Twenty years after the fall of Communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularization - post-secularization debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only alternatives to totalitarian ideologies, but also followed the loss and reappeareance of belief in God. Noble explains that, by listening to the artists, the churches and theologians can deal with questions about the nature of the world, memory and ultimate fulfilment in a more nuanced way. Then, as partakers in the search undertaken by their secular and post-secular contemporaries, theologians can penetrate a new depth of meaning, sending out shoots from the stump of Christian symbolism. Drawing on the rich cultures of Central and East Europe and both Western and Eastern theological traditions, this book presents a theological reading of contemporary culture which is important not just for post-Communist countries but for all who are engaged in the debate on the boundaries between theology, politics and arts.

In the first volume of Essays in Ecumenical Theology Ivana Noble depicts differences between what she calls a sectarian outlook and one which engages in the search for common roots, dialogical relationships and shared mission in a world that has largely become post-Christian, but often also post-secular. Drawing on both Western and Orthodox scholarship, and expressing her own positions, Noble sketches what ecumenical theology is, how it is linked to spirituality, the methods it uses, how it developed during the twentieth century, and the challenges it faces. Specific studies deal with controversial interpretations of Jan Hus, Catholic Modernism, the problematic heritage of the totalitarian regimes, and responses to the current humanitarian crisis.

Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary

What does postcoloniality have to do with sacramentality? How do diasporic lives and imaginaries shape the course of postcolonial sacramental theology? Neither postcolonial theorists nor sacramental theologians have hitherto sought to engage in a sustained dialogue with one another. In this trailblazing volume, Kristine Suna-Koro brings postcolonialism, diaspora discourse, and Christian sacramental theology into a mutually critical and constructive transdisciplinary conversation. Dialoguing with thinkers as diverse as Edward Said and Gayatri Spivak as well as Francis D'Sa, S.J., Martin Luther, Mayra Rivera, and John Chryssavgis, the author offers a postcolonial retrieval of sacramentality through a robust theological engagement with the postcolonial notions of hybridity, contrapuntality, planetarity, and Third Space. While exploring the methodological potential of diasporic imaginary in theology, this innovative book advances the notion of sacramental pluriverse and of Christ as its paradigmatic crescendo within the sacramental economy of creation and redemptive transformation. In the context of ecological degradation, In Counterpoint argues that it is vital for the postcolonial sacramental renewal to be rooted in ethics as a uniquely postcolonial fundamental theology.

Baptists in Romania have developed a practice of suspicion when it comes to religious dialogue, especially with the Romanian Orthodox tradition, due to a history that is characterized by oppression. In this detailed study Dr Daniel Oprean paves the way for positive dialogue between the two traditions, highlighting that much can be gained and learned by acknowledging similarities and differences in key aspects of theology. Dr Oprean explores how existing theological resources can be used to enhance theological discourse between Baptist and Orthodox traditions in Romania through in-depth analysis of the thought of British Baptist theologian, Professor Paul Fiddes, and Romanian Orthodox theologian, Father Dumitru Stăniloae. Oprean in particular looks at their understanding of trinitarian and human participation through perichoresis, the Eucharist, Christian spirituality, and baptism and chrismation. Presented as a conversation between the two traditions this study is a model for how theological and religious dialogue can facilitate reconciliation, not just in the church but also in wider society.

This book offers an introduction to some of the fundamental themes of theology. From the very beginning, however, it insists on the contribution to be found in the different Christian traditions. The reader is enabled to view these traditions as part of a common heritage. Drawing on the wealth of these understandings of what it is to be Christian can be an inspiration for those from very different church structures, and even for people who seek to understand their own spiritual journey and search for God, without identifying themselves or their journey with any particular church. A number of important theological questions are covered in the book. It starts with a look at theological method before examining the idea of divine revelation. This is followed by investigating the nature of authority and authorities in different churches and where these coincide and come into conflict. The historical and cultural contexts of theology and its roots in religious experience are also examined. Each theme has a biblical and patristic part, as well as a genuinely reciprocal discussion involving contemporary Catholic, Orthodox, and Protestant theologians.

This is an exploration of house churches, especially in Poland. The book begins with a review of literature about the “global house church movement” and continues with an article on the early Christian transition from house churches to purpose-built buildings for churches. Next is an article regarding the concept of “sacred space” in relation to house churches. The first half concludes with a chapter on methodology of research for a qualitative interview approach to studying house churches. The thesis then presents a theological method for using the qualitative interviews to develop ecclesiology. Sixteen interviews from thirteen house churches are presented. The thesis continues the theological method by attempting to answer the question “why is it going on” and presents a thematic analysis from the qualitative interviews that includes input from sociological research done in Poland. The thesis concludes by using scriptural and academic sources in conversation with house church interviews from the interviews and global house church literature to present four primary conclusions in a practical-prophetic ecclesiology.

This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.

The collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Věra Chytilová, Srdjan Dragojević, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.