""with poetry and poets, with art, it seems a veritable probability that in the ""produce"" of this art there are personal developments going on which affect this art and making it a ""developmental"" ""work in progress"" even if the art executed, in this instance fullblooded poetry, is expressed in a continuous stream of perfectly formed and inherently consistent isles of artistry, expression, expulsion even exorcism orexoticism. this is in my opinion highly the case with michael mcaloran's poetry and the steady produce of high quality immanently consistent collections of poems resulting also subsequently in this striking chromatography of books."" from the introduction by Aad de Gids

Commemorating twenty years, this deeply moving play, written by high school students who witnessed the tragedy unfold, remembers September 11, 2001. This edition features new cover art, an updated introduction from Annie Thoms, and a new foreword from New York Times bestselling author David Levithan. A New York Public Library Book for the Teen Age "Profound." --Booklist "Moving." --Publishers Weekly "Rings with authenticity and resonates with power." --School Library Journal Tuesday, September 11, started off like any other day at Stuyvesant High School, located only a few blocks away from the World Trade Center. The semester was just beginning, and the students, faculty, and staff were ready to start a new year. But within a few hours on that Tuesday morning, they would share an experience that would transform their lives--and the lives of all Americans. This powerful play, written by students of Stuyvesant High School based on their interviews with the school community, remembers those who were lost and those who were forced to witness this tragedy. Here, in their own words, are the firsthand stories of a day we will never forget. This collection helped shape the HBO documentary In the Shadow of the Towers: Stuyvesant High on 9/11. For dramatic rights, please visit http: //permissions.harpercollins.com/.

Late one evening in the summer of 2003, Erec Toso arrived home to his wife and children after an ordinary day at his university office. In the darkness of his yard, a rattlesnake lay along the path, basking in the post-monsoon coolness. Toso, lost in thought, never saw the snake, which struck him on the foot and injected a huge dose of venom. Zero at the Bone is a deeply personal narrative about Toso’s physical recovery and emotional transformation following this near-death experience. In elegant prose that inspires as much as it unsettles, Toso takes the reader along with him on his expedition into the uncharted territory of cellular damage, hallucination, and ultimately profound spiritual awakening. On all levels, it is a book about pain. Toso spares no detail in his accounts of agonizing hospital procedures, in his revelations about rattlesnake lore, or in his descriptions of the wide-ranging effects of snake venom. But quickly the reader realizes that the physical pain of the snakebite is only the more tangible marker of the psychological pain and turmoil that Toso endures in the emotional journey that ensues. In the months that follow his terrifying attack, priorities, daily habits, family relations, and definitions of self all come into question. What is predictable becomes problematic; what is comfortable becomes disconcerting. In a story that hinges on a common fear about an unlikely event—that of a snakebite—Toso uncovers a more widespread reality that many of us do not fear enough—complacency.

The New York Times bestselling author of The Millionaires and The First Counsel returns to Washington, D.C., with the story of an insider's game that turns deadly. Matthew Mercer and Harris Sandler are best friends who have plum jobs as senior staffers to well-respected congressmen. But after a decade in Washington, idealism has faded to disillusionment, and they're bored. Then one of them finds out about the clandestine Zero Game. It starts out as good fun-a simple wager between friends. But when someone close to them ends up dead, Harris and Matthew realize the game is far more sinister than they ever imagined-and that they're about to be the game's next victims. On the run, they turn to the only person they can trust: a 16-year-old Senate page who can move around the Capitol undetected. As a ruthless killer creeps closer, this idealistic page not only holds the key to saving their lives, but is also determined to redeem them in the process. Come play The Zero Game-you can bet your life on it.

In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, 'Belledonne' and 'Prairie', which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.