A collaborative book project centering the liberative theopoetics practiced by a new generation of scholars of color What is theopoetics? Once a field dominated by white liberals in the ivory tower, this embodied form of theology has flourished in the work of a new generation of scholars of color. In this groundbreaking book edited by Oluwatomisin Olayinka Oredein and Lakisha R. Lockhart-Rusch, a diverse team of theologians shows how theopoetics can be practiced “in color.” Featuring unconventional and artistic forms of religious reflection, this collection demonstrates how theology can become accessible when it reflects the embodied experiences of marginalized people and communities. These creative contributions defy the limitations of the white, Eurocentric academy, including such works as: • an explanation on the use of experimental theater to express theological theses • a guide to spiritual disciplines for metaphorical cyborgs seeking liberation • a meditation on the theological import of Filipino potlucks • a literary reflection on the meaning of religion to Black boys and men Diverse in scope and radical in perspective, this bold volume reclaims the liberative potential of theopoetics. Scholars and students of theology and the arts will discover inspiring new methodologies and fresh ideas in these pages. Contributors: Brian Bantum, Yara González-Justiniano, James Howard Hill Jr., Carolina Hinojosa-Cisneros, Yohana Agra Junker, Peace Pyunghwa Lee, Lakisha R. Lockhart-Rusch, Oluwatomisin Olayinka Oredein, Patrick B. Reyes, Joyce del Rosario, Tiffany U. Trent, Tamisha A. Tyler, Lis Valle-Ruiz

A collaborative book project centering the liberative theopoetics practiced by a new generation of scholars of color What is theopoetics? Once a field dominated by white liberals in the ivory tower, this embodied form of theology has flourished in the work of a new generation of scholars of color. In this groundbreaking book edited by Oluwatomisin Olayinka Oredein and Lakisha R. Lockhart-Rusch, a diverse team of theologians shows how theopoetics can be practiced "in color." Featuring unconventional and artistic forms of religious reflection, this collection demonstrates how theology can become accessible when it reflects the embodied experiences of marginalized people and communities. These creative contributions defy the limitations of the white, Eurocentric academy, including such works as: - an explanation on the use of experimental theater to express theological theses - a guide to spiritual disciplines for metaphorical cyborgs seeking liberation - a meditation on the theological import of Filipino potlucks - a literary reflection on the meaning of religion to Black boys and men Diverse in scope and radical in perspective, this bold volume reclaims the liberative potential of theopoetics. Scholars and students of theology and the arts will discover inspiring new methodologies and fresh ideas in these pages. Contributors: Brian Bantum, Yara González-Justiniano, James Howard Hill Jr., Carolina Hinojosa-Cisneros, Yohana Agra Junker, Peace Pyunghwa Lee, Lakisha R. Lockhart-Rusch, Oluwatomisin Olayinka Oredein, Patrick B. Reyes, Joyce del Rosario, Tiffany U. Trent, Tamisha A. Tyler, Lis Valle-Ruiz

"Why are interreligious encounters and relations both more troubling and more promising than typically assumed, and how can this be embraced? In engaging the contemporary theological discourse of "theopoetics," Marius van Hoogstraten offers a way of approaching religious difference that, while perhaps unusual to readers familiar with more conventional theology, may be especially fitting for this age."--Provided by publisher

Way to Water has two primary intentions: to trace the development of the nascent field of theological inquiry known as theopoetics and to make an argument that theopoetics provides both theological and practical resources for contemporary people of faith who seek to maintain a confessional Christian life that is also intellectually critical. Beginning with the work of Stanley Hopper in the late 1960s, and addressing the early scholarship of key theopoetics authors like Rubem Alves and Amos Wilder, this text explores how theopoetics was originally developed as a response to the American death-of-God movement, and has since grown into a method for engaging in theological thought in a way that more fully honors embodiment and aesthetic dimensions of human experience. Most of the extant literature in the field is addressed to allow for a cumulative and comprehensive articulation of the nature and function of theopoetics. The text includes an exploration of how theopoetic insights might aid in the development of tangible church practices, and concludes with a series of theopoetic reflections.

Theopoetics is a collection of poetry filled with reflective inspiration from the heart and mind of a person filled with pathos over the plight of humanity. Each poem reflects his personal wrestling with theology and reality as he is determined to bring God into the world with a synthesis of pathos, intellect, experience, and words. The aesthetic of poetry provides the author with an expressive outlet to imagine life within a genre where limitations give way to possibilities, in a world where the concretization of society prevails. Theopoetics is an effort to communicate spirituality combined with theology into words; words that ignite the soul with hope and challenge. Each poem contains numerous theological insights born from years of teaching students both in the classroom and abroad. These efforts at educating have been in active pursuit of bringing tikkun olam, that is repairing the world, to oppressed persons and various communities of need. The author is committed to the idea that theology must be practical with ready application for participating in salvation as both personal and historical. As a practitioner of nonviolence his calls for peace resonate throughout the book. Theopoetics is for persons seeking a spiritually challenging devotional experience.

Theopoetics is a plea for a more fully human way of speaking about God in the twenty-first century, a way that offers new life to dry and dying platitudes. Drawing deeply from linguistics, theology, philosophy, and even quantum mechanics, theopoetics attempts to reimagine the relationship between human language and speech about God through poetic phrasing and metaphor--thereby proposing a new God-talk. Interacting with selective works from within the discipline, Silas Krabbe offers a guide that not only maps the diversity of thought but also charts what is going on in the depths of the field. Using the metaphor of a river, Krabbe attempts to baptize the reader into theopoetics by leading an immersive exploration: sounding its waters, hearing resonances and echoes, feeling its flow, and becoming entangled in the braiding of its streams. Plunging ever more deeply into the differences that exist within the discourse of theopoetics, Krabbe is able to identify common aims, currents, and even hints of where this theopoetic river may lead. Not only a text about theopoetics, A Beautiful Bricolage is a work of theopoetics itself. It thereby draws the reader into a mode of inquiry that repudiates those who attempt to grasp it.

A groundbreaking and trendsetting collection of essays introducing a new interdisciplinary area of theological studies. Usable as a key text for modules in intercultural theology, mission studies, Black Theology and Pentecostal Studies at upper undergraduate and M level.

In today's crucible of myths, theology has a special problem. Ancient scenarios provided by Scripture are especially vulnerable to the modern outlook. Amos Wilder, a distinguished scholar and critic, here relates the Christian faith, in depth, to the changes in modern man's sense of reality, and to the powerful new forms of spirituality that reflect these changes. The focus is upon the deeper dynamics of the religious situation--that is, upon its myths and dreams, symbols and arts--rather than upon its doctrines and social forms. A total vision requires a mythopoetic and not only isolated visions and epiphanies. The testimony of contemporary poets and believers demonstrates that world-old myths and sagas can still have living power. As Wilder writes, "Before the message, the vision; before the sermon, the hymn; before the prose, the poem. The discursive categories of theology as well as the traditional images of sermon and prayer require a theopoetic."

Color Vision, first published in 2000, defines the state of knowledge about all aspects of human and primate color vision.

Uriah Kriegel develops an objective theory of what it is for a mental state to be conscious. The key idea is that consciousness arises when self-awareness and world-awareness are integrated in the right way. Conscious mental states differ from unconscious ones in that, whatever else they represent, they represent themselves in a very specific way.