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"Guy Rivers" by William Gilmore Simms is a captivating example of Southern Gothic literature that delves into the intricacies of morality and justice in the antebellum South. Set against the backdrop of the American frontier, Simms weaves a tale of intrigue, betrayal, and redemption. The novel follows the eponymous protagonist, Guy Rivers, a complex character who grapples with his own moral compass as he navigates through a world rife with corruption and violence. As Rivers confronts the consequences of his actions and struggles with his inner demons, Simms offers readers a poignant exploration of the human condition. Through vivid descriptions and rich character development, Simms creates a hauntingly atmospheric narrative that transports readers to a bygone era of Southern society. Themes of guilt, redemption, and the search for meaning permeate the story, leaving a lasting impression on readers long after they have turned the final page. "Guy Rivers" stands as a testament to Simms' literary talent and remains a timeless classic in the canon of Southern literature, showcasing the author's keen insight into the complexities of human nature.

In this book, Sharada Balachandran Orihuela examines property ownership and its connections to citizenship, race and slavery, and piracy as seen through the lens of eighteenth- and nineteenth-century American literature. Balachandran Orihuela defines piracy expansively, from the familiar concept of nautical pirates and robbery in international waters to postrevolutionary counterfeiting, transnational slave escape, and the illegal trade of cotton across the Americas during the Civil War. Weaving together close readings of American, Chicano, and African American literature with political theory, the author shows that piracy, when represented through literature, has imagined more inclusive and democratic communities than were then possible in reality. The author shows that these subjects are not taking part in unlawful acts only for economic gain. Rather, Balachandran Orihuela argues that piracy might, surprisingly, have served as a public good, representing a form of transnational belonging that transcends membership in any one nation-state while also functioning as a surrogate to citizenship through the ownership of property. These transnational and transactional forms of social and economic life allow for a better understanding of the foundational importance of property ownership and its role in the creation of citizenship.