Paperback edition of the fifth volume of the "Christocentric Theology Series" published by Christ in You Ministries. This volume considers the three divine onenesses of the Christian faith - the Trinitarian oneness of Father, Son and Holy in one Being, the Christological oneness of deity and humanity in the one Person of Jesus Christ, and the oneness of Christ and the Christian in one spirit.

Travel with Treb and Theo to experience the triumphs and tribulations of an intuitive giant. Witness Theos gift in the Central Highlands of Viet Nam. Feel his anguish as he encounters resistance from the legal system in Virginia and his exhilaration as he shapes the Patch in Southeast Missouri. Get to know those in the inner circle of the Circle. Observe Theos gifts of compassion, inspiration, realia, congruence, love, and emergence (CIRCLE), not only giving rise to this benevolent society, but also becoming the force that accomplishes the seemingly impossible. Theo: The Circle of a Transcendent, reveals the story of a true transcendent. From his conception that was indeed unique, to a life of sacrificial giving. Theos life exemplifies the lofty traits of the human potential. Learn from Theo how to grow in purpose and, more importantly, how to love, laugh, and live.

This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology", "The World is from the Trinity", "Earth moves Heavenward", "The Final Act: A Trinitarian Drama."

An award-winning actor on screen and stage (The Defiant Ones, The African Queen, The Sound of Music, My Fair Lady, Fiddler on the Roof), an activist for civil rights and progressive causes worldwide, and a singer whose voice has won him great applause, Theodore Bikel here tells his own compelling life story. Born in Austria, raised in Palestine, educated in England, and with a stellar career in the United States and around the world, Bikel offers a personal history parallel to momentous events of the twentieth century. In an eloquent, fiercely committed voice, he writes of the Third Reich, the birth of the State of Israel, the McCarthy witch hunts of the 1950s, and the tumultuous 1960s in America. In a new postscript to this paperback edition, he looks at recent events in the Middle East and takes both sides to task for their excesses.

Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.

This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama."

Is God a superfluous hypothesis for modern cosmology? According to the normal understanding of modern science, the answer should be affirmative because modern science is supposed to be free of metaphysical and theological presuppositions. However, despite its self-proclaimed neutrality regarding metaphysics and theology, modern science is full of metaphysical and theological presuppositions. These can be summarized as a mechanistic understanding of nature, a reduction of God to an external agent in competition with natural processes, and creation to a worldly mechanism. These presuppositions are deficient and untenable, and they remain unconscious for the most part in the dialogue between science and theology, making it intellectually impossible because of the reduced notions of God, nature, and creation assumed. Using the coherent and unreduced image of God and nature provided by the Christian doctrine of creation ex nihilo, Fr. David Alcalde intends to uncover and criticize the incoherent theological assumptions inherent in a concrete branch of modern science, which is modern cosmology. The author points out the presence of these inadequate theological presuppositions in both the theologians who use modern cosmology to offer scientific proof for the existence of God and the atheistic cosmologists who use their science to reject the idea of God.

Where do you run when a world is out to get you? AIs, Forged beings, superheroes, angels, and worlds that change in the blink of an eye—here is a richly imagined tale of ordinary redemption in an extraordinary world from one of the most provocative writers working today. . . . Francine is a young runaway looking to find a definition of love she can trust. In Sankhara, she finds a palace where rooms are made of bone, flowers, and the hearts of heroes. She finds a scientist mapping the territory of the human mind. She finds a boyfriend. And she finds Eros itself—incarnated in the androgynously irresistible form of Jalaeka. But not everyone is in love with the god of love. Unity, for one, wants to assimilate Jalaeka along with every other soul in the universe. And contrary to what everyone always believes, love alone can’t save the day. It will take something both more and less powerful than the human heart to save the worlds upon worlds at risk when gods collide. “For Robson, world-building is a literary device like any other, useful for exposing buried fears and desires to the light of day, no matter how strange the sun.”—New York Times Book Review