This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters--the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.

This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.

Ecocriticism in Japan provides an answer to the question, “What can ecocriticism do when engaging with Japanese literature and culture?” Engaging works ranging from The Tale of Genji to Abe, Ōe, Ishimure, and Miyazaki, this volume examines works Japanese people and culture in terms of nature and environment.

This book extensively analyzes the literary works of fiction that draw on the Great East Japan Earthquake and Tsunami that occurred on March 11, 2011. This disaster inspired literally hundreds of fictional works in Japan from the time of the events through 2017. This response represents a unique and perhaps unprecedented cultural phenomenon in the world. Since a variety of writers in different genres, and even amateurs, have written and published books inspired by their experiences of the disaster, it is extremely difficult to cover the entire body of Japanese “post-3.11 literature”. Because of the breadth of this literary response, there is a scarcity of research on the subject available. This book offers the first comprehensive review of Japan’s recent post-disaster literary production to the English audience.

Through essays on its key players, detailed original maps, and a narrative drawn from contemporary Italian and Latin sources never before translated into English, A Japanese Mission to 17th Century Rome: Date Masamune’s Cosmopolitan Dream presents a nuanced history of the Keicho Mission (1613-1620), a little-known embassy sent to Europe by Masamune Date, the wealthy and ambitious Lord of Oshu (northeastern Japan) seeking to establish trade and cultural ties with Spain and the Roman Catholic Church. Kathryn M. Lucchese describes how the Mission crossed the Pacific, New Spain, and the Atlantic, toured Spain and Italy and paraded in triumph across Rome before making the long return to Sendai. Though its full success was doomed by unfriendly forces in Europe and unfolding policies in Japan, the Mission did open a brief period of trade with New Spain and earned papal support for a Diocese of Japan, leaving traces of its passing in the form of Japanese settlers in Spain and Mexico and the cosmopolitan soul of modern Sendai.

This book explores how the tremendous earthquake on March 11, 2011 impacted literary authors in Japan and generated issues and perspectives previously unrecognized in Japanese literary and social culture. The disaster itself caused an earthquake, tsunami, and an nuclear accident, and provided the grounds for "post 3/11" literature in Japan.

Recent natural as well as man-made cataclysmic events have dramatically changed the status quo of contemporary Japanese society, and following the Asia-Pacific war’s never-ending ‘postwar’ period, Japan has been dramatically forced into a zeitgeist of saigo or ‘post-disaster.’ This radically new worldview has significantly altered the socio-political as well as literary perception of one of the world’s potential superpowers, and in this book the contributors closely examine how Japan’s new paradigm of precarious existence is expressed through a variety of pop-cultural as well as literary media. Addressing the transition from post-war to post-disaster literature, this book examines the rise of precarity consciousness in Japanese socio-cultural discourse. The chapters investigate the extent to which we can talk about the emergence of a new literary paradigm of precarity in the world of Japanese popular culture. Through careful examination of a variety of contemporary texts ranging from literature, manga, anime, television drama and film this study offers an interpretation of the many dissonant voices in Japanese society. The contributors also outline the related social issues in Japanese society and culture, providing a comprehensive overview of the global trends that link Japan with the rest of the world. Visions of Precarity in Japanese Popular Culture and Literature will be of great interest to students and scholars of contemporary Japan, Japanese culture and society, popular culture and social and cultural history.

In the wake of the disaster of 1945—as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of what would become crucial ideological weapons of the cultural Cold War. The volume consists of three interrelated sections: “Foregrounding the Cold War,” “Structures of Concealment: ‘Cultural Anxieties,’” and “Continuity and Discontinuity: Subjective Rupture and Dislocation.” One way or another, the essays address the process through which new “Japan” was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.

This work chronicles the writings of Hino Ashihei, who rose to celebrity status during the Pacific War for his accounts of campaigns in China and Southeast Asia. The study shows how writing about the war was read during and after the conflict.