(Theatre World). Highlights of this new Theatre World , now in its 58th year, include Mamma Mia! with Louise Pitre; Thoroughly Modern Millie starring Tony Award-winner Sutton Foster; the downtown-moves-uptown triumph Urinetown starring Sutton's sibling Hunter Foster and John Cullum; the one-woman show Elaine Stritch at Liberty ; the Tony Award-winner for Best Play, Edward Albee's The Goat ; Topdog/Underdog , the Pulitzer Prize-winning play by Suzan-Lori Parks, the first African American woman to win a Pulitzer for drama; the revival of Noel Coward's Private Lives ; and Sweet Smell of Success starring John Lithgow. Some notable Off-Broadway productions of the season include Neil LaBute's The Shape of Things with Gretchen Mol, Paul Rudd and Rachel Weisz; Richard Greenberg's (Take Me Out) The Dazzle ; Jason Robert Brown's notable musical The Last Five Years ; tick, tick ... BOOM! , a musical by the late Jonathan Larson ( Rent ); Tony Kushner's Homebody/Kabul ; and Sam Shepard's The Late Henry Moss with Ethan Hawke. Theatre World, the statistical and pictorial record of the Broadway, Off-Broadway, and Off-Off-Broadway seasons, touring companies, and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, and song titles. There are special sections with autobiographical data, obituary information, a longest runs listing, an expanded awards listing, and much, much more. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis's Theatre World ." Harry Haun, Playbill " Theatre World commemorates the history and excitement of the theatre like no other publication. John Willis and his book are indispensable." Alec Baldwin

A lavishly illustrated collection of on-the-spot and authoritative surveys of current theatrical activity from across the globe, this work covers the three seasons from 1999-2000, 2000-1 and 2001-2.

(Theatre World). Highlights of this new Theatre World , now in its 59th year, include the 8-Tony winning Hairspray with award winners Harvey Firestein and Marissa Jaret Winokur; the Tony-winning Best Play Take Me Out ; hot director David Leveaux's reimagining of Nine: The Musical , featuring the sensational Antonio Banderas and Jane Krakowski; the star-studded revival of Eugene O'Neill's Long Day's Journey into Night with Vanessa Redgrave, Brian Dennehy, Philip Seymour Hoffman and Robert Sean Leonard; and the groundbreaking Russell Simmons' Def Poetry Jam . Notable Off-Broadway and touring productions include the anti-death penalty play The Exonerated ; Kate Mulgrew as Katharine Hepburn in Tea at Five ; Dinner at Eight with the late John Ritter; Talking Heads with Lynn Redgrave, Christine Ebersole and Kathleen Chalfant; and the highly regarded Stephen Adly Guirgis' Our Lady of 121st St. Theatre World, the statistical and pictorial record of the Broadway, Off-Broadway, and Off-Off-Broadway seasons, touring companies, and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, and song titles. There are special sections with biographical data, obituary information, a longest-runs listing, an expanded theatrical awards section, and much more. Now featuring 16 pages of color photos! Over 600 photos in all. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World an addiction for theatre buffs." Playbill "If you're looking for an elaborate visual record of a theatrical season, you'll want to opt for Theatre World ... It's a keeper." Back Stage

An overview of the 2009-2010 theatre season includes photos, a complete cast listing, producers, directors, authors, composers, opening and closing dates, song titles and plot synopses for more than 1,000 Broadway, off-Broadway, off-off-Broadway and regional shows, as well as the past year's obituaries, a listing of all award nominees and winners and an index.

1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.

Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of Theatre is a lavishly illustrated biennial publication providing on-the-spot and authoritative surveys of current theatrical activity from across the globe. The content of the book is as varied as the theatrical situations it describes, from magisterial round-ups by leading critics in Europe to desperate and pitiful reports from the battlefield in war-torn countries. With expanded coverage, this new edition encompasses the three seasons from 1999 to 2002 and contains articles from over seventy countries. The contributors include leading commentators such as Jim O'Quinn, editor of American Theatre, and England's Peter Hepple, the longest serving London theatre critic and a former editor of The Stage. The World of Theatre will be welcomed by theatre scholars as an ongoing revision of another Routledge reference work, the World Encyclopedia of Contemporary Theatre and is essential reading for anyone seeking up-to-date information on the developments in the leading theatre nations as well as those countries whose theatre is little known outside their boundaries.

This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner’s Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.