effects of the project on the beautiful countryside around the town. Local feelings run high both for and against the project and throw up a whole gamut of local politics, sexual deviance, office intrigue, protest groups and romance. A sometimes zany, always enjoyable plot full of humour and energy, this is the eagerly awaited prequel to the popular Marcus Moon series. Light entertainment at its very best!

There's a spider in this book. Are you brave enough to take a look?Eric the spider can't understand why people scream and run away from him. He only wants to say hello. But Fluffy the cat wants to eat Eric, so he's hiding. It's up to the reader to find Eric on every spread and maybe finally catch a glimpse of him with the surprise lift-the-flap ending!A funny and engaging story written by internationally bestselling author, Claire Freedman, and brought to life by Mike Byrne's hilarious and colourful illustrations.

Hark! hark! the dogs bark,The beggars are coming to town;Some in rags and some in tags,And some in a silken gown.Some gave them white bread,And some gave them brown,And some gave them a good horse-whip,And sent them out of the town.Little Jack Horner sat in the corner,Eating a Christmas pie;He put in his thumb, and pulled out a plum,And said, oh! what a good boy am I.

Cross. Now streaming on Prime Video. Discover the classic thriller that launched the #1 detective series and is the inspiration for the original series Cross on Prime Video! Alex Cross is a homicide detective with a Ph.D. in psychology. He works and lives in Southeast D.C. and looks like Muhammad Ali in his prime. He's a tough guy from a tough part of town who wears Harris Tweed jackets and likes to relax by banging out Gershwin tunes on his baby grand piano. But he also has two adorable kids of his own, and they are his own special vulnerabilities. Jezzie Flanagan is the first woman ever to hold the highly sensitive job as supervisor of the Secret Service in Washington. Blond, mysterious, seductive, she's got an outer shell that's as tough as it is beautiful. She rides her black BMW motorcycle at speeds of no less than 100 mph. What is she running from? What is her secret? Alex Cross and Jezzie Flanagan are about to have a forbidden love affair-at the worst possible time for both of them. Because Gary Soneji, who wants to commit the "crime of the century," is playing at the top of his game. Soneji has outsmarted the FBI, the Secret Service, and the police. Who will be his next victim? Gary Soneji is every parent's worst nightmare. He has become Alex Cross's nightmare. And now, reader, he's about to become yours.

A perfect way to learn while having fun! This work presents a fascinating children's book containing beautiful nursery rhymes. These lovely poems have been dramatized so the kids can quickly memorize them and perform.

Theories of the domestic stemming from the 19th century have focused on the home as a refuge and place of repose for the family, a nurturing environment for children and a safe place for visitors. Under this conception, domestic space is positioned as nurturing and private, a refuge and place of retreat which gave rise to theories of 'home as haven'. While, arguably, some social conditions might suggest this is the case, Domesticity Under Siege exposes a different world, one in which the boundaries of nurturing domesticity collide with both outside and inside agents. Whether these agents are external military forces, psychological trauma or familial violence, they re-position meta-narratives of domesticity, not through identity politics or specialized subgroup experience, but relative to the actions of the world around an inhabited domain. That is, when home is constituted as a private realm, a place where individuals or groups can reside in 'safety and comfort', it is argued as a place in which the individual exercises control or power. However, there are many occasions when forces act upon the home and threaten aspects of safety and comfort, often through such things as ruination, violence, mortality, and infestation. Organised around four thematic sections, 'Microbes, Animals and Insects', 'Human Agents', Wars and Disasters as Agents' and 'Hauntings, Eeriness and the Uncanny', chapters provide a range of approaches to the home which challenge notions of 'haven' and reflect major causes that have played an important role in undermining the modern home. Examples and case studies explore the domestic screen, hoarding, hauntings, violence and imprisonment in the home, wartime interior art, the Hanover Merzbau and Wolfgang Staudte's 1946 film Die Mörder sind unter uns ('The Murderers are Among Us').