Eurythmy is an art form that makes sounds visible. By incorporating zodiac gestures into their art, as indicated by Rudolf Steiner, eurythmists can draw on a deep connection between the earth and the cosmos. The zodiac, as representative of the whole cosmos, is a vital part of human spirituality, acting as the backdrop to human life. But it can be hard to fathom the zodiac's secrets, even through meditation. Barfod draws a parallel between meditative exercises and eurythmy practice, and shows how zodiac gestures in eurythmy can reveal cosmic insights. This is a book for eurythmy teachers and practitioners who want to deepen their art and spiritual work.

From ancient times, people had knowledge of the zodiac’s intimate involvement in the creation of physical life. They understood that the twelve realms of constellations of fixed stars in the sky emanated specific forces that were brought to life and movement by the planets. These spiritual energies created and formed all living beings on earth – including, of course, the human being. This traditional awareness has been reenlivened and given new meaning in our time through Rudolf Steiner’s anthroposophy. Steiner gave specific indications involving twelve individual gestures and colours that depict the forces of the twelve zodiacal regions. In this richly-illustrated collation of original artistic research – which features exciting new work on the zodiac via the mediums of sculpture, graphics and painting – these new insights are explored and illumined in twenty-seven essays and numerous full-colour images. Led by editor Gertraud Goodwin, the various contributing artists offer a rich tableau of authentic, individual approaches to understanding the zodiac, throwing light on the vast realm of creative forces around us whilst acknowledging their primary source. ‘From the many relationships to other qualities, like the consonants, virtues, areas of the human body, colours, eurythmy gestures, elements (earth, water, air, fire), musical keys and many more, in which the zodiacal forces express themselves as if through different instruments, a harmony begins to emerge, which informs me of an ever rounder picture of one particular force of the Zodiac.’ – Gertraud Goodwin

With these fundamental lectures on speech eurythmy – given just months after his course entitled ‘Eurythmy as Visible Singing’ – Rudolf Steiner completed the foundations of the new art of movement. In connecting to the centuries-old esoteric and exoteric Western traditions of ‘the Word’ – the creative power in the sounds of the divine-human alphabet – he gave it concrete form and expression in the performing arts, education and therapy. Although aimed primarily at the professional concerns of eurythmists who perform, teach or work as therapists, the lectures offer a wealth of suggestions and insights to anyone interested in the arts. For this new edition – freshly translated by Matthew Barton and introduced by Coralee Frederickson – the original shorthand transcripts have been compared exhaustively with typed records and the notes of course participants. These notes included numerous sketches of movements, gestures and choreographies, many of which have been reproduced here to complement the text. Also featured is an appendix comprising facsimiles and transcripts of Rudolf Steiner’s preparatory notes, programmes of the eurythmy performances given during the course, and accounts by Steiner published in the Society Newsletter. Finally, there are recollections by course participants, additional sketches of forms and movements, Marie Steiner’s original foreword, and 30 pages of colour plates featuring blackboard drawings and eurythmy forms. New revised and expanded edition; Trans. by M. Barton; Intro. by C. Frederickson (Fifteen lectures, Dornach, Jun.-July 1924, GA 279); 512pp + 32pp colour plates; 23.5 x 15.5 cm

Therapeutic Eurythmy for Children is a collection of exercises gathered by Anne-Maidlin Vogel from 1968 until 1998. Many arose from lectures the author attended, given by experienced therapeutic eurythmists--especially Trude Thetter and Ilse Rolofs, as well as medical doctors and colleagues. Much of the material she used in her own therapy lessons with patients, with some of the exercises created from her own work with children for over thirty years. As a form of movement therapy, eurythmy has been very effective in treating physical and mental developmental disorders. This book is a rich source of information for professional eurythmy therapists, physicians, and teachers of children up to fifteen years of age. Therapeutic Eurythmy for Children provides not only examples for exercises, but also offers useful references for personal development and additional training for therapists. Included here are eurythmy therapy exercises to be performed with premature infants, babies, and young children up to the age of four. Although based firmly on Rudolf Steiner's spiritual science and his general recommendations for eurythmy, anyone can follow the descriptions and sketches for individual exercises, which are based on healthy movement of the developing human organism. Speech eurythmy exercises (specific spoken sounds and sequences) are included for postural problems, enuresis, lack of concentration, and more. These encourage readers to study the principles behind the practice of eurythmy performance and eurythmy therapy. Therapeutic Eurythmy for Children will inspire and enrich the work of therapists, provide a means to more holistic pediatrics, give teachers a better understanding of how to approach their students through movement, and encourage parents toward a more effective, holistic aid to their children's overall health and development.

Eurythmy is a modern movement art developed by Rudolf Steiner in which the sounds of language and music are expressed through gesture and dance. Drawing from decades of experience as a performer, teacher and therapist, Hoven offers new and inspiring insights into how the practice of Eurythmy can awaken our creative spiritual powers and lead to a deeper understanding of the meaning of life and our place in the universe. Offers a collection of essays that describe the essential nature of sounds and explains in detail how they are expressed through movement in Eurythmy. Includes practical exercises for self-help and healing, as well as meditations on 24 major vowel and consonant sounds.--Cover.

Following his lecture-course Eurythmy as Visible Singing, these fundamental lectures on speech eurythmy – offered in response to specific requests – gave Rudolf Steiner the opportunity to complete the foundations of the new art of movement. Speaking to eurythmists and invited artists, Steiner connects to the centuries-old esoteric and exoteric Western traditions of ‘the Word’ – the creative power in the sounds of the divine-human alphabet – giving it concrete form and expression in the performing arts, education and therapy. In addition to the fifteen lectures in the course, this special edition features supporting lectures and reports by Rudolf Steiner, dozens of photographs and line drawings, as well as introductions, commentary, notes and supplementary essays compiled by editor Alan Stott, including ‘Eurythmy and the English Language’ by Annelies Davidson. Although aimed primarily at the professional concerns of eurythmists who perform, teach or work as therapists, the lectures offer a wealth of suggestions and insights to those with artistic questions and concerns. ‘Only someone who creatively unfolds a sense for art from an inner calling, an inner enthusiasm, can work as an artist in eurythmy. To manifest those possibilities of form and movement inherent in the human organisation, the soul must inwardly be completely occupied with art. This all-embracing character of eurythmy was the foundation for all that was presented.’ – Rudolf Steiner ‘For the poet, for the thinker, and for the movement artist who thinks with his/her whole body, the highest mental act is done with all their heart and with all their mind and with all their soul.’ – Alan Stott

‘Astrology is a concern of the Christ and the work of Michael.’ – Hermann Beckh During the brief window between the two World Wars, the Rev. Prof. Hermann Beckh led research at The Christian Community Seminary in Stuttgart. In those precious years he published on music, the gospels and the ancient Mysteries. By 1930, in his Contributions to the Priests’ Newsletter, he had produced the most far-reaching account of the cosmic order ever written. The typescript of this great work was destined to gather dust in the Berlin Archiv, however, until it was discovered in recent years. Published here for the first time, it is the crowning masterpiece to Beckh’s Collected Works. The translated and annotated text is accompanied by Rudolf Frieling’s in-depth application of Beckh’s principles of the cosmic starry order to the Creed of The Christian Community, and by a number of appreciations and relevant book reviews. Through ever-deepening meditation guided by Rudolf Steiner, and his vast knowledge of Tibetan, Sanskrit, Pali and Avestan sacred texts – scarcely to be equalled in Europe at the time – Beckh came to the first-hand realization that human and cosmic life was ordered. He perceived directly that this cosmic order was: good, as originating from the World-Will; true, as from World-Thinking; and beautiful, as from World-Feeling. All three could be personally experienced in disciplined consciousness that could enter dream, sleep and pre-natal life. This, then, was Beckh’s method and inspiration, as shown in this extraordinary work. ‘The time will come when Beckh’s “Christened” star-knowledge, which signifies a basic overturning of today’s decadent astrology, will be appreciated for its significance.’ – August Pauli

‘The study of music is the study of the human being. The two are inseparable, and eurythmy is the art which brings this most clearly to expression. In these lectures, Rudolf Steiner guides us along a path toward an understanding of the human form as music comes to rest – the movements of eurythmy bringing this music back to life.’ – Dorothea Mier ‘Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter.’ – Rudolf Steiner The focus of these eight lectures is the source of movement and gesture in the human being. The movement in musical experience is thus traced back to its origin in the human instrument itself. Like the degrees of the musical scale, Rudolf Steiner leads his select audience of young artists through eight stages, focusing on the living principles of discovery and renewal. Eurythmy was born in the turbulent decades of the early twentieth century. From an individual question as to whether it was possible to create an art based on meaningful movement, Rudolf Steiner responded with fresh creative possibilities for a renewal of the arts in their totality. The new art of eurythmy was an unexpected gift. Today, music eurythmy, along with its counterpart based on speech, is practiced as an art, taught as a subject in schools, enjoyed as a social activity and applied as a therapy. This definitive translation of Steiner’s original lecture course on eurythmy includes a facsimile, transcription and translation of the lecturer’s notes, together with an introduction and index. The volume is supplemented with an extensive ‘companion’, featuring full commentary and notes compiled by Alan Stott, as well as a translation of Josef Matthias Hauer’s Interpreting Melos.

Rudolf Steiner initiated a new art of movement, which can be characterised as speech and music made visible. This concise but informative guide to eurythmy includes a brief survey of dance, from its origin in the ancient mysteries to its contemporary forms, placing Steiner's ideas in their historical context. It then goes on to explore the three main strands of eurythmy: as stage performance, in education, and in therapy, giving insightful examples of each. The book has been revised and updated, and includes black and white photographs of performance and educational eurythmy.

During the Christmas period of 1923-4, Rudolf Steiner refounded the Anthroposophical Society at its headquarters in Dornach, Switzerland. This important event, which has come to be known as the Christmas Conference, can be studied on many levels, and its many mysteries have been central to Sergei O. Prokofieff's anthroposophical research over the years. His beginning point has been an enduring question: What did Rudolf Steiner mean when he called the Christmas Conference the ‘start of a World-Turning-point of Time’? In this far-reaching work, the author – working from several different viewpoints - guides the reader towards an answer. Prokofieff suggests that the impulse of the Christmas Conference can only be reenlivened today through conscious action by individuals to experience its spiritual essence. Rather than offering dogmatic conclusions, he opens up paths of approaching this goal by throwing light on different aspects of the Conference and what lies at its heart: the Foundation Stone and its Meditation. In particular, Prokofieff explores three key perspectives: the connection of the Christmas Conference with humanity’s evolution; the inner relationship of each individual anthroposophist to the Christmas Conference; and the significance of the Conference to Rudolf Steiner himself. Although this is major work of some length, the individual chapters of May Human Beings Hear It! are complete in themselves, and can therefore be studied independently of each other.