Depicts U.S. political leaders as the consistent driving force behind America's Vietnam commitment.

A comprehensive comparative analysis of Sun Tzu's (6th cent. B.C.) The art of war, Clausewitz's (1780-1831) On war, and Jomini's (1779-1869) The art of war. Author Handel is Professor of Strategy at the US Naval War College. Distributed in the US by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR

This is the first comprehensive study based on a detailed textual analysis of the classical works on war by Clausewitz, Sun Tzu, Mao Tse-tung, and to a lesser extent, Jomini and Machiavelli. Brushing stereotypes aside, the author takes a fresh look at what these strategic thinkers actually said—not what they are widely believed to have said. He finds that despite their apparent differences in terms of time, place, cultural background, and level of material/technological development, all had much more in common than previously supposed. In fact, the central conclusion of this book is that the logic of waging war and of strategic thinking is as universal and timeless as human nature itself. This third, revised and expanded edition includes five new chapters and some new charts and diagrams.

In Masters of War, Clara Nieto adeptly presents the parallel histories of the countries of Latin America, histories that are intertwined, each reflecting the United States’ "coherent policy of intervention" set into motion by the Monroe Doctrine. As the value of this continued policy comes increasingly into question, Nieto argues for the need to evaluate the alarming precedent set in Latin America: the institution of client dictatorships, the roles played by the interests of U.S. corporations, the enormous tolls taken on civilian populations, and the irreversible disruption of regional stability. Drawing from an impressive array of documents and sources as well as from her unique first-hand insights as a participant in crucial meetings and negotiations in the region from the mid-1960s through the mid-1980s, Nieto chronicles the Cuban Revolution, the CIA-sponsored coup against popularly elected President Allende in Chile, the U.S. invasions of Panama and Grenada, U.S. support for the cultivation and training of paramilitary death squads in Nicaragua, El Salvador, and Colombia, as well as similarly severe but less well-known situations in other countries such as Uruguay, Venezuela, Argentina, Peru, Bolivia, Honduras, and Guatemala. Masters of War offers, from an informed perspective, perhaps for the first time, a distanced, objective analysis of recent Latin American history. Clara Nieto’s depth of knowledge and understanding is an invaluable resource at a time when the media is seen as unapologetically aligned with the interests of major corporations and policymakers, and the American public has reached a new height of apprehension regarding the intentions behind and consequences of its government’s policies.

In Patton, Montgomery, Rommel, one of Britain's most accomplished military scholars presents an unprecedented study of the land war in the North African and European theaters, as well as their chief commanders—three men who also happened to be the most compelling dramatis personae of World War II. Beyond spellbinding depictions of pivotal confrontations at El Alamein, Monte Cassino, and the Ardennes forest, author-scholar Terry Brighton illuminates the personal motivations and historical events that propelled the three men's careers: how Patton's, Montgomery's, and Rommel's Great War experiences helped to mold their style of command—and how, exactly, they managed to apply their arguably megalomaniacal personalities (and hitherto unrecognized political acumen and tact) to advance their careers and strategic vision. Opening new avenues of inquiry into the lives and careers of three men widely profiled by scholars and popular historians alike, Brighton definitively answers numerous lingering and controversial questions: Was Patton really as vainglorious in real life as he was portrayed to be on the silver screen?—and how did his tireless advocacy of "mechanized cavalry" forever change the face of war? Was Monty's dogged publicity-seeking driven by his own need for recognition or by his desire to claim for Britain a leadership role in postwar global order?—and how did this prickly "commoner" manage to earn affection and esteem from enlisted men and nobility alike? How might the war have ended if Rommel had had more tanks?—and what fundamental philosophical difference between him and Hitler made such an outcome virtually impossible? Abetted by new primary source material and animated by Terry Brighton's incomparable storytelling gifts, Patton, Montgomery, Rommel offers critical new interpretations of the Second World War as it was experienced by its three most flamboyant, controversial, and influential commanders—and augments our understanding of each of their perceptions of war and leadership.

Michael MallettÕs classic study of Renaissance warfare in Italy is as relevant today as it was when it was first published a generation ago. His lucid account of the age of the condottieri - the mercenary captains of fortune - and of the soldiers who fought under them is set in the wider context of the Italian society of the time and of the warring city-states who employed them. A fascinating picture emerges of the mercenaries themselves, of their commanders and their campaigns, but also of the way in which war was organized and practiced in the Renaissance world. The book concentrates on the fifteenth century, a confused period of turbulence and transition when standing armies were formed in Italy and more modern types of military organization took hold across Europe. But it also looks back to the middle ages and the fourteenth century, and forward to the Italian wars of the sixteenth century when foreign armies disputed the European balance of power on Italian soil. Michael MallettÕs pioneering study, which embodies much scholarly research into this neglected, often misunderstood subject, is essential reading for any one who is keen to understand the history of warfare in the late medieval period and the Renaissance.

This joint WWII biography of Roosevelt, Churchill, Marshall, and Brooke “is a triumph of vivid description, telling anecdotes, and informed analysis” (The New York Review of Books). Masters and Commanders explores the degree to which the course of the Second World War turned on the relationships and temperaments of four of the strongest personalities of the twentieth century: political masters Winston Churchill and Franklin D. Roosevelt and the commanders of their armed forces, General Sir Alan Brooke and General George C. Marshall. Each was exceptionally tough-willed and strong-minded, and each was certain that only he knew best how to win the war. Andrew Roberts, “Britain's finest contemporary military historian” (The Economist), traces the mutual suspicion and admiration, the rebuffs and the charm, the often-explosive disagreements and wary reconciliations, and he helps us to appreciate the motives and imperatives of these key leaders as they worked tirelessly in the monumental struggle to destroy Nazism.

How have artists across the millennia responded to warfare? In this uniquely wide-ranging book, Theodore Rabb blends military history and the history of art to search for the answers. He draws our attention to masterpieces from the ancient world to the twentieth century--paintings, sculpture, ceramics, textiles, engravings, architecture, and photographs--and documents the evolving nature of warfare as artists have perceived it. The selected works represent landmarks in the history of art and are drawn mainly from the western tradition, though important examples from Japan, India, and the Middle East are also brought into the discussion. Together these works tell a story of long centuries during which warfare inspired admiration and celebration. Yet a shift toward criticism and condemnation emerged in the Renaissance, and by the end of the nineteenth century, glorification of the warrior by leading artists had ceased. Rabb traces this progression, from such works as the Column of Trajan and the Titian "Battle of Lepanto", whose makers celebrated glorious victories, to the antiwar depictions created by Brueghel, Goya, Picasso, and others. Richly illustrated and accessibly written, this book presents a study of unprecedented sweep and multidisciplinary interest. -- Book jacket.

January 1 1916: Europe is bleeding to death as the corpses rot from Poland to Gallipoli in the cruel grip of the Great War... Heart of War follows the fate and fortunes of the Rowland family and those people bound up in their lives: the Cate squirearchy, the Strattons who manage the Rowland owned factory, and the humble, multi-talented Gorse family. In this all-consuming conflict, not a single family will remain untouched. With Quentin and Boy Rowland fighting in the trenches and Guy flying the skies above, it would be a miracle for the whole family to come home untouched... During the years 1916 and 1917, the appalling slaughter of the Somme and Passchendaele cuts deep into the hearts of British people as military conscription looms over Britain for the first time in a thousand years. As babies are born, fathers, sons and brothers killed, and women strike out in the work-place, Britain looks to never be the same again. First published in 1980 – book two in a three volume saga including Now, God be Thanked, and By The Green of Spring – Heart of War explores the emotional turmoil of Britain at war from every angle: from the eyes of the upper class aristocracy who are losing their grip on power, to the lower classes rising up as they fight alongside those previously thought their betters.