No detailed description available for "Theological Writings / Theologische Schriften".

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this quick and vibrant little book, Kelly Kapic presents the nature, method and manners of theological study for newcomers to the field. He emphasizes that theology is more than a school of thought about God, but an endeavor that affects who we are. "Theology is about life," writes Kapic. "It is not a conversation our souls can afford to avoid."

No detailed description available for "Truth and History - a Dialogue with Paul Tillich / Wahrheit und Geschichte - ein Dialog mit Paul Tillich".

No detailed description available for "Writings in the Philosophy of Religion / Religionsphilosophische Schriften".

The topic of revelation is fundamental to any account of religious experience, playing a special role in the Judeo-Christian tradition where the texts of Scripture are regarded as revealed. Yet, any reflection on the revealed status of a given message or text requires interpretation. Paul Ricœur, one of the most important hermeneutic philosophers of the twentieth century, provides crucial insights on how such interpretation might proceed and what it might mean for texts to be revealed. Edited by Christina M. Gschwandtner, Paul Ricoeur, Philosophical Hermeneutics, and the Question of Revelation brings together major scholars of Ricœur’s work on the topic of revelation, showing both the role it already plays in his work and how his thinking might be taken further. Several contributors trace the development of his thought in regard to the concept of revelation. Others discuss the revelatory dimensions of Ricœur’s hermeneutics of the self, especially for such issues as identity, trauma, and forgiveness. Several contributions also place his work in conversation with that of other seminal thinkers on the topic of revelation, such as Karl Barth and Paul Tillich.

Panentheism has gained popularity among contemporary thinkers. This belief system explains that "all is in God"; as a soul is related to a body, so God is related to the world. In Panentheism--The Other God of the Philosophers, philosopher and theologian John Cooper traces the growth and evolution of this intricate theology from Plotinus to Alfred North Whitehead to the present. This landmark book--the first complete history of panentheism written in English--explores the subject through the lens of various thinkers, such as Plato, Jürgen Moltmann, Paul Tillich, Wolfhart Pannenberg, and Charles Hartshorne, and discusses how panentheism has influenced liberation, feminist, and ecological theologies. Cooper not only sketches the evolution of panentheism but also critiques it; ultimately, he offers a defense of classical theism. This book is for readers who care deeply about theology and think seriously about their faith.

This book is made up of a collection of texts unavailable in one volume until now, including six previously untranslated essays, from a major theologian of the twentieth century. Rahner's numerous writings focused on the revelation of God as mystery in the world and on the human being who has an essential openness towards the transcendent. His articles reveal an empathy and a depth of insight into the relationship between theology, faith and the arts which are remarkable and may take the reader by surprise. More recently, Rahner's contribution to the growing field of theology and the arts has been recognised by leading theologians on this subject. He asserts that theology must integrate the verbal and non-verbal arts as they are authentic means of human self-expression, of religious experience, and of God's self-communication; and therefore they are essential sources of theology. Rahner argues that theology, understood as a person's 'reflexive self-expression' about him- or herself 'in the light of divine revelation', cannot be regarded as complete until 'the arts become an intrinsic moment of theology itself'.

"The enigmatic link between the natural and artistic beauty that is to be contemplated but not eaten, on the one hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. One cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions about the relationship between beauty, art (broadly defined), and eating."—from Eating Beauty In a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase "eating beauty." The phrase evokes the destruction of beauty, the devouring mouth of the grave, the mouth of hell. To eat beauty is to destroy it. Yet in the case of the Eucharist the person of faith who eats the Host is transformed into beauty itself, literally incorporated into Christ. In this sense, Astell explains, the Eucharist was "productive of an entire 'way' of life, a virtuous life-form, an artwork, with Christ himself as the principal artist." The Eucharist established for the people of the Middle Ages distinctive schools of sanctity—Cistercian, Franciscan, Dominican, and Ignatian—whose members were united by the eucharistic sacrament that they received. Reading the lives of the saints not primarily as historical documents but as iconic expressions of original artworks fashioned by the eucharistic Christ, Astell puts the "faceless" Host in a dynamic relationship with these icons. With the advent of each new spirituality, the Christian idea of beauty expanded to include, first, the marred beauty of the saint and, finally, that of the church torn by division—an anti-aesthetic beauty embracing process, suffering, deformity, and disappearance, as well as the radiant lightness of the resurrected body. This astonishing work of intellectual and religious history is illustrated with telling artistic examples ranging from medieval manuscript illuminations to sculptures by Michelangelo and paintings by Salvador Dalí. Astell puts the lives of medieval saints in conversation with modern philosophers as disparate as Simone Weil and G. W. F. Hegel.