Biography of an groundbreaking, under recognized woman composer written by her only child. It is a paean to her life and work, as well as an apology and a detective story and a psychological analysis..

• Kirkus Best Books of 2015 selection for Biography • Published in celebration of Holiday’s centenary, the first biography to focus on the singer’s extraordinary musical talent When Billie Holiday stepped into Columbia’s studios in November 1933, it marked the beginning of what is arguably the most remarkable and influential career in twentieth-century popular music. Her voice weathered countless shifts in public taste, and new reincarnations of her continue to arrive, most recently in the form of singers like Amy Winehouse and Adele. Most of the writing on Holiday has focused on the tragic details of her life—her prostitution at the age of fourteen, her heroin addiction and alcoholism, her series of abusive relationships—or tried to correct the many fabrications of her autobiography. But now, Billie Holiday stays close to the music, to her performance style, and to the self she created and put into print, on record and on stage. Drawing on a vast amount of new material that has surfaced in the last decade, critically acclaimed jazz writer John Szwed considers how her life inflected her art, her influences, her uncanny voice and rhythmic genius, a number of her signature songs, and her legacy.

Provides an extensive history of doo-wop from 1950 through the early 1970s and gives definitions and illustrations of the music that falls between rhythm and blues and rock 'n' roll. It also features 150 photos, 64 sheet-music covers and prices for 1000 top doo-wop records.

First published in 1928. 'Lescarbot was a man of lively wit, and a practical sagacity and breadth of view far in advance of his time.' Spectator 'This admirable edition reveals to be a lesser-known Montaigne, and Erondelle a second Florio' Daily News 'One must be singularly hard to entertain if Lescarbot fails' Birmingham Post Nova Francia is an account of the foundation of the first French colony in Acadia in 1606. The author, Marc Lescarbot, had an inquisitive mind and an independent outlook, with a special faculty for clear thinking, and it is this authorial style which gives the work its unique value. To read Lescarbot is to enter again into the outlook of an intelligent Frenchman of the sixteenth century.

Feisty, redheaded Alexandra Merritt has the curious dilemma of inheriting her former employer?s casino in Las Vegas?where anything can and does happen. In addition to learning the ins and outs of running the Desert Flower, Alex has to deal with the famous and the infamous with their special quirks. Hot-shot athletes, movie stars, and stand-up comics all converge on the casino. But when more than one of her guests turns up dead, Alex becomes embroiled in a mystery as hot as the Nevada desert.Beautiful blond Nikki Simmons has the face of an angel, the body of a goddess, and the conscience of a sociopath. A spoiled heiress, she kills for fun. When she instantly takes a dislike to Alex, she decides to put the casino owner on her list of victims. After all, what?s one more?Alex isn?t sure who wants her dead, but she better figure it out before the Desert Flower becomes Vegas?s next morgue.With its tantalizing mix of cozy and regional, fans of Carolyn Hart and Cleo Coyle will enjoy this second offering in the Alexandra Merritt mystery series.

Ruby Braff's uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. Alth...

This ebook bundle present all four of the Ladies Killing Circle's wicked collections of twisted and witty crime fiction.