Symbolic Theology is a recreation of a sixth century manuscript written in Greek by the Irish monk, John of Ardmore, which has been sadly overlooked by historians. Writing at the same time as Boethius and Pseudo-Dionysius, John's work is an original synthesis of early Christian spirituality and Neoplatonic teaching. Fifteen hundred years on, the book's message can still resonate with a twenty-first century audience seeking a relationship with their Soul.

How do Christians understand the Trinity? How does this understanding relate to other Christian teachings? In conversation with key thinkers in contemporary and classical theology, particularly Henri de Lubac, Karl Rahner, Thomas Aquinas and Augustine, this book argues that a theology of symbols can help us glimpse the mystery of the Trinity and see how this central Christian teaching corresponds to Christian understandings of creation, humanity and the church. A symbol is not here understood as an arbitrary sign, but as a sign that mediates the presence of the symbolized. Joshua Mobley examines the understanding of the Father as “symbolized” in the Son who is the “symbol” of the Father by the “symbolism” of the Spirit, the personal agent of unity between Father and Son. These trinitarian relations then structure creaturely relations to God: God is symbolized in creation, which is a symbol of God by participation in the Son, and the church is symbolism, the union of creation with God by the power of the Spirit. Mobley thus argues that a theology of symbol helps coordinate trinitarian theology with key themes in Christian dogmatics.

The 20th and 21st Centuries have been characterized by theologians and philosophers rethinking theology and revitalizing the tradition. This unique anthology presents contributions from leading contemporary theologians - including Rowan Williams, Fergus Kerr, Aidan Nichols, G.R. Evans and Tracey Rowland - who offer portraits of over fifty key theological thinkers in the modern and postmodern era. Distinguished by its broad ecumenical perspective, this anthology spans arguably one of the most creative periods in the history of Christian theology and includes thinkers from all three Christian traditions: Protestant, Catholic and Orthodox. Each individual portrait in this anthology includes a biographical introduction, an overview of theological or philosophical writing, presentation of key thoughts, and contextual placing of the thinker within 20th Century religious discourse. Overview articles explore postmodern theology, radical orthodoxy, ecumenical theology, feminist theology, and liberation theology. A final section includes portraits of important thinkers who have influenced Christian thought from other fields, not least from Continental philosophy and literature.

In its creative integration of the disciplines of writing, rhetoric, and theology, Writing Theology Well provides a standard text for theological educators engaged in the teaching and mentoring of writing across the theological curriculum. As a theological rhetoric, it will also encourage excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts.

This theological commentary to the Rabbinic Midrash explores a simple proposition, in three parts. I. The reading of Scripture by principal parts of the Rabbinic Midrash is formed by compositions and composites that are animated by a cogent theological system. II. These primary components of the Midrash-compilations, further, are in part aimed at systematic demonstrations of theorems of a theological character. III. While forming a principal part of a large theological structure and system, each document is unique. This commentary in its concluding chapter presents what is common to the animating theology of Rabbinic Judaism in all its documentary components and what is unique to Song of Songs Rabbah.