Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to "available-light" situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance. The book is accompanied by additional web content found at stagephoto.org, including tutorials, author blog, a photo gallery, and more resources.

Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to "available-light" situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance.

Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.

* A unique series of photographs that go behind the scenes in London theaters, capturing world renowned actors before they go on stage* Includes a foreword by Cate Blanchett* "Simon Annand is one of the most amazing photographers I have had the pleasure of working with. He is an individualist with an eye for the unusual." - Dame Judi Dench, actorBritish photographer Simon Annand has been shooting candid photographs backstage at West End theaters in London for 35 years. In these meditative portraits, often shot in the intimate space of the dressing room, he captures the focus and tension of world-class actors right before they go on the stage. Actors such as Cate Blanchett, Orlando Bloom, Anthony Hopkins, Jake Gyllenhaal and Judi Dench are seen in these moments of vulnerability, which every actor experiences no matter how long they have been working. Time to Act, with an introduction by Cate Blanchett, contains a hand-picked selection of Simon Annand's remarkable and unique portraits.

"A book for anyone wishing to approach photography in a professional and authentic way". A selection of notes and theories collected over more than ten years of shooting a few metres from the scene. The text is structured in more than thirty articles, some short, others more substantial. You will find technical indications as well as philosophical dissertations, reflections on photography as well as practical advice. Table of Contents Introduction Author The lights go off, the show begins Show and photography, beyond appearances A photography in motion: the choice of shooting points Problem of blurred and underexposed photos in live show photography Photographing the show: the live music concert Some common mistakes in live show photography Object-oriented or idea-oriented photography? Camera, lenses, exposure, framing Red stage lights: when black and white is preferable Anthropocentric vision of the scene photography: the importance of the details Photographing the hip-hop event Nine tips to get an accreditation to photograph concerts On the need to take stage photography beyond the journalistic purpose What is the relationship between photography and theatre? Time and analytical approach in scene photography The importance of extra-diegetic elements in the photography of the show 3 objectives for the photography of the show The inappropriate violence of digital watermarking applied to images Notes on photographic texturing Photographic seriality on the Internet: an ethical choice Online photo portfolio: when twenty shots are not enough Contextualization and selection of the photographic corpus Photo backup: dealing with the nightmare of losing everything Notes on vignetting Optics cleaning Manual optics and automatic optics Photography, releases and rights/duties of the photographer How can I protect my photos online? Photographic medicine: abandoning oneself to find inspiration again When the photographer doesn’t put love into it A new lens? Better ten photo books Does the camera make you a photographer? Is Photoshop really that important? Is Instagram killing photography? Let’s clear the air Analog and digital considerations Superiority of photographic contemplation over video Colours: a compromise between reality and its reproduction About Photography

This title features a wonderfully evocative collection of portraits of some of the greatest stars of 20th century British theatre. The photography of Angus McBean encompasses more than three decades of the history of British theatre. His work includes some of the most memorable theatre productions of the Old Vic Company and what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet from Sadler's Wells; and West End productions of plays and musicals. He was a favourite photographer of Vivien Leigh, Lourence Olivier, and Edith Evans. He photographed countless plays starring the likes of John Gielgud, Ralph Richardson, and Alec Guinness, not to mention young stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. This sumptuously illustrated volume features 120 evocative images - reproduced from McBean's original negatives - of some the greatest stars of Twentieth-century British theatre.

Digital Media, Projection Design, and Technology for Theatre covers the foundational skills, best practices, and real-world considerations of integrating digital media and projections into theatre. The authors, professional designers and university professors of digital media in live performance, provide readers with a narrative overview of the professional field, including current industry standards and expectations for digital media/projection design, its related technologies and techniques. The book offers a practical taxonomy of what digital media is and how we create meaning through its use on the theatrical stage. The book outlines the digital media/projection designer’s workflow into nine unique phases. From the very first steps of landing the job, to reading and analyzing the script and creating content, all the way through to opening night and archiving a design. Detailed analysis, tips, case studies, and best practices for crafting a practical schedule and budget, to rehearsing with digital media, working with actors and directors, to creating a unified design for the stage with lighting, set, sound, costumes, and props is discussed. The fundamentals of content creation, detailing the basic building blocks of creating and executing digital content within a design is offered in context of the most commonly used content creation methods, including: photography and still images, video, animation, real-time effects, generative art, data, and interactive digital media. Standard professional industry equipment, including media servers, projectors, projection surfaces, emissive displays, cameras, sensors, etc. is detailed. The book also offers a breakdown of all key related technical tasks, such as converging, warping, and blending projectors, to calculating surface brightness/luminance, screen size and throw distance, to using masks, warping content and projection mapping, making this a complete guide to digital media and projection design today. An eResource page offers sample assets and interviews that link to current and relevant work of leading projection designers.

First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan's pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan's own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of Pictures From Home clarifies the multiplicity of voices - both textual and pictorial - in order to afford a fresh perspective of this seminal body of work -- Provided by the publisher.