"Their tattered flags became the symbol of a defeated class, and Vandiver's description of aristocratic Southern leadership in crisis is a real contribution to the literature of the Civil War."--New York Times Book Review " . . . goes beyond the legendary heroism of the Lees and the Johnstons and the fabled soldiers in gray and shows how and why these men were unable to create an independent Southern nation."--Bruce Catton "A Southern mirror to Bruce Catton's splendid books on the Civil War . . . written with the pace of a Confederate infantry charge."--Robert K. Massie

A Study Guide for Carl Sandburg's "Hope Is a Tattered Flag," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

"The inspiring story of the American flag that flew over Ground Zero, traveled across all fifty states as it was repaired, and returned to New York, a restored symbol of unity"--

Remembering Mississippi's Confederates is a collection of never-before-seen images which document the history of these soldiers. The Confederate States of America engaged in a battle for national survival that lasted four long and incredibly bloody years. The conflict went on for so long because thousands of rebels were willing to lay down their lives and defend their homes to the last man and last cartridge. Many of these soldiers were Mississippians--approximately 78,000 citizens of the Magnolia State can be documented as having served in the Civil War. Of this number, over 27,500 died either of disease or in combat. Remembering Mississippi's Confederates is a photographic tribute to the men who fought so gallantly for their state. Many of the images in this volume have never been published and come from the proud descendants of the soldiers themselves; others were acquired from collections spread across the United States.

Flags and flowers, gardens and pumpkins-all speak of tradition, family, and home. Mother-and-daughter team Julie Thomas and Carol DeCoteau, from The Old Tattered Flag, designed a collection of rug hooking and punch needle embroidery patterns for you. The 14 projects in these pages, presented to you as seven hooked rug designs and seven punch needle designs, allow you to go big or go small. Instructions help you complete these charming projects, which will fit into any home.

A tribute to the valiant men who fought under these flags. The Flags of Civil War North Carolina is the history of secession of North Carolina told through the banners that flew over its government, cavalry, and navy. From the flags of the Guilford Greys to the Buncombe Riflemen, this collection is a fascinating portrait of the state's ill-fated battle for independence. Glenn Dedmondt is a member of the Sons of Confederate Veterans. He is the author of The Flags of Civil War Alabama and The Flags of Civil War South Carolina, also published by Pelican.

A bold argument that “and” always means “&,” the truth-functional sentential connective. In this book, Barry Schein argues that “and” is always the sentential logical connective with the same, one, meaning. “And” always means “&,” across the varied constructions in which it is tokened in natural language. Schein examines the constructions that challenge his thesis, and shows that the objections disappear when these constructions are translated into Eventish, a neo-Davidsonian event semantics, and, enlarged with Cinerama Semantics, a vocabulary for spatial orientation and navigation. Besides rescuing “and” from ambiguity, Eventish and Cinerama Semantics solve general puzzles of grammar and meaning unrelated to conjunction, revealing the book's central thesis in the process: aspects of meaning mistakenly attributed to “and” are discovered to reflect neighboring structures previously unseen and unacknowledged. Schein argues that Eventish and Cinerama Semantics offer a fundamental revision to clause structure and what aspects of meaning are represented therein. Eventish is distinguished by four features: supermonadicity, which enlarges verbal decomposition so that every argument relates to its own event; descriptive event anaphora, which replaces simple event variables with silent descriptive pronouns; adverbialization, which interposes adverbials derived from the descriptive content of every DP; and AdrPs, which replace all NPs with Address Phrases that locate what nominals denote within scenes or frames of reference. With 'And,' Schein rehabilitates an old rule of transformational, generative grammar, answering the challenges to it exhaustively and meticulously.

Reports of the sessions.

Focusing on the popular prints used by the Northern side of the American Civil War, this book examines the importance of graphic arts in rallying support for the Union during the war and in shaping the national memory after the war.

ÊMore than three hundred years ago a little sailing vessel set out from Holland, crossed the Atlantic Ocean, and followed down our coast from Greenland. Its captain, Henry Hudson, was in search of a quick and easy route to Asia, and when he entered the mouth of the river that is named for him, he hoped that he had found a strait leading to the Asiatic coast. He was disappointed in this, but the Indians welcomed him, the mountains were rich in forests, and the ground was fertile. "It is the most beautiful land in all the world," declared the enthusiastic navigator. Henry Hudson was an Englishman, but he sailed in the employ of the Dutch East India Company, and soon the flag of this Company was well known along the Hudson River. It was the old flag of Holland, three horizontal stripes, of orange, white, and blue, with the initials of the Company on the white stripe. Hudson had not found a new route to Asia, but he had opened the way for the fur-trade. In a few years the Dutch had established trading-posts as far north as Albany. They had also founded a city which we call "New York," but which they named "New Amsterdam." So it was that in 1609 the Dutch flag first came to the New World. Nearly thirty years after the voyage of Henry Hudson, a company of Swedes made a settlement on the Delaware River. This had been planned by the great Gustavus Adolphus, King of Sweden. "That colony will be the jewel of my kingdom," he said; but the "Lion of the North" was slain in battle, and his twelve-year-old daughter Christina had become queen. That is why the loyal Swedes named their little fortification Fort Christiana, and over it they raised the flag of their country, a blue banner with a yellow cross. In course of time the Swedes were overpowered by the Dutch, and then the Dutch by the English; so that before many years had passed, the only flag that floated over the "Old Thirteen" colonies was that of England. This was brought across the sea by the settlers of our first English colony, Jamestown, in Virginia. Moreover, they had the honor of sailing away from England in all the glories of a brand-new flag made in a brand-new design. The flag of England had been white with a red upright cross known as "St. George's Cross"; but a new king, James I, had come to the throne, and the flag as well as many other things had met with a change. James was King of Scotland by birth, and the Scotch flag was blue with the white diagonal cross of St. Andrew. When James became King of England, he united the two flags by placing on a blue background the upright cross of St. George over the diagonal cross of St. Andrew; and he was so well pleased with the result that he commanded every English vessel to bear in its maintop this flag, "joined together according to the form made by our own heralds," the King declared with satisfaction. It was the custom at that time to call "ancient" whatever was not perfectly new, and therefore the flag used before James became king was spoken of as the "ancient flag," while the new one became the "King's Flag" or the "Union Jack." This change was made in the very year when the grant for Virginia was obtained, and therefore the little company of settlers probably sailed for America with the "King's Flag" in the maintop and the "ancient flag" in the foretop.