This volume concerns Theophrastus, Aristotle's pupil and successor as head of the Peripatetic School. The focus is twofold. First, it deals with discoveries and inventions, both useful and pleasurable, and more generally changes that transformed the way people live. Theophrastus wrote a work entitled On Discoveries, which may be regarded as cultural history. Second, the volume focuses on proverbs: familiar sayings containing useful truths that have been observed by earlier generations and passed on in a form that is concise and attractive. Theophrastus wrote a work entitled On Proverbs and made use of proverbs in his writings on ethics, rhetoric and humor. He recognized their importance in educating the young and maintaining the traditions of an earlier age.

Commenting on recently collected sources for Theophrastus' ethical views, this work relates Theophrastean doctrine to that of Aristotle and the rival Stoics. The focus is on topics like virtue and happiness, manners and moral virtues, innate character and the relation of animals to humans.

This volume relates to natural philosophy apart from the study of living things. Topics covered include the principles of scientific inquiry, place, time, motion, the heavens, the sublunary world, meteorology and the study of materials.

This is the first to appear of the projected volumes of commentary to accompany the texts and translations on Theophrastus of Eresus: Sources for his Life, Writings, Thought and Influence, edited by W.W. Fortenbaugh and others ("FHSG" (Philosophia Antiqua 54); Leiden, Brill, 1992). It covers the ancient secondary evidence for Theophrastus' views on physiology, zoology and botany; the transmission, reliability and doctrinal content of the reports in the text-and-translation volume are all discussed in detail, and general overviews are provided. The commentary is an indispensable accompaniment to the text-and-translation volume, and the two together will be an important resource for students of the history of the biological sciences in antiquity.

This volume is a commentary on the rhetorical and poetic texts collected in the second volume of Theophrastus of Eresus: Sources for His Life, Writings, Thought, and Influence. The commentary begins with a discussion of the ancient and medieval sources from which the texts are drawn. Next comes discussion of the titles of Theophrastus' works on rhetoric and poetics. After that each text is discussed individually. In sum, Theophrastus is shown to be an important, though sometimes seriously misunderstood, contributor to the development of Greek rhetorical and poetic theory. The commentary concludes with a bibliography of the modern scholary literature followed by several indices: important Greek and Latin words, titles of works (non-Theophrastean as well as Theophrastean), persons and places, and subjects discussed in earlier sections of the commentary.

Among the many subjects on which Theophrastus wrote, music is one of the most fascinating, as is testified by the sources discussed in this volume. Although scanty, the material we have—sixteen texts altogether, most of which are indirect testimonies—gives an idea of the originality and modernity of Theophrastus’ thought on music, and makes us regret that we do not know more. Our philosopher conceives of music as something that originates from a movement in the soul caused by passions and comes into existence through the body. Accordingly, he is interested in performance—i.e. the way in which musical expression is brought to the listener—and its effects on the soul and the body—e.g. musical therapy.

In Theophrastus of Eresus: On Winds, Robert Mayhew provides a critical edition of the Greek text with English translation and commentary on the sole Peripatetic treatise devoted specifically to winds, by Aristotle’s successor in the Lyceum. This is the first edition of this text to appear in over forty years, and the first ever to make use not only of the twelve medieval manuscripts but also of the Oxyrhynchus papyrus fragment of this work (first published in 1986). The lengthy commentary attempts to explain this difficult (and often corrupt) text and its relationship to Aristotle’s meteorological theory and scientific methodology.

Most of the colloquia explore important topics such as the notion of self in Plato and the relationship between sense and knowledge in Aristotle. In addition, two colloquia discuss the origins of Pyrrhonic scepticism and the themes of Seneca s "Natural Questions." This publication has also been published in paperback, please click here for details.

Contents: Stephen White: Opuscula and Opera in the Catalogue of Theophrastus' Works Han Baltussen: Theophrastean Echoes? The De Sensibus in the Platonic and Aristotelian Tradition Pamela M. Huby: Arabic Evidence about Theophrastus' De Sensibus Todd Ganson: A Puzzle Concerning the Aristotelian Notion of a Medium of Sense-Perception Istvan M. Bodnar: Theophrastus' De igne: Orthodoxy, Reform and Readjustment in the Doctrine of Elements Georg Wohrle: Ps-Aristoteles De Coloribus -aA Theophrastean Opusculum? David Sider: On On Signs - R.A.H. King: Nutrition and Fatigue Amneris Roselli: Greek Medical Theories of Fatigue Sabine Vogt: Theophrast, De Vertigine Armelle Debru: La sueur des corps: le De sudore de Theophraste face a la tradition medicale John Dillon: Theophrastus' Critique of the Old Academy in the Metaphysics H. Takahashi: Syriac Fragments of Theophrastean Meteorology and Mineralogy Index Contributors and Editors. (Franz Steiner 2002)

Unfinishedness and incompleteness are a central feature of ancient Greek and Roman literature that has often been taken for granted but not deeply examined; many texts have been transmitted to us incomplete. How and to what extent has this feature of many texts influenced their aesthetic perception and interpretation, and how does it still influence them today? Also, how do various editorial arrangements of fragmentary texts influence the reconstruction of closure? These important questions offer the opportunity to bring together specialists working on Greek and Roman texts across various genres: epic, tragedy, poetry, mythographic texts, rhetorical texts, philosophical treatises, and the novel. Reading a text by focusing on its current unfinishedness or incompleteness, or the textual signs suggesting an unfinished or incomplete state, the contributors examine the relations between author, reader and text as underscored by the verbal, generic and aesthetic features of each work. This edited volume brings together a broad spectrum of approaches to ancient and modern texts and aims to reach out to a broad scholarly community consisting not only of Classicists but also scholars of other literature and aesthetics.