Hardcover reprint of the original 1862 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Rhind, A. Henry Alexander Henry. Thebes; Its Tombs And Their Tenants, Ancient And Present, Including A Record Of Excavations In The Necropolis. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Rhind, A. Henry Alexander Henry. Thebes; Its Tombs And Their Tenants, Ancient And Present, Including A Record Of Excavations In The Necropolis, . London: Longman, Green, Longman, And Roberts, 1862. Subject: Tombs, Egypt

Reprint of the original, first published in 1862.

Excerpt from Thebes, Its Tombs and Their Tenants: Ancient and Present, Including a Record of Excavations in the Necropolis It must be a very determined antiquarianism that, even on such a site as that of Thebes, can, under the cir. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 'A History of Art in Ancient Egypt,' Volumes 1 and 2, Georges Perrot and Charles Chipiez undertake an ambitious exploration of the aesthetic and cultural riches of ancient Egyptian civilization. Through their exhaustive examination, they present a nuanced tapestry of the artistic achievements that shaped one of history's most enduring societies. The collection distinguishes itself by the diversity of its content, ranging from architecture, sculpture, and painting, to the lesser-known realms of decorative arts. It is a significant compilation that not only highlights landmark monuments but also delves into the symbolism and functionality that underpinned Egyptian art, offering readers an intricate understanding of its historical and cultural context. The collaboration between Perrot, an esteemed archaeologist, and Chipiez, an architectural historian, brings a profound depth of scholarly expertise to the work. Their backgrounds allow for a comprehensive analysis that bridges art with its societal functions, aligning the collection with broader academic discussions on ancient civilizations and their expressions of identity, power, and religiosity. This synthesis of perspectives complements the overarching theme by providing a multifaceted exploration of how material culture reflects societal values and historical changes. This anthology is recommended for readers seeking to immerse themselves in the rich tapestry of ancient Egyptian art and society. The meticulous research and broad scope of 'A History of Art in Ancient Egypt' offer a unique educational opportunity, inviting a contemplative engagement with the artifacts that have shaped our understanding of ancient Egypt. For scholars and enthusiasts alike, this collection serves as both a comprehensive reference and a source of inspiration, fostering a deeper appreciation for the nuances and complexities of ancient artistic endeavors.

The Art in Ancient Egypt in two volumes is a study of Egyptian arts and of their connection with the national religion and civilization written by French archeologists and historians Georges Perrot and Charles Chipiez. The aim of the work was to trace the course of the great evolution which culminated in the age of Pericles and came to an end in that of Marcus Aurelius. That evolution forms a complete entirety – an unbroken chain of cause and effect uniting the two eras. Using carefully selected examples authors prove that the art of the Egyptians went through the same process of development as those of other nationalities, earlier and later ones, and that the unique quality of the sculptures and paintings of the Nile Valley was a persistent affinity to simplification, which comes in part from the habit created by writing the hieroglyphic and in part from the materials used.

The Seventh annual Current Research in Egyptology Symposium (CRE 2006) was held on 6-8 April 2006, at the University of Oxford, and brought together graduate and postgraduate students of Egyptology from institutions world-wide. A total of 44 students presented their new and on-going research on a variety of topics including archaeology, art and architecture, history and society, literature and language, religion, museum studies, scientific analysis, history of Egyptology and 'egyptomania,' spanning the entire period of Egyptian history from Predynastic to Coptic times. The papers published here cover the same wide range of research areas and multi-disciplinary approaches.

Includes List of members.