The Yale-China Association's long legacy of work in China places it among the premier American organizations engaged in international service. Founded in 1901, Yale-China built on a long tradition of Yale's graduates founding churches, schools, and colleges in far-flung places. In time, the organization evolved into a bicultural educational enterprise, reflecting a spirit of intellectual tolerance and openness that adapted itself to China's changing conditions and needs. From its earliest years at the close of the Qing dynasty through wars, revolutions, and the modern era of reform, Yale-China's history was interwoven with China's own turbulent journey to find its place in the modern world. At certain points in its history, Yale-China was ahead of its time; at others, the organization was overwhelmed by social and political forces beyond its control or comprehension. Yale-China's history thus provides intriguing insights into the vagaries and complexities of America's interaction with China in the twentieth century, as well as the profound ambivalence with which many Chinese viewed the United States--its representatives, educational models, and intentions toward China--in this period.

The first comprehensive history of China's most luxurious textile and its enduring influence on Chinese civilization and art Over the past fifty years, archaeological explorations in China have unearthed a wealth of textile materials, some dating as far back as five thousand years. In this magnificently researched and illustrated book, preeminent Western and Chinese scholars draw upon these spectacular discoveries to provide the most thorough account of the history of silk ever written. Encyclopedic in breadth, the volume presents a chronological history of silk from a variety of perspectives, including archaeological, technological, art historical, and aesthetic. The contributors explore the range of uses for silk, from the everyday to the sublime. By directly connecting recently found textile artifacts to specific references in China's vast historical literature, they illuminate the evolution of silk making and the driving social forces that have inspired the creation of innovative textiles through the millennia. Published in association with the Foreign Languages Press, Beijing

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

DIV Welcome to Encounters, a groundbreaking Chinese language program that features a dramatic series filmed entirely in China. The program’s highly communicative approach immerses learners in the Chinese language and culture through video episodes that directly correspond to units in the combination textbook-workbook. By combining a compelling story line with a wealth of educational materials, Encounters weaves a tapestry of Chinese language and culture rich in teaching and learning opportunities. Encounters follows a carefully structured and cumulative approach. Students progress from listening and speaking to the more difficult skills of reading and writing Chinese characters, building grammar, vocabulary, and pronunciation skills along the way. The Encounters program includes: • Two Full-color Student Books for introductory Chinese study • Annotated Instructor’s Editions with answer keys and suggested class activities • Two Character Writing Workbooks linked directly to the Student Book • Ten hours of video materials, comprising dramatic episodes, cultural segments, and animations, all integrated with the Student Books • A total of 200 minutes of audio material, linked to the Student Books, for listening and speaking practice • A website, www.encounterschinese.com, providing a year’s free access to all audiovisual material of the program upon adoption /div

Spanning some 7000 years, 'Chinese Sculpture' explores a beautiful and diverse world of objects, many of which have only come to light in the later half of the 20th century. The authors analyse and present, mostly in colour, some 500 examples of Chinese sculpture.

Welcome to "Encounters", a groundbreaking Chinese language programme that features a dramatic series filmed entirely in China. The programme's highly communicative approach immerses learners in the Chinese language and culture through video episodes that directly correspond to units in the textbook. By combining a compelling story line with a wealth of educational materials, "Encounters" weaves a tapestry of Chinese language and culture rich in teaching and learning opportunities. "Encounters" follows a carefully structured and cumulative approach. Students progress from listening and speaking to the more difficult skills of reading and writing Chinese characters, building grammar, vocabulary, and pronunciation skills along the way. "The Encounters" programme includes: Two Full-colour Student Books for introductory Chinese study; Annotated Instructor's Editions with answer keys and suggested class activities; Two Character Writing Workbooks linked directly to the Student Book; Ten hours of video materials, comprising dramatic episodes, cultural segments, and animations, all integrated with the Student Books; A total of 200 minutes of audio material, linked to the Student Books, for listening and speaking practice; and, a website providing a year's free access to all audiovisual material of the programme upon adoption.

Civil society groups can strengthen an autocratic state's coercive capacity, helping to suppress dissent and implement far-reaching policies.

"The first publication to explore Philadelphia Museum of Art's wide-ranging collection of Chinese art, offering an introduction to general readers and serving as a valuable resource for future research and scholarship. This catalogue of one hundred highlights, drawn from a collection of more than seven thousand objects spanning more than four thousand years, will be both a sumptuous visual record of the Philadelphia Museum of Art's most notable Chinese works and an informative and valuable reference for those interested in Chinese art. The objects have been selected to show not only the strengths of the collection, but also important and distinctive examples of Chinese art in different mediums. They are also intended to bring together the museum's Chinese collection, which is presently housed in such disparate departments as Chinese export art, costume and textiles, Sino-Tibetan art, and contemporary art--representing sculpture, ceramics, furniture, architectural interiors, textiles, and paintings"--

How could the Chinese Communist Party (CCP) not only survive but even thrive, regaining the support of many Chinese citizens after the Tiananmen Square crackdown of 1989? Why has popular sentiment turned toward anti-Western nationalism despite the anti-dictatorship democratic movements of the 1980s? And why has China been more assertive toward the United States and Japan in foreign policy but relatively conciliatory toward smaller countries in conflict? Offering an explanation for these unexpected trends, Zheng Wang follows the Communist governmentÕs ideological reeducation of the public, which relentlessly portrays China as the victim of foreign imperialist bullying during Òone hundred years of humiliation.Ó By concentrating on the telling and teaching of history in todayÕs China, Wang illuminates the thinking of the young patriots who will lead this rising power in the twenty-first century. Wang visits ChinaÕs primary schools and memory sites and reads its history textbooks, arguing that ChinaÕs rise should not be viewed through a single lens, such as economics or military growth, but from a more comprehensive perspective that takes national identity and domestic discourse into account. Since it is the prime raw material for constructing ChinaÕs national identity, historical memory is the key to unlocking the inner mystery of the Chinese. From this vantage point, Wang tracks the CCPÕs use of history education to glorify the party, reestablish its legitimacy, consolidate national identity, and justify one-party rule in the post-Tiananmen and postÐCold War era. The institutionalization of this manipulated historical consciousness now directs political discourse and foreign policy, and Wang demonstrates its important role in ChinaÕs rise.